IMDb RATING
7.9/10
1.9K
YOUR RATING
Documentary film that focuses on the period beginning with the birth of Motown in Detroit in 1958 until its relocation to Los Angeles in the early 1970s.Documentary film that focuses on the period beginning with the birth of Motown in Detroit in 1958 until its relocation to Los Angeles in the early 1970s.Documentary film that focuses on the period beginning with the birth of Motown in Detroit in 1958 until its relocation to Los Angeles in the early 1970s.
- Directors
- Writers
- Stars
- Awards
- 1 win & 3 nominations total
William Stevenson
- Self
- (as Mickey Stevenson)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
There have been a number of music documentaries that have covered the era in focus but I give this documentary high praise not just for presentation but on the focus of what actually drove Barry Gordy to start the Motown enterprise and to grow it.
Let me explain upfront I don't have the musical background or training required for making a truly honest assessment of the documentary but being that much of the focus is on the human element behind the music I can point out some key things.
On the entrepreneurial side, learning from failures, perseverance, belief in oneself, and having a vision is embedded in the story. Having everyone in the enterprise share that vision and understand it even more so.
I appreciate how he gives his parents credit for raising him with the values needed to be a success. Civil rights is discussed but ultimately having a vision that is color blind is shown to be more important. The diversity he brought to his enterprise and the use of everyone's talents shines through as well.
The music is great too and making wish there was a Motown collection that I can purchase or a soundtrack to the documentary with all the full songs on it.
It is a helpful watch for anyone considering starting a business regardless of field. Barry Gordy shares credit with Smoky Robinson and others but for me it was clear he was the one driving the train..
P.S. Looking forward to comments from professional in the industry as well.
Let me explain upfront I don't have the musical background or training required for making a truly honest assessment of the documentary but being that much of the focus is on the human element behind the music I can point out some key things.
On the entrepreneurial side, learning from failures, perseverance, belief in oneself, and having a vision is embedded in the story. Having everyone in the enterprise share that vision and understand it even more so.
I appreciate how he gives his parents credit for raising him with the values needed to be a success. Civil rights is discussed but ultimately having a vision that is color blind is shown to be more important. The diversity he brought to his enterprise and the use of everyone's talents shines through as well.
The music is great too and making wish there was a Motown collection that I can purchase or a soundtrack to the documentary with all the full songs on it.
It is a helpful watch for anyone considering starting a business regardless of field. Barry Gordy shares credit with Smoky Robinson and others but for me it was clear he was the one driving the train..
P.S. Looking forward to comments from professional in the industry as well.
As a native Detroiter, I thought I knew everything about this iconic, trail- blazing, star-making machine. I couldn't have been more wrong! This documentary was brilliantly produced and directed. It provides access to the genius behind the machine - Berry Gordy and many, many of the artists who were there from the beginning -through personal interviews and a rare archive of actual recordings of staff meetings and jam sessions. We get the opportunity to see Berry Gordy's vision come to life as he models his company after a Ford assembly line, starting with identifying, and developing a multitude of talent, then bringing all the key components together, such as writers, musicians, sales people, choreographers, etiquette trainers, under one roof, called Hitsville, that goes unrivaled even today. Mr. Gordy candidly shares his risk taking ventures, successes, and failures, as well as times he was dead wrong about identifying what later became legendary hits. He shares his vulnerabilities when some stars left Motown and other times he had to relinquish the reins or risk losing major stars, such as Marvin Gaye and Stevie Wonder. Smokey Robinson, his life-long best friend, is there to support as well as tease his mentor and old friend. Berry Gordy and company have always made me proud to be a Detroiter, and I was never more proud than after viewing this documentary. Motown's legacy will never die.
10EdgarST
Of all the Motown documentaries I have seen, this is probably the best, maybe because Berry Gordy Jr., the man who created that legendary record company, was also behind the production. I admit that I was a bit skeptic, considering that a man as controversial as Gordy were the center of the film, but he is definitely the heart of the story, the motor of the enterprise and the visionary business man who followed his principles, convictions, dreams and his whims too. A true "influencer".
Many persons can still deny the importance of Motown, as many rock and roll fans, critics and historians who prefer to see that story from the point of view of white boys playing a guitar... but at this point who cares what they believe? The facts are there and those who have been open enough to listen and appreciate, know what role Motown played in music, sociology, politics and civil rights in the United States.
I guess that what makes it all more interesting is the fact that Berry Gordy is quite a host, a funny story teller who receives great help from his best friend, colleague and artistic accomplice William "Smokey" Robinson.
