IMDb RATING
6.9/10
4.4K
YOUR RATING
A well-respected man residing in what's left of Old Beijing attempts to exonerate his son from his wrongdoings with his own methods and beliefs.A well-respected man residing in what's left of Old Beijing attempts to exonerate his son from his wrongdoings with his own methods and beliefs.A well-respected man residing in what's left of Old Beijing attempts to exonerate his son from his wrongdoings with his own methods and beliefs.
- Awards
- 26 wins & 44 nominations total
Jugang Bai
- Xiao Fei's friend
- (as Ju-Gang Bai)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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A so-so movie about some Chinese old farts who failed to adapt themselves into the ever changing, rapidly deteriorating environment and social structure in China, especially the horrible turn-out of Beijing. This film signed up the famous and controversial director as the leading character, an old fart that got nothing to do everyday, but hold and hanging a bird cage, walking around to deal with some injustice happened daily in that part of the Capital. An old fart who had a dark background and history when he was young, a widower with a rebellious son who didn't respect at all but despise him. The animosity and misunderstanding between father and son finally clashed and tested when the young one involved in a trouble, and his old fart father had tried to solve it with his old but die-hard rigid moral principles originated from his mobster time when he was young.
The whole movie was stretched too long just for the purpose of allowing these Beijing old farts to deliver some wise-cracking dialog that made the old Beijing people so self-important and so self-pompous, considering themselves a notch higher than the other people living outside of the Capital city. The wise-cracking dialog had stretched so thin that sometimes really needed your patience to sit tight to watch. The storyline and the scenarios involved lot of unnecessary sub-plots to patch up the whole somehow very hollow and weak story. It totally relied on this actor/director to deliver most of the pointless dialog. At first, the leading character gave you an impression that he indeed could talk the talk and walk the walk, but then, suddenly his obnoxious attitude and his toughness surrendered to his physical conditions, with heart disease. An old fart, tough with his mouth but scared to death to surgery and the small scalpels to be used in his surgery.
The storyline later turned out to be more ridiculous when he tried to meet the gangsters from the other side. So pretentious gestures in his preparation before the final encounter: shaving his hairs, putting up an old green military long coat, long boots and then, taking out a Japanese Katana, riding a bike through the Beijing streets, with an escaped ostrich aside all along.....These, are all parts of the prolonged to the extreme unnecessary scenes, so overly contrived to certain unbearable limit. And then, what we got is nothing but mucho thunders, not even thunderbolts, albeit rains.
This movie is just too Chinese to be appreciated by any other country's viewers. Even to the Chinese who did not grow up in Beijing would have a quite tough time to sit through the whole nine yards if the dialog in Chinese didn't keep interpreting with ( ) to make them understandable. A very contrite and pretentious, sometimes even quite shallow movie. Not too bad, but definitely not great either. Watchable, but need some patience to sit through.
The whole movie was stretched too long just for the purpose of allowing these Beijing old farts to deliver some wise-cracking dialog that made the old Beijing people so self-important and so self-pompous, considering themselves a notch higher than the other people living outside of the Capital city. The wise-cracking dialog had stretched so thin that sometimes really needed your patience to sit tight to watch. The storyline and the scenarios involved lot of unnecessary sub-plots to patch up the whole somehow very hollow and weak story. It totally relied on this actor/director to deliver most of the pointless dialog. At first, the leading character gave you an impression that he indeed could talk the talk and walk the walk, but then, suddenly his obnoxious attitude and his toughness surrendered to his physical conditions, with heart disease. An old fart, tough with his mouth but scared to death to surgery and the small scalpels to be used in his surgery.
The storyline later turned out to be more ridiculous when he tried to meet the gangsters from the other side. So pretentious gestures in his preparation before the final encounter: shaving his hairs, putting up an old green military long coat, long boots and then, taking out a Japanese Katana, riding a bike through the Beijing streets, with an escaped ostrich aside all along.....These, are all parts of the prolonged to the extreme unnecessary scenes, so overly contrived to certain unbearable limit. And then, what we got is nothing but mucho thunders, not even thunderbolts, albeit rains.
This movie is just too Chinese to be appreciated by any other country's viewers. Even to the Chinese who did not grow up in Beijing would have a quite tough time to sit through the whole nine yards if the dialog in Chinese didn't keep interpreting with ( ) to make them understandable. A very contrite and pretentious, sometimes even quite shallow movie. Not too bad, but definitely not great either. Watchable, but need some patience to sit through.
It's really difficult to review this film in a different language. In fact it's even tough to comprehend it for many Chinese who are distant from Peking for the reason that it entirely roots on the very local culture of Peking, of both yesterday and today.
The main theme, to me, is about the change of belief.
