The Rule of Jenny Pen

This was a truly interesting film but also a fairly unsatisfying one. The premise of having psychological torment in a nursing home is a pretty original idea that was surprisingly well executed given how ridiculous the trailer made the movie look. Lithgow gives a nasty performance as one of the most hatable villains I've seen in a while, while Rush plays his part as protagonist with carefully calculated defiance and cynicism against Lithgow's sadism. The camera angles and editing choices were unique, disquieting, and overall effective in their mission of creating unease. I was a little frustrated with a few key plot points that seemed like they'd be discussed later on but instead were left on the back burner. As far as the psychological horror/abuse went in the film, it was effective. A little too much. The vile representations of sexual torment paired with the overall sadism got on my nerves a bit, even if it may have worked to psych me out. That being said, not a bad movie.

Just not my cup of tea.

This is is a compelling, if uneven, psychological thriller that thrives on the strength of its two lead performances. Both Geoffrey Rush and John Lithgow create a storm of uncomfortable friction which leads them to deliver emotionally charged and nuanced portrayals. This elevates scenes that might have otherwise faltered under the weight of a flawed narrative.

While the film offers plenty to keep the viewer engaged-from stylish direction to atmospheric tension-it's let down by a script riddled with plot holes. Still, there's enough intrigue, character depth, and emotional investment to make it a worthwhile watch.

Not sure why people are giving this such low star ratings, very disturbing movie and Lithgow genuinely makes your skin crawl with the creep factor. This isn't a jump scare or gore scare movie, but even scarier in the idea that for many of us this is what we will face when we get old. Older people get taken advantage of and are very mistreated and this just showed the even darker side to that truth. I am not a fan of horror movies WHAT SO EVER and I am glad I saw this. I will say confused on why this movie is classified as a mystery though that part confused me ? Rush's acting is very believable as well, but Lithgow is the one that takes the movie to a new level. I felt sick to my stomach and had a feeling of dread come over me about getting older, so the movie did what it set out to do. Never have I hated a character than Lithgow ( well maybe the main guy in "nightingale" ) so he makes the movie a 9/10.

Nothing amazing, but a decent little film, I thought. Better than many of the reviews here would lead you to believe. Definitely worth a watch, as long as you can suspend your disbelief about no-one having a mobile phone or there being no security cameras. Otherwise, this is original, engaging, very well acted, darkly humorous, well-shot, and thankfully not quite as grim or disturbing as I was expecting, given the subject matter - bullying in a old people's home.

It's not a supernatural horror, it's more of a dark thriller with horror elements. No gore, that I remember. Lithgow and Rush gave excellent and brave performances. Would recommend.

THE RULE OF JENNY PEN (2025) *** Geoffrey Rush, John Lithgow, George Henare. (Dir: James Ashcroft). Unsettling and expertly executed horror film adaptation of Owen Marshall's short story about an acidic judge suffering a stroke and being placed in an assisted living home in New Zealand who finds himself at odd with its resident bully who wields the titular puppet with nefarious actions ensuing. Veteran character actors Rush & Lithgow as the sharp-witted magistrate and the creepily venal force of will respectively have field days matching their wits and combative actions against one another with aplomb. Director Ashcroft keeps things off balance with interesting camera work by cinematographer Matt Henley shifting its plane of existence through out keeping the film off-setting while the dread instills echoes WHATEVER HAPPENED TO BABY JANE? & MISERY in its victim/threat ethos sharply intact.