The Colony

When a German Diplomatic official attends the premiere in Toronto to refute the premise of the film its a sign that the material strikes pretty close to home.

Very memorable Q&A at the 2015 Tiff. Hats off to the director that didn't flinch at all when confronting the questioner.

Its one of those films that you can honestly say "real life is stranger than fiction"

Its obvious that the film makers used this convincing story to attract the very talented cast. Even the despicable bad guys (and gal) were very well cast in addition to our heroes.

I'm glad this film wasn't released amidst the flurry of films prior to the awards season. Everyone should take the time and let this material and these performances sink in.

Well done. Good work.

I was holding my breath from beginning to end. This movie is so exciting from the minute it starts a real thriller with a damn good story. I enjoyed it and definitely recommend watching it. It really is worth your time and chapeau to Emma for this performance! Also it is a real eyeopener that there is so much going on in the world that we (I) am not aware of. The way they portrait it in this movie is just excellent without over doing it. The actor Daniel also is really really good his performance is magnificent. I think there should be a lot more movies with the purpose to make people aware of what is going on in this film. It is definitely not boring in the slightest way and you wont regret watching it!

I've been to the premiere at the Film Festival in Zurich and I was moved by the movie, not because of the love story, but because of the irrefutable truth. The movie left me thinking and researching about its topic: Colognia Dignidad, a cult in Santiago de Chile. It conjures many ethical questions and portrays what humanity is capable of. The movie grips and doesn't let go of you till the end. The contents is real, except for the love story that forms the golden thread. One has to imagine that the movie portrays the life and the ways of Colognia Dignidad almost like a documentary without felt exaggeration, but it is still a movie with a story. Superb acting by Emma Watson and Daniel Brühl made the movie an even more intense experience. The only criticism I can make is that the love story is average in comparison to the rest. I believe that the characters actions don't always make much sense. All in all, it's one of the best movies I've seen this year and cannot be compared with the commercial films normally shown in cinemas.

Inspired by true events, Colonia is a Hollywood-style thriller about a couple who finds themselves in the wrong place at the wrong time- the torture prison of a religious cult under the influence of the Chilean secret police in 1974. At a time when Chilean youth began revolutionizing in the streets, one man's involvement with the movement along with his girlfriend's association in his anti-government views causes the couple to put their relationship and love for each other to the test. Directed by Academy Award winner Florian Gallenberger (Shadows of War), Colonia opens in theaters Friday, April 15th. Bill Withers' "Ain't No Sunshine" accompanies archival footage of protesters rioting in the streets while the film itself is saturated in prime colors- magenta and royal blue. This juxtaposition of violence and R&B gives an artistic edge to the film's opening scenes, but unfortunately, this visual isn't sustained throughout the film. We meet our protagonist Daniel (Daniel Brühl), up on stage pumping up the masses of people, when, out of nowhere, he spots a bright yellow flight attendant's outfit (like a ray of Mr. Withers' sunshine) from the muted colors of the crowd. The woman is Lena (Emma Watson) and they immediately embrace. Their relationship isn't made entirely clear, but she only has four days in town and they plan on spending it together.

While enjoying their time together, Daniel receives a phone call that shifts the political tide and changes everything. This results in chaos erupting in the streets, leading to their capture by the Chilean soldiers. Daniel gets abducted and taken to a hidden cult in a rural area called Colonia Dignidad, run by ex-Nazi Paul Schäfer (Michael Nyqvist). Left with no other choice, Lena willfully joins the Colonia as a desperate, last-ditch effort to find her boyfriend, risking her own life to bring him home as she discovers that those who enter the cult never leave.

Emma Watson and Daniel Brühl play Lena and Daniel with an innocence about them that has you rooting for their success. Watson is unquestionably beautiful and smart, her outspokenness gets her into trouble. Brühl takes a more unconventional risk with his character by playing the role of a mentally challenged person in an effort to trick his captors into thinking he is not a threat. Watson and Brühl are crucial to the film's success, but individually speaking, these roles won't likely result in a significant boost to their careers.

Colonia can't escape the comparisons to Eli Roth's The Sacrament or the documentary Kidnapped for Christ (if you haven't seen it, it's available to stream on Netflix, and is a MUST- watch), which may hurt Colonia's overall success because it is not as riveting by comparison. Audiences know what they are getting with an Eli Roth film, and a documentary has its own sense of wonderment, but Colonia tends to jump from the political thriller to love story to religious brainwashing in a patchwork way that feels a bit all over the place, and it is this "clumpy" genre blending that may be the film's weakest point. Plus, Daniel and Lena's relationship is never fully established in the beginning of the film, so we are left to wonder why she would risk her life to save this person.

