A female WWII pilot traveling with top secret documents on a B-17 Flying Fortress encounters an evil presence on board the flight.A female WWII pilot traveling with top secret documents on a B-17 Flying Fortress encounters an evil presence on board the flight.A female WWII pilot traveling with top secret documents on a B-17 Flying Fortress encounters an evil presence on board the flight.
- Director
- Writers
- Stars
- Awards
- 2 wins total
Ryan Cooper
- WWII Cartoon Narrator
- (voice)
- (uncredited)
Joshua Marchant
- WWII Cartoon Airman
- (voice)
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Shadow in the Cloud: Feels like a mix between the Amazing Stories episode "The Mission", The Twilight Zone episode Nightmare at 20,000 Feet and Memphis Belle, with even a homage to Aliens. Maude (Chloe Grace Moretz) hitches a ride on a B-17 going from Auckland to Samoa, she's carrying secret documents but even though she's a WAAF pilot the crew give her a hard time. She has to go into the belly bubble gun-turret for take off but ends up being trapped there. Then a gremlin, a large bat/rat/ape creature appears and starts damaging a wing and attacking her turret, the crew disbelieve her at first. Much of the action is based in the bubble and the outside of the plane, with the airmen only being heard over the intercom until Moretz gets back into the fuselage. It's not just the monster that they have to fear though, Japanese Zeros also attack. The gremlin is quite convincing as are the hand to hand battles with it and the dog fights with the Zeros. Some of the events do require a suspension of disbelief but Moretz literally kicks gremlin, misogynist and Zero ass. A couple of interesting plot twists makes this into an Air Ace scary pulp story. Directed and Co-written by Roseanne Liang. 7/10.
I read the synopsis before I realized Grace morritze is in it and I thought the premise sounded dreadful. After watching the trailer I thought I didn't have anything to lose by watching it. Turns out i lost brain cells, as it's laughably bad, so much so I had to watch it to the end, as I was incredulous and curious about wether it would improve, but it just got more odd.
I think it's meant to be 80's B movie bad, hence the heavy synth music and poor effects. I really hope that's the case as it just got weirder by the minute. Everything was poor; the script, the heavy handed misogyny, the acting (at one point Chloe reprimanded her colleagues for their remarks and she sounds like a teacher telling kids off, rather than an authoritive soldier), the effects (apart from the dog fights, they were cool), the storyline was terrible, just awful.
I really hope I missed something and this was supposed to be a homage to old camp ott 80's horror, because if not I'm concerned about everyone's career in this. I'm sure there was a message about the indomitable spirit of womanhood, "girls can do stuff now" and the lengths we will go to protect our own, despite the blatant sexism and misogyny we experience and the odds being stacked against us, but if so it was jammed right in our faces and we were bludgeoned with it.
It could also be viewed as a comedy as there are so many "oh, come on!" moments, my eyes rolled so hard they nearly popped out of my head. If you watch this do not take it seriously,, and you might just make it.
I think it's meant to be 80's B movie bad, hence the heavy synth music and poor effects. I really hope that's the case as it just got weirder by the minute. Everything was poor; the script, the heavy handed misogyny, the acting (at one point Chloe reprimanded her colleagues for their remarks and she sounds like a teacher telling kids off, rather than an authoritive soldier), the effects (apart from the dog fights, they were cool), the storyline was terrible, just awful.
I really hope I missed something and this was supposed to be a homage to old camp ott 80's horror, because if not I'm concerned about everyone's career in this. I'm sure there was a message about the indomitable spirit of womanhood, "girls can do stuff now" and the lengths we will go to protect our own, despite the blatant sexism and misogyny we experience and the odds being stacked against us, but if so it was jammed right in our faces and we were bludgeoned with it.
It could also be viewed as a comedy as there are so many "oh, come on!" moments, my eyes rolled so hard they nearly popped out of my head. If you watch this do not take it seriously,, and you might just make it.
These days, calling something a B-Movie is almost like saying it gets a pass for being a poor film, and while I don't believe that, there are moments in the film Shadow in the Cloud that the filmmakers clearly wanted you to turn your brain off for. I've been a fan of Chloe Grace Moretz as an actress for many years. From her fun roles like Hit-Girl in Kick-Ass or her incredibly committed dramatic performance in Hugo, she showed that her range was capable of going much further. Not knowing anything about this movie, I banked on the lead actress and the premise being fun enough, but I think I got much more than I bargained for. Here's why this film was both great and terrible all at once.
