Animals

This film was supposed to be about the relationship between Laura and Tyler. It's a special friendship but there's dangerous side. Unfortunately the film wanders way off course and the last third of the film explores Laura cheating on her fiance. Is she doing this (subconciously) so she can stay with Tyler? Didn't come across that way. I think the screenwriter urgently needed to sit down and cut a lot out of the movie and focus on what it was really about. Basically we needed more Tyler.

We also urgently needed to see these characters at their day jobs. Laura says she's a waitress (I think). We needed to see her struggling through an awful hungover day. Or being fired for showing up late. We see them drinking through the week but there's not much flipside. There's no consequences.

Probably the most glaring oddity is the scene where Tyler (apparently) steals a jar of unspecified drugs (MDMA crystals? methamphetamine?). It's a truly hefty quantity presumably worth many thousands of euros. How did they get away with this? Why isn't there someone hunting for it?

This was another Cineworld Unlimited preview showing, so this film isn't released in the UK until early August (2019).

Laura (Holliday Grainger) and Tyler (Alia Shawkat) are two late twenty-somethings partying their way to an early death through drink, drugs and lack of sleep in Dublin. They are co-habiting best friends, with Laura a hugely unsuccessful part-time novelist and Tyler a barista. But these "professions" are just to fill the day and provide cash (SURELY not enough!?) to fuel their nights.

They are swimming against the current of convention, but when Laura falls for concert pianist Jim (Fra Fee), and 'settling down' starts to look like an option, then this begins to put a terrible strain on their friendship.

I have to admit that I really didn't enjoy this film. I'm sure it's technically very strong - with great cinematography and (at times) thoughtful script. But I had absolutely no empathy with any of the characters involved. They were driftless individuals leading vacuous hedonistic lives. I just wanted to shake them by the shoulders and shout in their faces "Are you going to be happy with what you've done in your life on your death bed?"

I often talk about "story arcs" in my blog. For example, the "man in a hole" story arc is "happy-sad-happy" through the film. The story arc of this film is "miserable unpleasant people feeling wretched, then slightly less wretched, then wretched again". It was just not a winning formula for me.

I see that the film is described on imdb as a "comedy drama". I think they are shooting for sort of a female version of "Withnail and I". But, to be honest, while there were a few funny lines that raised a smile, I don't think it was funny enough to merit that description. I certainly didn't remotely agree with the "Hilarious" quote on the poster.

Honest to God, I don't think there is a single frame of this film where there is not wine being poured or drugs being snorted. "You drink with a real sense of mortality", dodgy poet Marty (Dermot Murphy) tells Laura. (This is a great line from scriptwriter Emma Jane Unsworth's script). I can't find what the budget of this film was, but it wouldn't surprise me if 80% of it wasn't spent on bottles of Jacob's Creek. I expected to see a "wine wrangler" listed in the end titles.

It's not a great example to set for young people for sure, and it well deserves its UK15 certificate. With its drug taking, heavy drinking and casual (and morally bankrupt) sex, if I was on the BBFC I would have be lobbying for an 18 certificate.

In terms of the cast, Holliday Grainger is excellent and believable in the role of the aimless drifter suddenly finding an anchor. Another really great performance. Equally good is Alia Shawkat, an actress unknown to me. She gets across brilliantly the desperation of a lost soul losing her soulmate. (I just had trouble separating her character in my mind from Rizzo in "Grease". If they ever remake that film, she would be a shoe-in for the role made famous by Stockard Channing.) By the way, if you're trying to pin down where you've seen Fra Fee's striking features before (it was bugging me) he played the part of Courfeyrac in the film version of "Les Miserables".

Made by Sophie Hyde it's an interesting and well made film. As such, I don't want to give it a savage rating. Many may enjoy it. I personally didn't, and wouldn't watch it again. The primary benefit I got from seeing it was again registering Holliday Grainger as an acting force that I will watch out for in future films.

(For the full graphical review, please check out One Mann's Movies on t'internet or Facebook. Thanks. )

The best way to sum up this film is that nothing really happens. There's plenty of drugs, sex, swearing and vomit, but it's a lot less exciting than all of that sounds. I went to this movie expecting it to be raucous, shocking and funny. Instead, it just kind of dragged, with some thought-provoking moments that made you think about real life problems, but plenty of parts that were just boring. I didn't really enjoy this film to be honest, and I don't recommend it.

Heartwarming, funny and sad all at different times the film was a real blast for the majority although felt was around 20 minutes to long towards the end it did drag a little and the humour began to wear off. Overall still worth a watch and Holliday Grainger in particular was fantastic.

Two young women, Laura and Tyler, share a close 10-year friendship of hedonistic, carefree times in Dublin with all the drink, drugs and casual encounters with boys that implies. Their friendship is one of those platonic almost-marriages - they share a bed as well as a flat and never leave each other's side. But life is beginning to intrude more and more into their happy world as they enter their 30s and cross that dreaded line into a new era where one's life is suddenly supposed to have meaning. Laura's sister Jean, a former fellow traveller on their wild adventures, is newly married, pregnant, sober and increasingly distasteful of her sister's apparent immaturity - and even more so of Tyler, a freewheeling partier who becomes increasingly despondent as she realises she is losing her friend.

But while all of this may sound thoroughly predictable, what Animals does well is to diverge from by-the-numbers plotting and not hem in its characters with cliche responses or obvious moral lessons. Laura is determined not to go quietly into a life of marriage and cohabitation with her new fiancé, Jim, or to leave behind her BFF despite the inevitable forces coming between them. And the film throws up little surprises that keep you on your toes and keep up the story's momentum.

Unfortunately, what's lacking is wit - it just isn't as entertaining in depicting banter as it aspires to be. While the dynamic of the two lead characters has been compared to Withnail and I, for legitimate reasons, that comparison brings obvious trouble with it - W&I was full of brilliantly funny scenes of nothing but two guys being drunk, high or horrifically hungover, a tricky thing that few imitators have pulled off well. There are large parts of this film (particularly the first half hour or so) that rely too much on the audience finding the characters and their antics hilarious. While the characters are likeable, they aren't much more entertaining than your real-life friends, even if they do quote Yeats more frequently.

Overall, though, it deserves credit for being a truthful and heartfelt depiction of enduring friendship and a break with the expected norms of both film storytelling and of polite society. If you find the dialogue a shred more entertaining than I did, you'll have a blast.