Detective Martin Jones, who leads a double life as a killer for hire in Los Angeles' deadly underground, suffers an existential crisis which leads him deeper into a blood splattered world of... Read allDetective Martin Jones, who leads a double life as a killer for hire in Los Angeles' deadly underground, suffers an existential crisis which leads him deeper into a blood splattered world of violence.Detective Martin Jones, who leads a double life as a killer for hire in Los Angeles' deadly underground, suffers an existential crisis which leads him deeper into a blood splattered world of violence.
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Summary
Reviewers say 'Too Old to Die Young' presents Nicolas Winding Refn's distinct style with slow pacing, neon visuals, and a dark atmosphere. The series blends crime drama with surreal elements, using minimalist dialogue and long takes. Its unconventional storytelling and aesthetic beauty are praised, though the slow pace and non-linear plot divide opinions. The show delves into violence, existentialism, and the human condition with dark humor and satire, making it a unique yet polarizing experience.
Featured reviews
This not for people that dislike graphic violence and gore. Having said that, I really enjoyed the director's style, the cinematography, acting, plot and production values. This is an extremely dark drama, with really terrible characters, doing really terrible things. However, the plot is constructed in such away, that it is really hard, if not impossible. To know what is going to happen next, or to whom. I was fascinated by the series, and really enjoyed it. I'm surprised at the high number of positive viewer reviews of the series there are, because it certainly is not for everyone.
One beautiful shot after the other, atmosphere-building silences, sparse dialogue, echoing analog synth drones. If you've seen any of Refn's last 3 films (Drive, Only God Forgives, Neon Demon) then you know the score and you should probably know what to expect coming into this so-called series, which really is much more of a 13-hour movie/bad acid trip.
Except with so much time for Refn to do as he pleases we end up with much more atmosphere-building silent moments, and somehow the dialogue is even sparser - Miles Teller basically plays a corrupt cop version of Ryan Gosling's Driver minus the toothpick. The end result comes across like a non-supernatural, neon-colours David Lynch piece with a mesmerizing score by Cliff Martinez at his best. This alone makes it worth watching - it's like being in an art gallery, watching one beautiful moving painting after another as brilliant, haunting music fades in and out. Is there much underneath this shimmering, beautiful surface? Debatable. Does it matter? Only if you like your TV and movies old school style, with a well-conceived plot and characters you can empathise with.
Except with so much time for Refn to do as he pleases we end up with much more atmosphere-building silent moments, and somehow the dialogue is even sparser - Miles Teller basically plays a corrupt cop version of Ryan Gosling's Driver minus the toothpick. The end result comes across like a non-supernatural, neon-colours David Lynch piece with a mesmerizing score by Cliff Martinez at his best. This alone makes it worth watching - it's like being in an art gallery, watching one beautiful moving painting after another as brilliant, haunting music fades in and out. Is there much underneath this shimmering, beautiful surface? Debatable. Does it matter? Only if you like your TV and movies old school style, with a well-conceived plot and characters you can empathise with.
I love Nicolas Winding Refn. Drive is one of my all time favorite movies, and I loved the Neon Demon and Bronson. So I was going into this show optimistic and excited, but towards the end of the first episode it felt like a 10 hour movie. There's a lot of amazing shots but the pacing is very Very slow, and it bored me out a lot. The show can be really great if the pacing was a bit better. I love the directing, music, style and the acting in the episode. Story isn't really that interesting. but like I said, the biggest flaw is the pacing. I couldn't continue watching anymore.
Gripping, suspenseful, cinematography-filled utopia of a highly graphic, disturbing, sickening, and sometimes s/xual nature, violence, pe/ophilia, r/pe, misogyny, panning shots, long shots, and longer-than-normal pauses in-between dialogue in a disturbing and sickening world. This is peak entertainment, and possibly peak television.
Those who gave up watching it minutes into the premiere or in general and those who streaked through it that then spewed out negativity at it are missing out and maybe don't have the ability to appreciate what is truly good, what is good entertainment and television, and this masterpiece of a very long movie disguised as a show fits within that category.
This has been one hell of a treat, courtesy of Nicolas Winding Refn, one we didn't deserve but appreciate very much, those that recognize and acknowledge real entertainment. I feel sorry for those who don't feel the same way, and I feel all the more sorry for those that hate it. I have enjoyed it so much over the last week and a day, and now I feel empty inside. What a ride-filled experience, wow.
Do me one favor. Watch this masterpiece. It'll seem and feel very slow, especially when you're getting into it, and it is, but entertainment isn't limited to fast, action-filled pacing. You may end up feeling ecstatic and thankful that you did. I know I am. I wish I could watch this all over again for the first time but with a more mature, open mind. That would make for an even better experience.
Those who gave up watching it minutes into the premiere or in general and those who streaked through it that then spewed out negativity at it are missing out and maybe don't have the ability to appreciate what is truly good, what is good entertainment and television, and this masterpiece of a very long movie disguised as a show fits within that category.