After sneaking on board a plane for mysterious reasons, Maude Garrett (Chloe Grace Moretz) will stop at nothing to protect her classified cargo. Taking place in a single area of the plane for the entirety of the first and second acts, Shadow in the Cloud held my attention very much. Where this film began to lose me was in the very, very over-the-top crew members she had to speak to throughout the film. The level of obnoxiousness was far too much for a movie like this and then the final act hit and it honestly became a completely different movie. It's been a while since I've seen a film switch gears as hard as this one did.
Having just premiered at the Toronto International Film Festival, I'm trying to wrap my head around how they're even going to market this film to the average moviegoer. For the most part, it takes place in a single location, and when it leaves that location to become a completely different movie, it sort of ruins the shock value of the final act to actually include that stuff in a trailer. Having no idea what this movie was before going in, I must say that I went through numerous emotions throughout. From being invested in the drama in the first act to raising an eyebrow for where it's about to go, to being completely taken out of the movie by the ridiculously over-the-top finale, it's going to be very hard to recommend this one to anyone.
Chloe Grace Moretz gives a damn good performance here, having about 95% of the movie to herself. By the third act, this movie just straight-up becomes a cartoon and I just thought to myself that she is far too good for a movie like this. Maybe the filmmakers knew exactly what movie they were making and knew that they wanted to create some schlock to close out the movie, but Shadow in the Cloud in turn just feels like a bunch of random ideas smashed into one film. I'm truly not sure who the audience for this film will be.
In the end, it's very clear that writer/director Roseanne Liang set out to make some obvious messages throughout the movie, which is what I feel the whole film was going for, but I thought it was way too heavy-handed, especially for the popcorn movie it becomes by the end. The best thing I can say about this film is that the central performance is great and the film is never boring, as it's 83-minute run time does fly by. The problem is that this movie evolves into something that's just too much for itself to handle. I got a huge kick out of certain elements, which is enough for me to give the film a passing grade overall, but it's not a great movie by any means. There are things to have fun with, but the over-the-top nature is simply overdone.
After sneaking on board a plane for mysterious reasons, Maude Garrett (Chloe Grace Moretz) will stop at nothing to protect her classified cargo. Taking place in a single area of the plane for the entirety of the first and second acts, Shadow in the Cloud held my attention very much. Where this film began to lose me was in the very, very over-the-top crew members she had to speak to throughout the film. The level of obnoxiousness was far too much for a movie like this and then the final act hit and it honestly became a completely different movie. It's been a while since I've seen a film switch gears as hard as this one did.
Having just premiered at the Toronto International Film Festival, I'm trying to wrap my head around how they're even going to market this film to the average moviegoer. For the most part, it takes place in a single location, and when it leaves that location to become a completely different movie, it sort of ruins the shock value of the final act to actually include that stuff in a trailer. Having no idea what this movie was before going in, I must say that I went through numerous emotions throughout. From being invested in the drama in the first act to raising an eyebrow for where it's about to go, to being completely taken out of the movie by the ridiculously over-the-top finale, it's going to be very hard to recommend this one to anyone.
Chloe Grace Moretz gives a damn good performance here, having about 95% of the movie to herself. By the third act, this movie just straight-up becomes a cartoon and I just thought to myself that she is far too good for a movie like this. Maybe the filmmakers knew exactly what movie they were making and knew that they wanted to create some schlock to close out the movie, but Shadow in the Cloud in turn just feels like a bunch of random ideas smashed into one film. I'm truly not sure who the audience for this film will be.
In the end, it's very clear that writer/director Roseanne Liang set out to make some obvious messages throughout the movie, which is what I feel the whole film was going for, but I thought it was way too heavy-handed, especially for the popcorn movie it becomes by the end. The best thing I can say about this film is that the central performance is great and the film is never boring, as it's 83-minute run time does fly by. The problem is that this movie evolves into something that's just too much for itself to handle. I got a huge kick out of certain elements, which is enough for me to give the film a passing grade overall, but it's not a great movie by any means. There are things to have fun with, but the over-the-top nature is simply overdone.
