Little Lord Fauntleroy

This "GEM" of a film should be digitally remastered to preserve its cinematic integrity. The audio seems a bit "washed" and scratchy and some video portions skip and flutter a bit. This is a shame considering the quality of this fine production. Freddie Bartholomew is precious in this role and was a fine actor in his own right. There is an immediate chemistry generated between him and C. Aubrey Smith. From the outset there was no clash of generations, in fact quite the contrary, they got along swimmingly! It's just too bad that the Earl shunned Dearest right off, but I guess living alone and being lonely would take its toll on anyone, especially since his son married against his wishes. In any event, there should be more movies with actors of this caliber, especially nowadays when the world could really use a great "G" rated film without all the animation and special effects. This should be required reading in schools, if for nothing else, for the lesson in humility. GREAT FILM!!!

Break out the insulin! This antique heartwarmer, awash in tears and goodness, is risibly sentimental, but David Selznick made it an expert entertainment as well. Plucky Freddie Bartholomew is just about irresistible as the Brooklyn boy who becomes an earl. Melting hearts left and right, he wins over his crusty grandfather, becomes a philanthropist in a sailor suit, and fights the local toughs to prove he is NOT a sissy! C.Aubrey Smith seemed born to play the venerable old gentleman, although he relies a bit too much on acting with his monocle. Mickey Rooney stands out as the loyal Brooklyn shoeshine boy. This is the film to watch if you've never actually heard anyone say, "Cheezit, the cops!"

John Cromwell gets a lot of credit for this Selznick Studio release. It is only the second time (at that time) the story had been filmed. The first was a poor silent version. Although Cromwell could have developed the story a bit more, it is well cast. Bartholomew is excellent as young Cedrick and Smith is fine as the crusty old Earl who learns to love his grandson, additionally Rooney as Dick the bootblack, and Kibbee as storekeeper Hobbs are also outstanding.

Although heavy with sentimentality, Cromwell has done an excellent job of cutting out all the terrible wordiness of the novel. (Burnett writes as though she is being paid by the word and puts in way to many adjectives.) The story is well told and the scenic effects are good for their time. Unfortunately the film has not aged well and some scenes have darkened with time. Perhaps an enterprising admirer will trouble to restore this film. IF they do, hopefully they will also restore the missing scenes so the film runs its full length.

A discount film hawker (Front Row Video, Canada) has the nerve to sell copies of the film (claiming a running time of 1:42) that are so butchered, that two conversations are cut right in the middle with a change of scene. Digiview Productions who states on the front cover "Sometimes the price we pay is too high" and charges only a dollar for their DVD version, has been caught with their foot in their mouth. They only charge a buck, but even that is too much for the hacked up 92 minute version of the film they sell.

For purists, I urge you to find a complete copy of this well done film. THe only way you can enjoy something is to see all of it.

The Earl of Dorincourt, lonely in his great castle, has grown old. Now, with the death of both of his sons, he sends for his only grandchild to be with him. This is an innocent boy living in New York City with his American mother. Sweet-tempered and beloved, the earnest young child knows nothing of the crusty, fierce old lord in England, or of the wonderful changes about to happen in his own life, now that he is LITTLE LORD FAUNTLEROY.

This is David O. Selznick's wonderful & lavish retelling of the classic children's story by Frances Hodgson Burnett. Much effort was put into getting the details just right. Sentimental? Yes, but honest sentiment, with emotions straight from the heart.

Freddie Bartholomew & marvelous Sir C. Aubrey Smith are picture perfect in their roles as young Fauntleroy & his grandfather. There may never be a finer male child actor than Master Bartholomew and Sir C. was the epitome of the English aristocratic tradition. Two champion scene-stealers, they work together beautifully.

The rest of the cast is both extensive & uniformly excellent: Dolores Costello Barrymore, Henry Stephenson, Guy Kibbee, Jessie Ralph, Una O'Connor, Constance Collier, E. E. Clive, Lionel Belmore, Eily Maylon & Mickey Rooney. Film mavens will spot uncredited appearances by Mary Gordon as a churchgoing villager & Leonard Kibrick as one of Fauntleroy's Brooklyn tormentors.

Sir Hugh Walpole, the celebrated English novelist, wrote the screen adaptation.

This altogether lovely, exquisite period piece represents Hollywood filming at its height, no doubt. But what almost destroys its timelessness is the terribly bad condition of the film, reportedly taken from a television showing some years ago, complete with some of the worst damage I have ever seen in an old Hollywood classic. The memory of David O. Selznick deserves better than this shoddy monument to his great vision of the Burnett book. It is simply unforgivable that various "discount" houses continue to offer this and so many other dreadful copies of great films to a gullible and unsuspecting public. The complete restoration of this film is LONG overdue. And the various slashing of scenery, dialogue, for whatever greedy reason, is appalling, just appalling. After having seen so very many films on VHS and now DVD over many years, I submit that this is the most heartbreaking kind of butchery of a great, noble effort of any of the great directors and producers in the long history of American filming. Please, won't someone - the AFI, TCM, restoration companies, ANYONE - step up and lovingly bring this lovingly created film back into the sunshine of clarity, wholeness and beauty???!!! I have little faith in our rapidly decaying culture as we enter the new century, especially when such travesties occur. Once again, there is absolutely NO valid, logical excuse for this. Sorry for popping off so much, but I have watched it all too many times before. To use an offensive word appropriate for my feelings - it's bullshit...