If there is one song you will be left struggling to get out of your head after watching “You’re Cordially Invited,” it will be “Islands in the Stream.” There are no less than three versions of the Dolly Parton and Kenny Rogers song sung by the cast in the film — but are they actually singing themselves?
Now streaming on Prime, the movie — directed by “Forgetting Sarah Marshall” and “Neighbors” vet Nicholas Stoller — centers on two families who unknowingly have weddings double booked at one tiny inn. One is for Jenni (Geraldine Viswanathan), booked by her dad Jim (Will Ferrell). The other is for Neve (Meredith Hagner), booked by her sister Margot (Reese Witherspoon).
Eventually, Margot and Jim agree to try and share the space for the weekend. They trade off between taking the outside and indoor event space, but when a massive rainstorm hits, Jim and his family are forced to crash the indoor festivities.
Now streaming on Prime, the movie — directed by “Forgetting Sarah Marshall” and “Neighbors” vet Nicholas Stoller — centers on two families who unknowingly have weddings double booked at one tiny inn. One is for Jenni (Geraldine Viswanathan), booked by her dad Jim (Will Ferrell). The other is for Neve (Meredith Hagner), booked by her sister Margot (Reese Witherspoon).
Eventually, Margot and Jim agree to try and share the space for the weekend. They trade off between taking the outside and indoor event space, but when a massive rainstorm hits, Jim and his family are forced to crash the indoor festivities.
- 1/30/2025
- by Andi Ortiz
- The Wrap
‘Top End Wedding.’
Major and independent film distributors and exhibitors are urging the federal government to adopt a new PG13 classification which they say would benefit family-friendly Australian and international films that get M ratings.
Echoing calls by Screen Producers Australia and the Australian Children’s Television Foundation, the Film Industry Associations (Fia) also advocates a uniform classification system across all delivery platforms, with self-classification by the industry, overseen by a government regulator.
“The current review system is no longer fit-for-purpose. It is expensive and unfeasibly time-consuming in an environment where digital distribution has minimised the time between the delivery of a film and its release date,” the Fia says in its submission to the government classification review.
The group represents the Motion Picture Distributors Association of Australia, the Australian Independent Distributors Association, the National Association of Cinema Operators and Independent Cinemas Australia.
Spa and the Australian Home Entertainment Distributors Association...
Major and independent film distributors and exhibitors are urging the federal government to adopt a new PG13 classification which they say would benefit family-friendly Australian and international films that get M ratings.
Echoing calls by Screen Producers Australia and the Australian Children’s Television Foundation, the Film Industry Associations (Fia) also advocates a uniform classification system across all delivery platforms, with self-classification by the industry, overseen by a government regulator.
“The current review system is no longer fit-for-purpose. It is expensive and unfeasibly time-consuming in an environment where digital distribution has minimised the time between the delivery of a film and its release date,” the Fia says in its submission to the government classification review.
The group represents the Motion Picture Distributors Association of Australia, the Australian Independent Distributors Association, the National Association of Cinema Operators and Independent Cinemas Australia.
Spa and the Australian Home Entertainment Distributors Association...
- 3/1/2020
- by The IF Team
- IF.com.au
There are more than a few streaming services in the marketplace — far more than 200, in fact — but a service billing itself as the first streaming network dedicated to the world of theater is planning to debut in late summer.
Stage will launch in August with a free version before phasing in a subscription-based variant in October. It will feature original scripted, variety and reality series, live theater, documentaries, talk shows, concerts and Broadway shows, films and international stage productions. The free version will preview of original programming in production, micro-series and licensed films. The subscription launch (with no price specified as yet) will expand the amount of programming to 500 total hours. Initially, Stage will be available only in the U.S., though an international rollout is planned in 2019. No distribution partnerships with streaming gateways like Roku, Chromecast or Apple were mentioned in the official launch announcement.
“Much like the time...
Stage will launch in August with a free version before phasing in a subscription-based variant in October. It will feature original scripted, variety and reality series, live theater, documentaries, talk shows, concerts and Broadway shows, films and international stage productions. The free version will preview of original programming in production, micro-series and licensed films. The subscription launch (with no price specified as yet) will expand the amount of programming to 500 total hours. Initially, Stage will be available only in the U.S., though an international rollout is planned in 2019. No distribution partnerships with streaming gateways like Roku, Chromecast or Apple were mentioned in the official launch announcement.
“Much like the time...
- 4/23/2018
- by Dade Hayes
- Deadline Film + TV
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