A Ghost Story

Imagine a joke that takes 90 minutes to tell, you never get to hear the actual punchline, and part of the point is how long and incredibly boring it is to get there - yet it makes sense at the end, and in some strange way seems fulfilling. If this sounds like your cuppa joe, you might like this flick. I'm glad I watched it, but wouldn't watch it again, and can't recommend it.

I didn't hate this film, but it missed the mark on so many levels. Rooney Mara's talent is essentially wasted in her role as the grieving widow. Casey Affleck is...well, Casey Affleck, and in his defense, he doesn't have much to work with here. The director gets points for making a silent bed sheet somewhat watchable. And, there are a few really good scenes, which I won't describe in case you absolutely, positively want to watch this. However, I have to warn you that unless you're willing to endure long stretches of nothing of importance happening, you probably won't care for this film.

This is what happens when a director decides to make a work of art regardless of what the intended audience wants. Points awarded for trying.

I am surprised at how emotional this movie was. I fully expected this to be slow and it was so as it started off I wasn't angry but I was getting bored, anyone who has seen it can admit that the pie eating scene is a tad too long. However as the movie progresses it becomes better or even great in places, it is slow but it explores the passing of time and mortality in such a magnificent way that it makes the viewer think and reflect on their own life and what it means. As I said in the title this movie would go really well with Pink Floyd's Dark Side of the Moon, especially the song Time. The story of the movie is very simple but effective and the length of it is perfect. The movie is an unexpected gem because even though people have recommended this I did not expect it to be one of the most resonant movies of 2017 for me and one that would make feel so sad and thoughtful.

A Ghost Story marks David Lowry's return to cinema since his 2013 indie hit "Ain't Them Bodies Saints". Telling the story of a young couple (Casey Affleck and Rooney Mara) who buy a home and plan to start a life together in it until tragedy strikes. The Man suddenly dies and leaves the wife to fend for herself and build a life in the house by herself instead of with the man she loves. All while she is going through this in reality, the Man begins to haunt the home in a classical white sheet donning way. Throughout the years of being trapped to haunt this home, The Ghost also has to witness the love of his past life continue on without him and experience the moments of life without him. It is a beautiful and heart wrenching film that delves deeper into what grief does to not only a person but to a ghost.

Whether you believe in an after life or not, A Ghost Story isn't worried about your beliefs. It plays out like a fantasy and that's how it stays which really bodes well for it. It never reaches beyond what is happening with the Man and the Woman and, of course, the House (which becomes a character in and of itself). David Lowry does a great job at setting up a "what if" scenario that all you can do is ask yourself, "what would I do in this situation?" The scariest part of that is there is literally nothing you can do. That rationalization is probably scarier than most horror films out today.

The film itself is a very digestible 90 minutes which is of a perfect length for this film because it doesn't go overboard and forget what it is. It's a horror film that is light on scares but heavy on thoughts and brains. There's no real scares. The big scare is putting yourself in the shoes of the ghost. What would you do if you had to witness your loved one go through grief and you couldn't do anything about it? You couldn't comfort them. You couldn't hold them. You could just watch. What if the person you loved moved on from you? What if they forget you? These questions are what made A Ghost Story scary for me. The level of helplessness that the film portrays is horrifying enough to remind audiences that death is still scary.

Overall, the film is an experimental ghost story that shows Lowry in top form both as a writer and a director. The crass nature of reality is that death is lonely and he captures that perfectly. While many who take a look at the poster will certainly think that the film is just another horror movie trying to capitalize on some paranormal money, A Ghost Story is much more than that. It is beautiful to watch, heart wrenching to experience and an absolute delight cinematically.

"A Ghost Story" haunts its way into my 7/10 rating, and I must admit, I liked it. Casey Affleck's minimalist yet poignant performance under a sheet is surprisingly affecting, creating an ethereal presence that lingers long after the film ends. The deliberate film editing, characterized by long takes and slow pacing, allows the audience to immerse themselves in the film's meditative atmosphere. Its strength lies in its exploration of time, mortality, and the afterlife, offering a unique and introspective take on the supernatural genre. Daniel Hart's haunting score adds to the film's melancholic beauty, and the cinematography, often framed in a square aspect ratio, gives a sense of isolation and eternity. "A Ghost Story" is a thought-provoking and quietly moving experience, reminding us that even in death, our presence can endure, and my liking for it is as enduring as the ghost's silent watch over time.