After a bootlegger's adversary has him killed, he takes up with his widow, a gold-digging chorus girl, but a handsome bodyguard is also determined to win her.After a bootlegger's adversary has him killed, he takes up with his widow, a gold-digging chorus girl, but a handsome bodyguard is also determined to win her.After a bootlegger's adversary has him killed, he takes up with his widow, a gold-digging chorus girl, but a handsome bodyguard is also determined to win her.
Norman Ainsley
- Waiter
- (uncredited)
Eddie 'Rochester' Anderson
- Second Bootblack
- (uncredited)
Irving Bacon
- Weight-Guesser
- (uncredited)
Jack Baxley
- $100 Rercipient
- (uncredited)
Brooks Benedict
- Wedding Guest
- (uncredited)
Francis X. Bushman Jr.
- Mirabelle's Pickup
- (uncredited)
Jules Cowles
- $100 Recipient
- (uncredited)
Frank Darien
- Mr. Bartlett
- (uncredited)
Max Davidson
- $100 Recipient
- (uncredited)
Gordon De Main
- Police Sergeant
- (uncredited)
Clay Drew
- Stage Doorman
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured review
Carole Lombard knocks off the men in sequence: Nat Pendleton, Sam Hardy, Leo Carrillo. Gangsters all, they fall for her and endow her with all their worldly goods -- which, given repeal and the downturn in business isn't as much as she hopes -- and then they knock off each other.
The speculation is this started off a a racy movie, but was castrated by the Production Code. Lombard is fairly erratic. The careful modulation needed for her character isn't there, and while she's very good in her scenes with Zasu Pitts, director Jack Conway can't get her to tone it down with her scenes with Pendleton and Chester Morris. Morris, however, is terrific throughout.
Conway directs this for speed. He certainly gives it his all, but it falls a little flat.
The speculation is this started off a a racy movie, but was castrated by the Production Code. Lombard is fairly erratic. The careful modulation needed for her character isn't there, and while she's very good in her scenes with Zasu Pitts, director Jack Conway can't get her to tone it down with her scenes with Pendleton and Chester Morris. Morris, however, is terrific throughout.
Conway directs this for speed. He certainly gives it his all, but it falls a little flat.
Storyline
Did you know
- TriviaThis was one of Carole Lombard's least favorites among her own filmography. Chester Morris also thought during filming that the movie was a "turkey". Sadly, the newly enforced Production Code had laundered the script beyond recognition, and dulled its impact. Nine months earlier, it would have been a different story.
- GoofsThe story supposedly takes place in New York City, but during the automobile chase near the end of the film the principals in their Mercedes drive up Grand Avenue in Los Angeles, passing the Mayflower Hotel, and in and out of the Grand Central Garage. In another scene they pop into a hotel lobby with Hotel Stowell, located on South Spring Street, in Los Angeles, in the background. (In fairness, Los Angeles was not a popular vacation destination until the 1950s, so the vast majority of moviegoers at the time would not have noticed this.)
- Quotes
Mirabelle: There's no sense to marrying a racketeer. They don't live long.
Mary Magiz: Well, what's wrong with that?
- ConnectionsFeatured in The Big Parade of Comedy (1964)
- SoundtracksMississippi Honeymoon
Music by Walter Donaldson
Lyrics by Gus Kahn
Sung by Arthur Jarrett in the show
Incorporated often into the music score
- How long is The Gay Bride?Powered by Alexa
Details
- Runtime1 hour 20 minutes
- Color
- Aspect ratio
- 1.37 : 1
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