Thomas E. Jackson
- 'Boots' Reardon
- (as Thomas Jackson)
Jean Laverty
- Hope Jennings
- (as Jean Barry)
Harvey Clark
- Biddleberry
- (uncredited)
Helen Jerome Eddy
- Mrs. Lovett
- (uncredited)
Hazel Jones
- Lelia
- (uncredited)
Featured reviews
Edward Ellis escaped from prison years ago. Now he and Marjorie Rambeau run a lonely hearts club where shy people can meet each other. Ellis is trying to save $5000 so he can buy a fox farm and watches every penny, just as he watches out lest he be identified and sent back to prison. When Dorothy Jordan shows up, he's angry and worried. Her father is Rollo Lloyd, a prison mate of his, sent out to stay with them after her mother died -- she thinks he is dead. They're adjusting to the new situation, and Ellis seems to be melting under his hard veneer when Louis Calhern shows up. He's a racketeer, has the number on Ellis, and proposes to turn the club into a racket, where he and Dorothy Burgess can trim rich suckers.
It's a terrific movie, mostly because of the performances. Ellis and Rambeau play off against each other beautifully, and Rollo Lloyd has a wonderful short scene where he shows up, hungry for a glimpse of the daughter who can never know who he is.
A lot of pre-code movies made a point of the difficulty of rehabilitating criminals. Some of them put it in big titles at the beginning of the movie, intent that the audience should not miss this important message. This one does what a movie is supposed to do: it doesn't tell you, it shows you. It's all the more telling for that.
It's a terrific movie, mostly because of the performances. Ellis and Rambeau play off against each other beautifully, and Rollo Lloyd has a wonderful short scene where he shows up, hungry for a glimpse of the daughter who can never know who he is.
A lot of pre-code movies made a point of the difficulty of rehabilitating criminals. Some of them put it in big titles at the beginning of the movie, intent that the audience should not miss this important message. This one does what a movie is supposed to do: it doesn't tell you, it shows you. It's all the more telling for that.
Soapy and Annie Gibson (Edward Ellis and Marjorie Rambeau) are loners and don't like guests. You soon realize why....Soapy escaped from prison many years before and he's been living a respectable life ever since. But when an old gang member's daughter is homelss, the Gibsons agree to take her in and treat her like kin. Life this way is great...until an evil grifter, Magruder (Louis Calhern) ,arrives. He knows who Soapy is and threatens to turn him in to the law unless they agree to let him use their house to attract wealthy women....so Magruder can cheat them. However, when one of his potential marks turns out poorly, he panics and kills her! What are the Gibsons to do? After all, they know what Magruder did but if they go to the cops, Soapy is sure to be returned to the pokey. What's next? Well, considering how awful Magruder is, it won't be good!!
I read through the only other review for this film up to now. I noticed that the other review (a very well written one, by the way) that they felt the film started slowly and they nearly turned it off....but were glad they didn't. Well, that's exactly how I felt...it turned out to be a good movie but sure started off slowly. Once the plot got moving and Magruder showed up, it improved dramatically. Well worth seeing...and Calhern was marvelous as a complete and total heel.
I read through the only other review for this film up to now. I noticed that the other review (a very well written one, by the way) that they felt the film started slowly and they nearly turned it off....but were glad they didn't. Well, that's exactly how I felt...it turned out to be a good movie but sure started off slowly. Once the plot got moving and Magruder showed up, it improved dramatically. Well worth seeing...and Calhern was marvelous as a complete and total heel.
Did you know
- TriviaOne of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since; seldom taken off the shelf because of its age, obscurity, and forgotten cast members, its earliest documented telecasts took place in Los Angeles Friday 23 September 1960 on the Classic Theatre series on the Late, Late Show on KNXT (Channel 2) and in Philadelphia Monday 14 November 1960 on the Movie Museum series of the Late, Late Show on WCAU (Channel 10).
Details
- Runtime1 hour 11 minutes
- Color
- Aspect ratio
- 1.37 : 1
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