To many countries, the late half of the 20th century is a continuous of history. But in China, things are opposite. There was no much difference from North Korea till 1980s. But now it's more Capitalism than any genuine Capitalism countries. The old generation, including the Mr. Six, was born in the North Korea - like era. Although brainwashed by propaganda daily, what these former Peking boys value most are something traditional, the loyalty to friends and the courage to risk life for friends. They are really man, of great dignity, and will not bow down for money.
The young generation, born in 1990s or 2000s, grew up in a totally different era. Peking, along other major cities of China, spent the last 20 years to become metropolitans cannot be differentiated from New York by appearance. The lifestyle of many Peking youth is in close association with alcohol, pub, racing cars. Also ironically, a significant portion of these playboys are descendants of those high rank communists who intended to shape the country to the 2nd USSR. Consequently, the belief of the younger generation, the worship of money and power, is totally different from the former.
The film is of plenty vanishing features of old Peking, like the Peking alleys or so called Hu Tong, the parrot in the cage, and the last scene, a remarkable stamp of those heroic boys in 1970s who fight with Katanas (collections of high rank communist from Sino-japan war) and green woolen coats.
The main theme, to me, is about the change of belief.
To many countries, the late half of the 20th century is a continuous of history. But in China, things are opposite. There was no much difference from North Korea till 1980s. But now it's more Capitalism than any genuine Capitalism countries. The old generation, including the Mr. Six, was born in the North Korea - like era. Although brainwashed by propaganda daily, what these former Peking boys value most are something traditional, the loyalty to friends and the courage to risk life for friends. They are really man, of great dignity, and will not bow down for money.
The young generation, born in 1990s or 2000s, grew up in a totally different era. Peking, along other major cities of China, spent the last 20 years to become metropolitans cannot be differentiated from New York by appearance. The lifestyle of many Peking youth is in close association with alcohol, pub, racing cars. Also ironically, a significant portion of these playboys are descendants of those high rank communists who intended to shape the country to the 2nd USSR. Consequently, the belief of the younger generation, the worship of money and power, is totally different from the former.
The film is of plenty vanishing features of old Peking, like the Peking alleys or so called Hu Tong, the parrot in the cage, and the last scene, a remarkable stamp of those heroic boys in 1970s who fight with Katanas (collections of high rank communist from Sino-japan war) and green woolen coats.
I didn't expect to like this movie. The premise sounded dull and Feng Xiaogang was always known as a director rather than an actor. So imagine my surprise when I thought to myself after the credits rolled that wow, this is definitely one of my favorites of 2015.
I love everything about it, I am familiar with Guan Hu as I have watched two of his films which I also liked and I thought this would be the first movie of his that I would hate. Turns out it'd be one of his best.
Mr Six is not meant to be a hero or a sympathetic character even. He's an old guy set in his ways and stubborn to a great fault. Which is why the ending was fitting in all its symbolic glory.
The character that really stayed with me was Xiao Fei, the spoiled brat turned sympathetic kid who looks up to the values of old and yearns for a father's attention. The interesting thing about this movie was that it also had the story of a father and son but the more compelling story was the one between a father and another man's son.
I would recommend this movie to anyone. Brilliant and well-executed filmmaking.
I love everything about it, I am familiar with Guan Hu as I have watched two of his films which I also liked and I thought this would be the first movie of his that I would hate. Turns out it'd be one of his best.
Mr Six is not meant to be a hero or a sympathetic character even. He's an old guy set in his ways and stubborn to a great fault. Which is why the ending was fitting in all its symbolic glory.
The character that really stayed with me was Xiao Fei, the spoiled brat turned sympathetic kid who looks up to the values of old and yearns for a father's attention. The interesting thing about this movie was that it also had the story of a father and son but the more compelling story was the one between a father and another man's son.
I would recommend this movie to anyone. Brilliant and well-executed filmmaking.
I wanted to write a review just to let cinema goers know that this is a well made movie, with a lot to like about it - but action is not one of them - because quite simply there is none - ZERO. Now don't get me wrong, i love all sorted of Asian cinema, drama, action, martial arts and thriller, but i am sick & tired of being mislead. It shouldn't be in the category of action and whilst the trailers showed "glimpses and promises of knives, swords and a few sensational stare downs" thats where the action ends. It was actually very well paced for the first half, but there is a scene in which the movie comes to a grinding halt and never recovers. It is a movie about redemption, father & son relationships and Mr Six being a man of principle which is rarely found in today's society. It was beautifully shot and acted, but shame what started out promising so much at a decent pace ended up grinding to a halt and delivering none of the action it promises in description or in the trailer.
Did you know
- TriviaThe ostrich running in the street is actually dressed up by a girl.
- How long is Mr. Six?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Fading Wave
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,415,450
- Opening weekend US & Canada
- $332,117
- Dec 27, 2015
- Gross worldwide
- $139,191,345
- Runtime2 hours 14 minutes
- Color
- Sound mix
- Aspect ratio
- 2.66 : 1
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