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My Left Foot (1989)

Review by CinemaClown

My Left Foot

A Profoundly Rich & Moving Experience

Notable for marking the commencement of Daniel Day-Lewis' personal version of method acting, My Left Foot presents the widely acclaimed actor pushing himself to the extreme in what is undoubtedly one of the proudest works of his acting career. And even though the film doesn't have anything else to offer, the performances are strong enough to keep the viewers engaged.

Based on the autobiography of the same name, My Left Foot tells the story of Christy Brown; an Irishman who was born with cerebral palsy but despite his handicap went on to become an artist & writer, all with the help of the only thing he could fully control: his left foot. The film covers his upbringing in a poor family, his daily struggles, discovery of new passions & also his stint with love.

Wonderfully directed by Jim Sheridan, the film is heartwarming & heartbreaking at the same time, and is an inspiring insight into the life of Christy Brown that makes the viewers go through various emotions, but pity isn't one of them. The technical aspects are finely executed & have nothing special going on but it's in the performances where the film manages to make the most lasting impression.

There are three key performances that are worth noting here. First is Daniel Day-Lewis who delves into his character like never before & plays him from inside-out. Next is Brenda Fricker who strongly chips in as Christy's mother. And last we have Hugh O'Connor who is as good as Day-Lewis for his portrayal of young Christy Brown sets up a perfect stage for Day-Lewis to take over.

On an overall scale, My Left Foot is a touching tale about the indomitable will of the human spirit to triumph against all odds, and succeeds mainly because of the unforgettable performances from its highly committed cast. But even if the film is entirely dependent on its acting strength, it still makes up for a rich cinematic experience that comes as a must for Daniel Day-Lewis' admirers as well as critics.
  • CinemaClown
  • Oct 10, 2013

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