Drama set within the fictional realms of Charles Dickens critically acclaimed novels, bringing together some of his most iconic characters as their lives intertwine in 19th century London.Drama set within the fictional realms of Charles Dickens critically acclaimed novels, bringing together some of his most iconic characters as their lives intertwine in 19th century London.Drama set within the fictional realms of Charles Dickens critically acclaimed novels, bringing together some of his most iconic characters as their lives intertwine in 19th century London.
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I must admit to being highly sceptical by the whole premise surrounding Dickensian. Having studied several of the great works for English lit the thought of combining characters seemed like a grand scale disaster, but to my utter amazement, it's cohesive, logical and has become utterly addictive viewing. I find the scheduling a little all over the place, it seems to go out at random times, so I enjoy catching up with it at work having lunch.
Fantastic production values as one would expect from the BBC, the camera work is slick, the costumes and sets are world class, but it's the scripts and the acting that are making the show for me, am loving Anton Lesser's Fagin, and Ned Dennehy's interesting portrayal of Scrooge. I barely recognised Caroline Quentin.
I appreciate the subtle touches of humour too, it could have easily been grim viewing, but far from it. Love it. 8/10
Fantastic production values as one would expect from the BBC, the camera work is slick, the costumes and sets are world class, but it's the scripts and the acting that are making the show for me, am loving Anton Lesser's Fagin, and Ned Dennehy's interesting portrayal of Scrooge. I barely recognised Caroline Quentin.
I appreciate the subtle touches of humour too, it could have easily been grim viewing, but far from it. Love it. 8/10
It would have been delightful to enjoy the well-rounded Dickensian characters again this Christmas. Instead we have been bombarded with repeats of dramas seen several times already. What has happened to this wonderful series?
The idea of bringing together into one narrative different fictional characters has been done recently and brilliantly in the likes of "Penny Dreadful" but this new BBC series takes it up a few notches more, not only in the number of disparate characters but of course that they are all from the world of Charles Dickens.
I must admit I was concerned when I read that the series was devised by the producer of the Beeb's dreadful soap opera "Eastenders" but, five episodes in, these Londoners I can stand. It is slightly confusing to see some resurrected characters walking about like Nancy from "Oliver Twist", Little Nell from "The Old Curiosity Shop" and Miss Haversham from "Great Expectations" and one wonders if they are going to meet the same end as before, also in my reading of the former, I didn't have Nancy pegged as a call-girl as here and attending, shall we say, to Jacob Marley too.
The show is set up along the same lines as the channel's previously successful adaptation of "Bleak House", i.e. in thirty minute programmes, usually with a kind of cliff- hanging climax at the end of each episode, which of course ties in well with the weekly publication method that Dickens himself worked to. The main story of the many plot strands appears to be the death of Jacob Marley from "A Christmas Carol", with Inspector Bucket of "Bleak House" on the trail, but a close second appears to be the anticipated jilting of Miss Haversham too.
As you'd expect, the production values are high, the settings are superb, interiors and exteriors, the latter especially played out in the winter snow. I'd imagine the eyes of the various agencies for actors in the UK all lit up when they got wind of this production, so many of them are employed here, although not too many big names that I can see, perhaps Stephen Rea in another mannered portrayal of Bucket, Caroline Quentin as the domineering Mrs Bumble and Pauline Collins having fun as that old soak Mrs Gamp being the most identifiable. There's also a smattering of new characters too just to help the plots develop and to date these creations are fitting in seamlessly well.
Anyway, I'm thoroughly enjoying it now that I'm familiar with the main characters and can see the plot coming nicely to the boil. I'm just wondering if some of the best known nicer characters like Pip from "Great Expectations", Nicholas Nickleby or David Copperfield might yet show up, but really there's more than enough to be going in with. With another fifteen episodes to go, there's plenty of time for surprises yet.
Some might see this interpretation of Dickens as manipulative or even sacrilegious but with modern writers devising authorised use of characters by say Charlotte Bronte and Ian Fleming to give two very different examples, personally I'm finding it fun and rather enjoying it so far.
I must admit I was concerned when I read that the series was devised by the producer of the Beeb's dreadful soap opera "Eastenders" but, five episodes in, these Londoners I can stand. It is slightly confusing to see some resurrected characters walking about like Nancy from "Oliver Twist", Little Nell from "The Old Curiosity Shop" and Miss Haversham from "Great Expectations" and one wonders if they are going to meet the same end as before, also in my reading of the former, I didn't have Nancy pegged as a call-girl as here and attending, shall we say, to Jacob Marley too.
The show is set up along the same lines as the channel's previously successful adaptation of "Bleak House", i.e. in thirty minute programmes, usually with a kind of cliff- hanging climax at the end of each episode, which of course ties in well with the weekly publication method that Dickens himself worked to. The main story of the many plot strands appears to be the death of Jacob Marley from "A Christmas Carol", with Inspector Bucket of "Bleak House" on the trail, but a close second appears to be the anticipated jilting of Miss Haversham too.
As you'd expect, the production values are high, the settings are superb, interiors and exteriors, the latter especially played out in the winter snow. I'd imagine the eyes of the various agencies for actors in the UK all lit up when they got wind of this production, so many of them are employed here, although not too many big names that I can see, perhaps Stephen Rea in another mannered portrayal of Bucket, Caroline Quentin as the domineering Mrs Bumble and Pauline Collins having fun as that old soak Mrs Gamp being the most identifiable. There's also a smattering of new characters too just to help the plots develop and to date these creations are fitting in seamlessly well.
Anyway, I'm thoroughly enjoying it now that I'm familiar with the main characters and can see the plot coming nicely to the boil. I'm just wondering if some of the best known nicer characters like Pip from "Great Expectations", Nicholas Nickleby or David Copperfield might yet show up, but really there's more than enough to be going in with. With another fifteen episodes to go, there's plenty of time for surprises yet.
Some might see this interpretation of Dickens as manipulative or even sacrilegious but with modern writers devising authorised use of characters by say Charlotte Bronte and Ian Fleming to give two very different examples, personally I'm finding it fun and rather enjoying it so far.
Amazing show! Got so drawn in & wrapped up in characters, realizing it was over after Season 1 was a rude slap in the face. Well worth watching, but leaces you wanting more.
Given that I totally loathe Eastenders and its dreary premise, I was so surprised to find just how enjoyable Dickensian is. I recorded quite a few episodes but once I started watching I have fond it compulsive viewing. My only complaint is the casting of Stephen Rea as the detective, Bucket. Rea is not a great favourite of mine so I find it hard to be convinced by him. The other actors are, in my opinion, fantastically well cast. Pauline Collins is great as is Ned Dehenny as Scrooge. Everyone inhabits their parts very well. Production values are high and Victorian Britain is well portrayed here. The story is well written and plotted and makes a pleasant change from the dreadful Eastenders. It is interesting to see the show's take on Miss Havisham's fate which was never really fully explained in Great Expectations. I just hope that the standard remains as high as the series has been so far.
Did you know
- TriviaFeatures characters from Charles Dickens's Great Expectations, Bleak House, A Christmas Carol, Oliver Twist, The Old Curiosity Shop, Our Mutual Friend, Martin Chuzzlewit, Barnaby Rudge, The Pickwick Papers, Hard Times, The Mystery of Edwin Drood, and Dombey and Son.
- GoofsIn A Christmas Carol, Jacob Marley is said to be dead 7 years before the story takes place. Tiny Tim is a small boy, the youngest of the brood. Yet, here in Dickensian, Tim is the age he would be in 7 years by the original story. Marley just died.
- ConnectionsFeatured in Too Much TV: Episode #1.18 (2016)
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