Imagine a double feature. Imagine taking the powerful, claustrophobic WWII drama "Das Boot" (1981) and immediately following it with "Mega Shark vs. Giant Octopus" (2009). Afterwards you can bet the cleaning crews will be scraping rancid vegetables off the movie screen all night. And, from the look of most reviews on imdb, that's how many viewers reacted to this flick.
"Shadow in the Cloud" is really 2 different movies, and if you plan on riding it all the way through without a dumpster full of rotten produce, you have to realize when it shifts. The first act is a powerful, minimalist drama which is really along the lines of "Das Boot" (a tense drama set entirely in a dark, cramped submarine). The entire first part of "Shadow" is just Chloë Grace Moretz stuck in a cramped 5ft square ball turret on the belly of a B-17 Flying Fortress. The camera remains exclusively on her as she delivers a fantastic performance that could've easily been a 1 act play.
But be prepared. Abruptly, the entire film shifts to an action packed popcorn flick. If you can swallow this, you'll have a wild ride all the way to the end. But if you continue expecting this film to be a heavy, realistic drama, you will certainly be as irritated as if a German U-Boat were to suddenly fly up into the sky and get eaten by a prehistoric shark. (For the record, I consider both "Das Boot" & "Mega Shark" to be masterpieces of cinematic genius.)
You may have noticed that I haven't said a word about the plot. That's deliberate. I was told to go into this film blindly, which I did, and maybe that's the key to swallowing all the twists, turns, and violations of the laws of physics that happen. I mean, hey, if we can accept that a dude can dress up as a bat with a Home Depot tool belt and save the world multiple times, why can't we have fun with a wildly inventive thriller set on a WWII airplane?
"Shadow in the Cloud" is really 2 different movies, and if you plan on riding it all the way through without a dumpster full of rotten produce, you have to realize when it shifts. The first act is a powerful, minimalist drama which is really along the lines of "Das Boot" (a tense drama set entirely in a dark, cramped submarine). The entire first part of "Shadow" is just Chloë Grace Moretz stuck in a cramped 5ft square ball turret on the belly of a B-17 Flying Fortress. The camera remains exclusively on her as she delivers a fantastic performance that could've easily been a 1 act play.
But be prepared. Abruptly, the entire film shifts to an action packed popcorn flick. If you can swallow this, you'll have a wild ride all the way to the end. But if you continue expecting this film to be a heavy, realistic drama, you will certainly be as irritated as if a German U-Boat were to suddenly fly up into the sky and get eaten by a prehistoric shark. (For the record, I consider both "Das Boot" & "Mega Shark" to be masterpieces of cinematic genius.)
You may have noticed that I haven't said a word about the plot. That's deliberate. I was told to go into this film blindly, which I did, and maybe that's the key to swallowing all the twists, turns, and violations of the laws of physics that happen. I mean, hey, if we can accept that a dude can dress up as a bat with a Home Depot tool belt and save the world multiple times, why can't we have fun with a wildly inventive thriller set on a WWII airplane?
Bad script, so bad, I am not sure how it went to production with so much nonsense that makes no sense and just doesn't work.
The acting was pretty nice by most actors and there were good moments, nice cgi. Script absolutely ruined the movie. Could've been a blockbuster if they just reworked it a bit( it is not that hard, I can clearly see about 10 possibilities without even thinking about it)
4.6/10
4.6/10
Did you know
- TriviaThe animated segment at the beginning of the film is based on Private Snafu, a series of adult-oriented instructional shorts meant to educate enlisted personnel on army discretion, hygiene, combat readiness and daily life. They were produced between 1943 and 1945, and given that they were not meant to be public, were free from censorship restrictions. The title character, parodied in the film, comes from the military acronym "Situation Normal, All Fucked Up".
- GoofsThe B-17's ball turret couldn't be entered from inside the aircraft when it was on the ground, as it required the ball turret guns to be pointed downward for the hatch to be opened and there wasn't enough clearance between the aircraft and the ground to do so.
- Quotes
Maude Garrett: I was being polite!
- ConnectionsReferenced in Film Junk Podcast: Episode 820: Dune + Squid Game (2021)
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Una sombra en la nube
- Filming locations
- Tamaki Makaurau, Auckland, New Zealand(on location)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $156,932
- Opening weekend US & Canada
- $39,117
- Jan 3, 2021
- Gross worldwide
- $1,054,290
- Runtime1 hour 23 minutes
- Color
- Aspect ratio
- 2.39:1
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