Passion and Duty
So much could have gone wrong with this follow-up to Visconti's deeply flawed "Morte a Venezia": the treatment of Ludwig II's (dream-)life could have resulted in hokey mystification; Helmut Berger's impersonation could have been badly influenced by the actor's frequently mannered performances; re-casting Romy Schneider as Sissi could have been a mere folly; and stretching the running-time to four hours could have been the nail in the coffin.
But miraculously, it all works: Visconti's elegant and empathic direction finds the right biographical tone; Berger has never been better; Romy is simply dazzlingly charming and witty in her second, much more mature approach to the Sissi character; and (except for the bumpy last hour) there's not a single unwanted scene.
Plus, Trevor Howard's Richard Wagner is a real treat; the other supporting actors are uniformly excellent; Ludwig's dormant homosexuality is subtly handled; the soundtrack is a marvel and visually, it's Visconti's most impressive work.
9 out of 10 moonlit horse rides
But miraculously, it all works: Visconti's elegant and empathic direction finds the right biographical tone; Berger has never been better; Romy is simply dazzlingly charming and witty in her second, much more mature approach to the Sissi character; and (except for the bumpy last hour) there's not a single unwanted scene.
Plus, Trevor Howard's Richard Wagner is a real treat; the other supporting actors are uniformly excellent; Ludwig's dormant homosexuality is subtly handled; the soundtrack is a marvel and visually, it's Visconti's most impressive work.
9 out of 10 moonlit horse rides
- Rindiana
- Jun 26, 2009