The Eagle's Brood

William Boyd as Hop-a-long Cassidy has a great story and cast to work with. The movie starts off when Pablo's (George Mari) parents are killed by Big Henry's ( Addison Richards) gang. Luckily for him, and us Joan Woodbury comes to the rescue. None other than George Hayes, as the bartender Spike has a gag order put on him, but he isn't called Gabby for nothing. Hoppy actually starts out in quicksand followed by a great scene with William Farnum. An early performance by western's favorite Paul Fix as henchman Steve and Hoppy's trusted sidekick James Ellison is always there when he needs him. Great to see silent screen staple Dorothy Revier as Dolly, John Merton, Frank Shannon and the Bucko brothers.

"The Eagles Brood" was the second feature in the long running Hopalong Cassidy series produced by Harry "Pop" Sherman. Directed by Howard Bretherton, it gives us some spectacular outdoor photography and several exciting action sequences including the good guys riding to the rescue in the nick of time at the film's climax.

The story opens with the notorious Mexican bandit El Toro's son and his wife being brutally murdered. Their young son hides and is taken in by saloon girl Dolores (Nana Martin aka Joan Woodbury). El Toro (William Farnum) vows revenge and sets out to find his grandson. Along the way he rescues "Bill" Cassidy (William Boyd) from quicksand. Cassidy then offers to find the grandson in payment for El Toro's saving of his life.

Cassidy and his pal Johnny Nelson (Jimmy Ellison) set out to find the murderers. Dolores meanwhile, is the girl friend of the head bad guy Big Henry (Addison Richards) and learns that it was his men who murdered El Toro's son and his wife. Big Henry finds out that the grandson is alive and has witnessed the crime. So he and his gang which includes Frank Shannon, Paul Fix and John Merton, also search for the missing youngster.

Big Henry learns that Dolores is harboring the child and in a scene unusual for a series western, murders her in cold blood. Cassidy in the mean time, finds the boy and shields him from the outlaws. A shootout ensues followed by the aforementioned ride to the rescue and concludes with a cliffside fight to the finish between Cassidy and Big Henry.

Boyd was still playing the lead character with a rough edge. He is called "Bill" throughout except for one instance where Ellison calls him "Hoppy". Heck, Hoppy even has an eye for the ladies in this one. George "Gabby" Hayes had not yet settled into his Windy Halliday character. He played several character roles in the early films of the series, much as he had done in the John Wayne Lone Star series. Here, he plays a good bad guy Spike, Big Henry's bartender who spends most of the picture trying to roll a cigarette. Hayes doesn't have his tell tale whiskers in this one, only a drooping moustache with short hair.

This is a good action packed series western which maintained its excellent production values throughout. The Hopalong Cassidy series was in my opinion, the best "B" series ever made.

This is one of the best Hopalong Cassidy movies I have seen, and it is also most unusual for a Hoppy movie. Mainly it has a small narrow plot that drives the action every step of the way. The other Hoppy movies are more like epics with large forces of horsemen on each side; usually the bad guys slip up at the end which unleashes a furious battle of riders. Here it is more like a well-tuned detective mystery with every little discovery initiating a counter move.

On one side you have several bad guys, led by Big Henry, who murdered El Toro's (a famous retired Mexican bandit) son during a gold shipment robbery. They warn Gabby Hayes to stay quiet about the son and the gold passing their way, and in doing so learn that there was El Toro's grandson there who must have witnessed the murder-robbery and who has vanished. So the bad guys set about to locate the kid and kill him.

On the other side, Dolores, an honest dance hall girl, finds the kid in the woods. She decides to ask her boss, Big Henry, to help return the kid to his grandfather in Mexico, but before she can open her mouth, she overhears Big Henry discussing his part in the robbery-murder. So she hides the kid in the woods and writes a letter to El Torro to find her and get his grandson.

El Torro, on his way to Dolores, bumps into lawman Hoppy, saves Hoppy's life, and ends up giving Hoppy Dolores' letter so Hoppy will find the kid and bring him to El Torro (payment for saving Hoppy's life).

By now, Big Henry becomes wise to Dolores and kills her. Both the bad guys and Hoppy are looking for the kid. I won't say more about the intricate plot.

Other pluses for the movie: wonderful scenery and cinema photography; lack of comic side kick and cornball humor; and James Ellison as Hoppy's best sidekick.

This is the second of 66 Hopalong Cassidy films and captures the series and its stars at a formative moment. The result is perhaps the best film in the series, with only "Three Men From Texas" on the same footing. Five minutes into this film and it's obvious that it was not made for children. Some scenes are disturbing and there are no curbs on violence. Hoppy's world can be a nasty one and producer Harry Sherman was out to make realistic westerns, not sugar-coated Bs for kids. The film establishes a theme that ran through the entire series: Hoppy and his friends are really ranch hands; cowboys whose main job is driving cattle. But the stories typically pull them away from that and into adventures that have them helping total strangers simply because they need the help. Here it is the rescue of a young child who has been badly traumatized. The cast is excellent and is especially enhanced by James Ellison as young Johnny Nelson, Hoppy's juvenile sidekick, who is all too willing to fight and is thus often rash. Like sidekicks throughout the series, they often need a guiding hand from Hoppy to channel their instincts. Boyd, of course, is clearly forming his interpretation of the Cassidy character and he clearly puts to work his many years of film experience going back to the silents and classics like "King of Kings" and "The Volga Boatman." This is a first rate film that happens to be a western. It blurs the line between A and B pictures.

The trio is only a duo in this second Hopalong Cassidy western The Eagle's Brood. Also Hoppy who is now a deputy sheriff resigns on a point of honor. Behavior expected of a cowboy hero.

Legendary Mexican bandit El Toro played by Franklyn Farnum is spotted on this side of the border. Farnum is on a mission, to find and rescue his grandson George Mori who was left alive after his parents are killed when they are robbed of gold he was shipping.

Farnum finds Hoppy all right, stuck in quicksand and sinking fast. Who could blame Hoppy for not following through on his apprehension after El Toro pulls him out. Instead he takes on El Toro's mission to find the little kid. The outlaws who killed the parents also want the kid to eliminate a witness.

As I said it's only a duo here, Bill Boyd and his young sidekick James Ellison. Gabby Hayes is here, minus his beard and sporting a handlebar mustache. He's bartender for head villain Addison Richard at Richard's saloon.

The Eagle's Brood proves if nothing else Hoppy is a man of honor.