Comedian Michelle Wolf riffs on the latest topics and trends of the day.Comedian Michelle Wolf riffs on the latest topics and trends of the day.Comedian Michelle Wolf riffs on the latest topics and trends of the day.
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This show sucks. Michelle Wolf is not clever and her comedy is mediocre. I literally felt like the longer I watched the show the more brain cells were killed. Do yourself a favor and go watch something else.
At this point in my review, her show has only one episode that aired just days ago. I followed her stand-up comedy prior to her notorious appearance as the host of the 2018 White House Correspondents Dinner. It seems like many people just know her for just that and not her previous comedy. Because of the WHCD, it seems like her comedy is polarizing for many.
To clarify her previous comedy, she has a great deal of jokes revolving around her voice. It's screechy and annoying, but part of her act. Anyone shocked to hear it on her new show clearly have never seen her stand-up routines.
Now for her new show: It isn't all that bad and it is in need of improvement. Her jokes are raunchy, which is entirely within her normal comedy routines. Her comedy is much like many of the great comics in the form of shock comedy. It is meant to push the lines, and make you laugh and widen your eyes to how much it pushes the boundaries. That was the good part of it.
The DJ (why?): The DJ is introduced in her monologue. All he is good for in the entirety of the show is to nod, smile and laugh at times while on camera. That's it. This really seems like the producers wanted to make the show seem more like nightly live television shows like Fallen, Colbert and Kimmel. However, this show is just 30 minutes long and once a week. There is no need for DJ personality other than to fill in time. This show is on Netflix, so there aren't commercial breaks where the audience is just sitting for dead time. The DJ is a forgettable character.
The break-away segments: I'll just come out and say her show is trying to be the female version of Last Week Tonight with John Oliver with these break-away segments. Last Week kills it with their break-away segments, but The Break falls short. The CGI graphics for effects are horrible. Two of the three break-away segments were forgettable.
Overall: Though the show has only one episode, it does need improvements. It's a half hour that could benefit from some pruning of needless things. There is no need for a DJ. The break-away segments need better writing and execution. This isn't a daily show, so these issues shouldn't be too hard to address.
To clarify her previous comedy, she has a great deal of jokes revolving around her voice. It's screechy and annoying, but part of her act. Anyone shocked to hear it on her new show clearly have never seen her stand-up routines.
Now for her new show: It isn't all that bad and it is in need of improvement. Her jokes are raunchy, which is entirely within her normal comedy routines. Her comedy is much like many of the great comics in the form of shock comedy. It is meant to push the lines, and make you laugh and widen your eyes to how much it pushes the boundaries. That was the good part of it.
The DJ (why?): The DJ is introduced in her monologue. All he is good for in the entirety of the show is to nod, smile and laugh at times while on camera. That's it. This really seems like the producers wanted to make the show seem more like nightly live television shows like Fallen, Colbert and Kimmel. However, this show is just 30 minutes long and once a week. There is no need for DJ personality other than to fill in time. This show is on Netflix, so there aren't commercial breaks where the audience is just sitting for dead time. The DJ is a forgettable character.
The break-away segments: I'll just come out and say her show is trying to be the female version of Last Week Tonight with John Oliver with these break-away segments. Last Week kills it with their break-away segments, but The Break falls short. The CGI graphics for effects are horrible. Two of the three break-away segments were forgettable.
Overall: Though the show has only one episode, it does need improvements. It's a half hour that could benefit from some pruning of needless things. There is no need for a DJ. The break-away segments need better writing and execution. This isn't a daily show, so these issues shouldn't be too hard to address.
Michelle Wolf is funny, plain and simple. I fully support giving a negative review when its deserved, but a quick peruse will indicate that the current negative post are from trump supporters who have an issue with her performance at the correspondent dinner. Watch the show from a neutral political stance and am sure you will enjoy it.
Michelle Wolf is not a new entity, she was already building her fame around the world for quite a few years as a comedian, absolutely fearless and biting in her comedy. Love her. Those reviewers that knows her for the 1st time from the WHCD knows next-to-nothing about what she's capable to deliver.
She was ready for her own show.
But sadly, 4 episodes in, this show is far from her best (or average even) work. She was much better in those other shows & stand-ups. My score of 6 could have been an easy 9 if she's as good as she was in, say, CC's TDS, all the time!
I think the whole idea of The Break - "take a break from the seriousness of late-night comedy" and "instead of making the news fun, she'll make fun of everything and everybody. There will be no preaching or political agenda - unless it's funny." - just isn't suitable for her. It might be good for the likes of Jimmy Fallon - that dude LOVES to laugh at his own jokes BEFORE he delivered the jokes - & Conan O'Brien, not the politically sharp cleaver of a comedian like Wolf.
Still, those 1* reviews are pathetic. Those reviewers should mention what shows they like to objectively judge their comedy prejudices & political leaning subjectivity.
She was ready for her own show.
But sadly, 4 episodes in, this show is far from her best (or average even) work. She was much better in those other shows & stand-ups. My score of 6 could have been an easy 9 if she's as good as she was in, say, CC's TDS, all the time!
I think the whole idea of The Break - "take a break from the seriousness of late-night comedy" and "instead of making the news fun, she'll make fun of everything and everybody. There will be no preaching or political agenda - unless it's funny." - just isn't suitable for her. It might be good for the likes of Jimmy Fallon - that dude LOVES to laugh at his own jokes BEFORE he delivered the jokes - & Conan O'Brien, not the politically sharp cleaver of a comedian like Wolf.
Still, those 1* reviews are pathetic. Those reviewers should mention what shows they like to objectively judge their comedy prejudices & political leaning subjectivity.
This show is horrendous. Michelle Wolf was quite okay in doing sketches with Trevor Noah, but this is simply repugnant.
I admit, sometimes I rush to judgment. Jim Jeffreys first show was poor, but got really good. Jordan Klepper, misjudged that too, hilarious at times. Wolf however, will NEVER get good at this. The jokes are horrendous, her voice extremely loud and annoying and the sketches.... simply not funny, at all!
The below link is a 'bit' wherein it becomes really clear that there was no preparation, acting skills are sub-zero and whoever found this funny..... has likely been hit by a brick.
I admit, sometimes I rush to judgment. Jim Jeffreys first show was poor, but got really good. Jordan Klepper, misjudged that too, hilarious at times. Wolf however, will NEVER get good at this. The jokes are horrendous, her voice extremely loud and annoying and the sketches.... simply not funny, at all!
The below link is a 'bit' wherein it becomes really clear that there was no preparation, acting skills are sub-zero and whoever found this funny..... has likely been hit by a brick.
Did you know
- TriviaMichele Wolf sought after in part due to the uptick in her popularity after her controversial performance at the White House Correspondents' Dinner in April of 2018. At that dinner she roundly excoriated Donald Trump, Sarah Huckabee Sanders, and a press upon whose laziness and craven need for Internet-era relevance she directly placed blame for Trump's ascension. Her performance could well be responsible for the White House Correspondents Association's decision to change the format in subsequent dinners, replacing the comedian with a staid historical commentator.
- ConnectionsFeatured in WatchMojo: Top 10 Netflix Shows That Were Canceled Too Soon (2019)
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- Перерыв с Мишель Вульф
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- Runtime25 minutes
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By what name was The Break with Michelle Wolf (2018) officially released in India in English?
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