Cardinals

You won't get the ending you may have been assuming in 10 mts towards the end. Not only assuming but expecting for the movie to clear out the feelings that tend to develop, during the course of watching it.

Could it have ended more conclusively?

No.

The movies like these are touching and need more discussions in the society, for how the things are put to an end.

The ending was left to the wisdom of viewers to decide.

Or the director could have brought in different endings in a snapshot, to make it easy for the viewers to decide what was the best "justice".

I know of two movies with two endings!

.the movie wasnt too bad but it was a struggle to stay engaged. You do feel like if you look away you will miss the thing that explains it all, but like so many indie films, it just ends. The writer ( or whoever was in charge of the film ) couldnt come up with anymore story and said " thats a wrap".the movie wasnt too bad but it was a struggle to stay engaged. You do feel like if you look away you will the movie wasnt too bad but it was a struggle to stay engaged. You do feel like if you look away you will miss the thing that explains it all, but like so many indie films, it just ends. The writer ( or whoever was in charge of the film ) couldnt come up with anymore story and said " thats a wrap".miss the thing that explains it all, but like so many indie films, it just ends. The writer ( or whoever was in charge of the film ) couldnt come up with anymore story and said " thats a wrap". Oh well.

Don't let the low ratings fool you. This is a great debut for Grayson Moore and Aidan Shipley; with very smart direction. Aided by well paced, atmospheric beats, and outstanding performances. This is not your typical character study on a family torn apart by a mistake nor is it your typical picture that follows one woman's redemption arc as she grapples with a mistake that cost her everything. This original script builds tension in the most uncomfortable way and boils over during the final 10 minutes of the film. Some will find the ending unsatisfying, hence the low ratings, but for those who can appreciate the unconventional approach to this story, you'll find it just as satisfying as the first and second act.

Valerie Walker (Sheila McCarthy) is released from prison after a drunk driving incident sent her away. Her daughters, Eleanor (Katie Boland) and Zoe (Grace Glowicki), bring her home. Her dead victim's son Mark Loekner (Noah Reid) asks her questions about the incident, but the answer is unconvincing. The incident is more complicated than the explanation in court.

There is one big mystery and that's about it. The audience is left waiting and waiting for the slow reveal for an hour. The reveal is way too slow. By the time that everything is laid out on the table, the movie is almost two thirds over. They need to reverse the distribution and reveal much much sooner.

Take me to your darkest room. Close every window and lock the door. This is kitchen zink realism. Wow! A film that actually tell you a story with the help of dialogue and images. Who does not want to dazzle you with artistry. Or trying to hide that the story is made up along the way. In "Cardinals" we are offered a story with substance. Plus a cast and a crew who knows how to communicate this and more to us, the audience. I am so grateful. This is the play Sam Shepard never got around to write. "It's also the best film that Atom Egoyan never made." (Andrew Parker TIFF)