At its core, Colonia is an interesting story, but not a very memorable film. It doesn't provide enough tension to overshadow The Sacrament, nor does it have the foundation to be a solid romance. The fact that it is based on a true story is what keeps the film afloat and the inclusion the smuggled archival photos of the real Colonia Dignidad at the end is a much-needed gem. Yet, even with cinema-savvy actors Emma Watson and Daniel Brühl, Colonia can't quite seem to gain the traction needed to be a standout film.

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A religious cult in Chile run by ex-Nazis?!? It may sound like a bizarre work of fiction, but the location portrayed in the historical drama "Colonia" (NR, 1:50) was all too real (except for the fictional romance at the center of the film). But before I get into my plot summary, I think that a little historical context is in order: In September 1973, a U.S.-backed military coup wrested control of the government of Chile from democratically-elected socialist president Salvador Allende and placed power in the hands of army commander-in-chief Augusto Pinochet. Under his 17-year rule, dissidents were persecuted, arrested, kidnapped, deposed, tortured and murdered. Pinochet's government used the remote Colonia Dignidad (Colony of Dignity) as a place to torture and murder some of the regime's political opponents. The public face of the colony was that of a charitable and educational organization. It was actually a religious cult where former Nazi medic Paul Schäfer imposed a strict Baptist interpretation of the Bible on all of his followers, many of who had emigrated with him from Germany. He forced them to live in dormitories segregated by gender, and with parents separated from their children, whom Schäfer sexually molested.

Daniel Brühl plays Daniel, a political activist from Germany who has been living in Chile for a few months working with a group of young people supporting President Allende. Daniel's girlfriend, Lena (Emma Watson), is a flight attendant who takes advantage of her week-long stopover in Santiago to spend time with Daniel. When a military coup suddenly drives Allende from power, the new government starts rounding up political dissidents, including Daniel – and Lena, who happens to be with him when he's arrested. In a soccer stadium, a man wearing a black hood identifies Allende supporters, including Daniel, who is whisked away in a van. Lena is able to trace the markings on the vehicle to the secretive and remote "Colonia Dignidad" compound, about 200 miles south of Santiago. She makes her way there and asks to join. "I want to know the way of the Lord," she says, wearing a small cross around her neck.

In her attempt to rescue her lost love, Lena is sacrificing her freedom – and putting her very life at risk. A harsh old woman named Gisela (Richenda Carey) takes her to meet the cult's leader, German expatriate and lay preacher Paul Schäfer (Michael Nyqvist). "Once you join us, you must remain," explains Schäfer. Lena agrees, in spite of observing his Christian fanaticism and some of his innate creepiness. Gisela relieves Lena of the small bag she had brought with her, gives her a few items including a set of linen, and assigns her a bed in the female dormitory. Most of the women show no interest in talking to the new arrival, but Lena befriends another young woman named Doro (Jeanne Werner) and, later, another named Ursel (Vicky Krieps). As Lena joins the women in their daily work in the fields and in other food preparation activities, she learns what she can about the camp and keeps her eyes peeled for Daniel.

Daniel has survived severe physical abuse at the hands of the Chilean secret police in the colony's subterranean torture chamber, but he is a bit worse for the wear. Besides his physical injuries, his speech is slurred and he now talks and acts like a child. Lena finally catches sight of Daniel when she steals a glance through the window of the colony's assembly hall during a men's meeting and is obviously concerned about his state of mind. Soon after, at a rare meeting with the cult's men and women all together, Lena takes the risk of approaching Daniel, hoping that the two of them can come up with a plan to escape the cult, something no one has done before. But there's much more at stake than "just" the fate of two young lovers. Besides the terrible ways that Schäfer uses and abuses his followers, it turns out that he's also into some other nasty business that further reduces even the slim chance that Daniel and Lena have to get away for good.

"Colonia" takes a little-known chapter in history and spins it into an interesting and entertaining tale of romance and danger. The story is perhaps best understood as a combination of "The Boys from Brazil", M. Night Shyamalan's "The Village" and Ben Affleck's Oscar-winning "Argo"… if you can imagine that. This film's unusual setting contributes to its originality, as does telling a story in which it's the woman who comes to rescue the man. The actors are well cast, and this accomplished multi-national ensemble consistently offers up lived-in performances. The direction, by Florian Gallenberger (who won an Oscar for his 2000 live action short film "I Want to Be…"), sometimes feels a little disjointed, but he mostly keeps things moving and builds some serious tension into the movie's plot. The script (co-written by Torsten Wenzel and Gallenberger) is creative and smart. There may not be much actual dignity in the Colonia Dignidad compound, but this film dignifies itself with some quality story-telling. "A-"