The film also leaves out all the feuds, gossips and sarcasm (for example, Mary Wilson has more screen time than Diana Ross, who only appears in archive stock). In this way the Motown story becomes a celebration of love, effort, friendship and collaboration, with revealing sides to the story: Gordy's inspiration to develop his business model, his own tender perception of the love he had for Ross always tied to business, his initial refusal to accept the genius of Norman Whitfield and Marvin Gaye, his failed attempt to conquer Hollywood with Ross, which in the long run meant the musical downfall of the company.
However, the legacy is intact, and "Hitsville" is a magnificent homage to all the men and women that rode along with Gordy in this journey of American success.
Many persons can still deny the importance of Motown, as many rock and roll fans, critics and historians who prefer to see that story from the point of view of white boys playing a guitar... but at this point who cares what they believe? The facts are there and those who have been open enough to listen and appreciate, know what role Motown played in music, sociology, politics and civil rights in the United States.
I guess that what makes it all more interesting is the fact that Berry Gordy is quite a host, a funny story teller who receives great help from his best friend, colleague and artistic accomplice William "Smokey" Robinson.
The film also leaves out all the feuds, gossips and sarcasm (for example, Mary Wilson has more screen time than Diana Ross, who only appears in archive stock). In this way the Motown story becomes a celebration of love, effort, friendship and collaboration, with revealing sides to the story: Gordy's inspiration to develop his business model, his own tender perception of the love he had for Ross always tied to business, his initial refusal to accept the genius of Norman Whitfield and Marvin Gaye, his failed attempt to conquer Hollywood with Ross, which in the long run meant the musical downfall of the company.
However, the legacy is intact, and "Hitsville" is a magnificent homage to all the men and women that rode along with Gordy in this journey of American success.
If you like music you will like this. If you don't like Motown you won't like this. If you don't like music don't bother to watch it.
It was a brilliant documentary that gave me a greater insight to one of the greatest record labels in the world. Berry Gordy and Smokey Robinson were and are a great double act.
It was a brilliant documentary that gave me a greater insight to one of the greatest record labels in the world. Berry Gordy and Smokey Robinson were and are a great double act.
Co-writers/directors Benjamin Turner and Gabe Turner have delivered the definitive documentary about the musical phenomenon of Motown from its quiet birth by Berry Gordy in 1958 Detroit through its growth in global importance to its relocation to Los Angeles in the 1970s.
But the film is so much more than an overview of some of the most important singers and performers whose careers blossomed under the aegis of Berry Gordy (who narrates the film with Smokey Robinson!): it is a tribute to the impact that 'record company' had on the rise of black performers on the global stage. The script is witty, insightful, sensitive, and eloquent. The film shares films clips of performances by such stars as Diana Ross and the Supremes, Smokey Robinson, Stevie Wonder, Mary Wilson, Martha Reeves, Little Richard, Michael Jackson and the Jackson 5, the Temptations, Gladys Knight and the Pips, Marvin Gaye - and on and on.
The manner in which Berry Gordy and Smokey Robinson open the survey of the history of civil rights is distinguished and is one of the most accessible demonstrations of that deeply needed transition in cultural equality that has been created. Very highly recommended on many levels.
But the film is so much more than an overview of some of the most important singers and performers whose careers blossomed under the aegis of Berry Gordy (who narrates the film with Smokey Robinson!): it is a tribute to the impact that 'record company' had on the rise of black performers on the global stage. The script is witty, insightful, sensitive, and eloquent. The film shares films clips of performances by such stars as Diana Ross and the Supremes, Smokey Robinson, Stevie Wonder, Mary Wilson, Martha Reeves, Little Richard, Michael Jackson and the Jackson 5, the Temptations, Gladys Knight and the Pips, Marvin Gaye - and on and on.
The manner in which Berry Gordy and Smokey Robinson open the survey of the history of civil rights is distinguished and is one of the most accessible demonstrations of that deeply needed transition in cultural equality that has been created. Very highly recommended on many levels.
Did you know
- TriviaDiana Ross and Gladys Knight are notable omissions of living Motown artists who only appear in archival footage and not new interviews for this documentary.
- How long is Hitsville: The Making of Motown?Powered by Alexa
Details
Box office
- Gross worldwide
- $364,013
- Runtime1 hour 52 minutes
- Color
- Aspect ratio
- 1.78 : 1
Contribute to this page
Suggest an edit or add missing content
Top Gap
By what name was Hitsville: The Making of Motown (2019) officially released in India in English?
Answer