The Scandalous Lady W

So refreshing a period movie that doesn't try to mordernise itself. The music, the costumes, the make-up, the wigs, everything feels very authentic to the period. Faithful to the true history behind it, as far as I can tell. I'd love if it was longer, if it explored Lady W's life in France, for example. Acting was great, especially from Natalie Dormer. It's SO rare a period film that doesn't try to be "modern", "relatable to modern audiences" and all that, it was a delightful surprise to watch this. Some candle-lit scenes as well, just beautiful. And one minor detail: she wears a chemise under her corset, SO MANY period dramas get it wrong, it warmed my little historical fashion fixed heart.

Well, there's a hour-and-a-half of my life I shan't get back!.. Simply awful-wooden acting (standing stiffly and looking vacantly into the middle distance does not give you poise-it merely looks like you're suffering from haemorrhoids) stilted dialogue (and the wrong language used, at that-I don't think I heard a single use of 'shall', 'should' or 'I am', but rather 'will', 'would' and I'm. People just didn't speak this way-let alone the glottal stop used instead of a final 't'...)-It might have helped if Shaun Evans hadn't grunted every line through his nose, or did he just have very bad cold during the whole shoot?.. At least Cpt Leversuch (Alex Beckett) and Mr Wallace (Craig Parkinson) managed to speak properly-the rest of the cast could do with a course of elocution lessons...

Too much makeup, bad costumes (this was 1782, not 1982-I half-expected Adam Ant to crawl ito view)... I suppose the set design was up to scratch, but the outdoor shoots were awful-this was not how pre-Regency London looked at all...

There was a time, you know, when the BBC could do this sort of thing standing on its head-now... Meh... Hallie Rubenhold, who co-wrote the screenplay, and wrote the book upon which it was based, calls herself a historian?.. Polite Society simply didn't behave like this in public-in private, behind closed doors, perhaps, but face and honour were all (see Lady Caroline Lamb and Lord Byron, who conducted a scurrilous affair in public 30 years later)... Lord Rochester had been dead for over one hundred years when these events occurred...

I've saved the worst for last-who, in (we assume) their right mind imagined that Natalie Dormer was right for this part?.. In addition to looking wrong, and dressing wrongly (see above), she was utterly incapable of delivering her lines without either a languid drawl, or a simper-I'm not sure which was worse... She wasn't even capable of walking properly in costume (see the final scene)!..

Oh, and one final thing, BBC, please stop showing British judges banging gavels in court!.. It has never happened, nor will it ever!..

I think we should demand our licence-payers' money back...

The fact that this is a true story is so unbelievable. Not only was it scandalous for the 18th Century England, it would be quite shocking today. This is a handsomely made costume drama beautifully filmed and well acted but the story is so sordid and shocking for the 21st Century.

Natalie Dormer of the Tudors and GOT stars as Seymour Fleming a noblewoman in 18th Century England. She was an heiress. She married a man who turned out to be a pervert - he liked to watch her with other men. But in those days all a woman's property went to her husband upon marriage. When she fell in love with one of the other men and left her husband - he sued for "conversation" some kind of adultery damages. A sensational trial follows in which the other men testify. The outcome is bittersweet but the story is really fascinating.

An interesting commentary on women's rights in a marriage in the 18th Century. The story couldn't have been made portrayed on film explicitly in the past since it's so salacious.

The most important thing to realize about David Eldridge's adaptation of the book by Hallie Rubenhold was the lack of power given to any wife in the eighteenth century. They were simply regarded as a husband's property, denied any possibility for self- determination. This film explored the ways in which the eponymous central character (Natalie Dormer) tried to circumnavigate the law.

Told through flashbacks, we learned how Lady Worsley had a sexless marriage to Sir Richard (Shaun Evans). Rather he forced his spouse to make love to a succession of titled nobles, while he watched them in the act through a keyhole - the supreme act of voyeurism. Unfortunately things go terribly wrong when Lady Worsley falls in love with Captain George Bisset (Aneurin Barnard). There follows a protracted court battle, where Sir Richard tries to obtain £20K in compensation from Captain George for hurt feelings, while steadfastly refusing to allow his wife a divorce.

Natalie Dormer portrays Lady Worsley as a woman trying to make the best of an impossible situation. Forced into a series of unwanted relationships to satisfy her husband's vicarious lust, she has cultivated an inscrutable outward shell as a means of self- protection. During the act of love-making her face remains impassive as she looks to her right at her husband staring through the keyhole. In public she maintains a similar expression, especially when confronting her husband over the possibility of divorce. In one sequence she is shown walking away from his stately home, her face staring impassively at the camera. No one, it seems, can penetrate her tough exterior.

Yet perhaps she needs to cultivate that facade in order to survive. Captain George comes across as something of a hypocrite who professes his undying love for Lady Worsley yet cannot accept the sexual humiliations she has undergone. He still believes in that patriarchal construction of female purity, especially in someone he hopes to marry. Eventually he decides to leave Lady Worsley as he proclaims in uncertain tones that he no longer loves her. Whether this is true or not is immaterial; we realize at this moment that he lacks any real moral or intellectual fiber, preferring instead to embrace the majority view that women should be servile to all males.

Although set in the eighteenth century, THE SCANDALOUS LADY W makes some important points about the necessity for female self- determination. Even in our so-called enlightened world, there are millions of women worldwide who are faced with similar dilemmas as experienced by Lady Worsley, and have to find the best means to negotiate them.

Adams 5905 is absolutely right on every count. Natalie Dormer can hack it as a bit part in East Enders, but like most of the female actors today has no grasp of the language and pronunciation of the well-bred aristocrat or even the upper middle class. Joanna Lumley she is not!

As to the script - who begins a sentence with "Myself" as the nominative singular? Only the barely educated. There were several words not in common usage at that time, but why should we be surprised at the slap-dash writing and direction by people who have little formal classical education in English, let alone simple grammar?

Altogether laughable