This has been one hell of a treat, courtesy of Nicolas Winding Refn, one we didn't deserve but appreciate very much, those that recognize and acknowledge real entertainment. I feel sorry for those who don't feel the same way, and I feel all the more sorry for those that hate it. I have enjoyed it so much over the last week and a day, and now I feel empty inside. What a ride-filled experience, wow.
Do me one favor. Watch this masterpiece. It'll seem and feel very slow, especially when you're getting into it, and it is, but entertainment isn't limited to fast, action-filled pacing. You may end up feeling ecstatic and thankful that you did. I know I am. I wish I could watch this all over again for the first time but with a more mature, open mind. That would make for an even better experience.
Nicolas Winding Refn said he wanted to create a "really long movie," and "Too Old to Die Young" was birthed from that desire. It is a very long, slow, bizarre, and violent series that covers a series of topics pertaining to corrupt police officers, the Mexican cartel, paid hitmen, psychics, and many more that are too graphic to write about. And I loved every minute of this show.
I am definitely biased because I enjoy Nicolas Winding Refn's films, but I found "Too Old to Die Young" to be mesmerizing and utterly engaging with its euphoric score and ethereal visuals. Granted, it took me about three episodes to be fully engaged, but the wait was certainly worth it. This show treats you to depraved characters you won't be able to help but like as the series goes on; to violent sequences that are filmed so beautifully that you'll want to look away but be unable to; to a slow-paced and nuanced story that consistently picks up steam and builds to an explosive finale; to plot points so horrific that you won't believe Amazon greenlit this series for their streaming platform. And it all makes for some of the best viewing I've had in a while.
As always, this show looks and sounds absolutely incredible, which isn't a surprise with Refn. This show has a decidedly over-stylized feel to it, with neon-drenched visuals and an overbearing score hanging overhead most scenes, and I couldn't get enough of it. Refn has a way of making those things work, and I just enjoy both of those aspects a lot in movies. Every episode submerges you to new things to look at and hear, and it is honestly exciting to see what Refn will make you endure next.
As I mentioned, "Too Old to Die Young" also has a story that deals with a various amount of plot points. I won't spoil any here, but let's just say that it makes the show completely unpredictable as you won't know what it's going to pull out of its hat next. Also, every actor in here did a phenomenal job, even though most of them are classically stoic and borderline mute, both traits that Refn enjoys making his characters embody. Regardless, the acting in this show was good, and as the series goes on it gives its characters many times to shine.
As a whole, I really enjoyed this show and will definitely be giving it a rewatch when I have time to spare. There is just so much to enjoy here, and if you're a fan of Refn, you will definitely find things to like, if not love.
I am definitely biased because I enjoy Nicolas Winding Refn's films, but I found "Too Old to Die Young" to be mesmerizing and utterly engaging with its euphoric score and ethereal visuals. Granted, it took me about three episodes to be fully engaged, but the wait was certainly worth it. This show treats you to depraved characters you won't be able to help but like as the series goes on; to violent sequences that are filmed so beautifully that you'll want to look away but be unable to; to a slow-paced and nuanced story that consistently picks up steam and builds to an explosive finale; to plot points so horrific that you won't believe Amazon greenlit this series for their streaming platform. And it all makes for some of the best viewing I've had in a while.
As always, this show looks and sounds absolutely incredible, which isn't a surprise with Refn. This show has a decidedly over-stylized feel to it, with neon-drenched visuals and an overbearing score hanging overhead most scenes, and I couldn't get enough of it. Refn has a way of making those things work, and I just enjoy both of those aspects a lot in movies. Every episode submerges you to new things to look at and hear, and it is honestly exciting to see what Refn will make you endure next.
As I mentioned, "Too Old to Die Young" also has a story that deals with a various amount of plot points. I won't spoil any here, but let's just say that it makes the show completely unpredictable as you won't know what it's going to pull out of its hat next. Also, every actor in here did a phenomenal job, even though most of them are classically stoic and borderline mute, both traits that Refn enjoys making his characters embody. Regardless, the acting in this show was good, and as the series goes on it gives its characters many times to shine.
As a whole, I really enjoyed this show and will definitely be giving it a rewatch when I have time to spare. There is just so much to enjoy here, and if you're a fan of Refn, you will definitely find things to like, if not love.
Did you know
- TriviaWas packaged to the Cannes Film Festival under the title "North of Hollywood, West of Hell."
- GoofsThe show focuses on the Los Angeles County Sheriff's Department. While they do have the ability to make arrests anywhere in the county, they generally do not patrol in the city of Los Angeles (as represented in the story) since it's covered by L.A.P.D. instead. The Sheriff's Department works in unincorporated towns like Altadena and East Los Angeles, incorporated cities that contract with them like Santa Clarita and West Hollywood, and transit agencies like Metrolink and Los Angeles MTA.
- ConnectionsReferenced in Film Junk Podcast: Episode 712: Toy Story 4 (2019)
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- Занадто старий, щоб померти молодим
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- See more company credits at IMDbPro
- Runtime1 hour 16 minutes
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- 1.85 : 1
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