A cocky young jockey who gets mixed up with some crooked gamblers befriends an English lad with a fast horse and the niece of a woman who runs a boarding house for jockeys.A cocky young jockey who gets mixed up with some crooked gamblers befriends an English lad with a fast horse and the niece of a woman who runs a boarding house for jockeys.A cocky young jockey who gets mixed up with some crooked gamblers befriends an English lad with a fast horse and the niece of a woman who runs a boarding house for jockeys.
Ernie Alexander
- Racetrack Usher
- (uncredited)
Reginald Barlow
- Man Seated Behind Mr. Sloan
- (uncredited)
Lionel Belmore
- Calverton's Butler
- (uncredited)
Marie Blake
- Hospital Telephone Operator
- (uncredited)
Don Brodie
- Racetrack Teller
- (uncredited)
Francis X. Bushman
- Racing Steward
- (uncredited)
George Chandler
- Jim - Racetrack Usher
- (uncredited)
Chester Clute
- Man with Toupee
- (uncredited)
Featured review
... who didn't even appear in it.
Sir Peter Calverton (C. Aubrey Smith) and his young grandson Roger (Ronald Sinclair) come to the United States from England with their racehorse Pooka. They seek out the best jockey around, Timmie Donovan (Mickey Rooney), who has a swelled head to match his reputation. Using some reverse psychology, the Calvertons get Timmie to agree to ride their horse in the upcoming big race, and the Calvertons really need that success because they are castle rich and bank poor.
Timmie and Roger come to be friends after a rocky start that includes both guys giving each other black eyes. But then Timmie gets word that his long-estranged father needs an expensive operation, and he's considering throwing the race to get the money he needs. Complications ensue.
This is hardly a prototype film for Mickey and Judy. In fact, Judy Garland and her fabulous voice take a backseat to the relationship between Mickey and Ronald Sinclair. There is some romance inserted, but it's an insinuation of an adolescent crush between Judy and Ronald versus Judy and Mickey.
Ronald Sinclair was a more than adequate placeholder for Freddie Bartholomew, who was supposed to have the part of young Roger Calverton. But he was in a contract dispute with MGM and on top of that , his voice started to change and crack just as filming began. Bartholomew missed a vital year of film work and would never really recapture the star power he had before 1937. As for Mickey and Judy, this film was like what "Manhattan Melodrama" was for Powell and Loy - maybe not great shakes in and of itself, but it did show the studio how much chemistry they had together.
Look out for Blossom Rock (Mama in the Addams Family) as a hospital switchboard operator. She played the same role in the Dr. Kildare/Dr. Gillespie movies. Also look fast for Elisha Cook Jr. Of the noirs in a bit part as a jockey.
Sir Peter Calverton (C. Aubrey Smith) and his young grandson Roger (Ronald Sinclair) come to the United States from England with their racehorse Pooka. They seek out the best jockey around, Timmie Donovan (Mickey Rooney), who has a swelled head to match his reputation. Using some reverse psychology, the Calvertons get Timmie to agree to ride their horse in the upcoming big race, and the Calvertons really need that success because they are castle rich and bank poor.
Timmie and Roger come to be friends after a rocky start that includes both guys giving each other black eyes. But then Timmie gets word that his long-estranged father needs an expensive operation, and he's considering throwing the race to get the money he needs. Complications ensue.
This is hardly a prototype film for Mickey and Judy. In fact, Judy Garland and her fabulous voice take a backseat to the relationship between Mickey and Ronald Sinclair. There is some romance inserted, but it's an insinuation of an adolescent crush between Judy and Ronald versus Judy and Mickey.
Ronald Sinclair was a more than adequate placeholder for Freddie Bartholomew, who was supposed to have the part of young Roger Calverton. But he was in a contract dispute with MGM and on top of that , his voice started to change and crack just as filming began. Bartholomew missed a vital year of film work and would never really recapture the star power he had before 1937. As for Mickey and Judy, this film was like what "Manhattan Melodrama" was for Powell and Loy - maybe not great shakes in and of itself, but it did show the studio how much chemistry they had together.
Look out for Blossom Rock (Mama in the Addams Family) as a hospital switchboard operator. She played the same role in the Dr. Kildare/Dr. Gillespie movies. Also look fast for Elisha Cook Jr. Of the noirs in a bit part as a jockey.
Storyline
Did you know
- TriviaThis film, the first of 10 to feature both Judy Garland and Mickey Rooney, is also the only one in which she is billed ahead of him. It was also the first film in which she received top billing.
- GoofsIn the final race Frankie Darro is wearing no. 4 in the starting gate. Later in a close up he is wearing no. 7. Then at the finish he is again wearing no. 4.
- Quotes
Jim - Racetrack Usher: Listen here, lady, I'm the usher!
Mother Ralph: Well go on and ush!
- ConnectionsFeatured in Sports on the Silver Screen (1997)
- SoundtracksGot a Pair of New Shoes
(1937) (uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
Played as background music and sung by Judy Garland during the opening credits
Played on piano and reprised by Judy Garland again
Played on guitar and reprised by Judy Garland once more
Played as background music at the end and sung again by Judy Garland
- How long is Thoroughbreds Don't Cry?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Född till gentleman
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 20 minutes
- Color
- Aspect ratio
- 1.37 : 1
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Top Gap
By what name was Thoroughbreds Don't Cry (1937) officially released in India in English?
Answer