A wealthy socialite finds herself between two suitors, one a presumed-dead jewel thief living under an alias, the other an ex-FBI detective. When an emerald necklace becomes a target, suspic... Read allA wealthy socialite finds herself between two suitors, one a presumed-dead jewel thief living under an alias, the other an ex-FBI detective. When an emerald necklace becomes a target, suspicions rise.A wealthy socialite finds herself between two suitors, one a presumed-dead jewel thief living under an alias, the other an ex-FBI detective. When an emerald necklace becomes a target, suspicions rise.
- Le Marchand
- (as Ien Wulf)
- Detective
- (uncredited)
- Detective
- (uncredited)
- Party Guest
- (uncredited)
- Squad Car Driver
- (uncredited)
- Vasseur
- (uncredited)
Featured reviews
It turns out he didn't die as per the original film, but is now living in quiet retirement, at least until some enterprising thief decided to do a job and pin it on him. Now it's up to Lupin to clear himself.
The plot of Arsene Lupin Returns is remarkably similar to Alfred Hitchcock's classic To Catch A Thief, right down to the French locale for most of the story. Of course this B film was shot on the MGM back lot.
For a B film, Arsene Lupin Returns boasts a remarkable cast of classic players. Melvyn Douglas, Warren William, John Halliday, Monty Woolley, George Zucco and Tully Marshall all had years of stage training before going into film. In fact when about five of these guys were in the same scene, I have to say I haven't so much perfect diction this side of a Ronald Colman film.
Given however it is a B film with a limited cast too much talk will give away the culprit. Looking over the list I can say any one of these guys by past roles could have been the thief. I'll say this though, leading lady Virginia Bruce didn't do it.
No color cinematography, no good French Riviera locations, but Arsene Lupin Returns has a nice story done by a group of the classiest players ever to be assembled on one movie.
And for a B film besides.
In this installment, it picks up three years after the last film. While the actors were different, the plot was a logical follow-up to the earlier film and once again, while the film was set in France, no one spoke with even the vaguest of French accents. This time, a fat-headed but brilliant detective (Warren William) is out to catch the thief but must contend with some decent plot twists to untangle the mystery.
This is a pretty good film of about the same quality as the earlier ARSENE LUPIN starring John and Lionel Barrymore. While this film did not have quite the same star power as this other film, Melvin Douglas and Warren William are both entertaining to watch. Sadly, however, despite a decent supporting performance by Virginia Bruce, there were also some disappointing performances as well. George Zucco (a perennial heavy from B-films) and Monty Wooley (a likable sort of rogue in most films) are pretty much wasted, as they are given very little to do. It's a shame, because with better writing, these two could have been major assets in the movie. Instead, Douglas and William are pretty much the whole show.
This is an interesting return. After the Barrymores in the 1932 version, they make a comeback. It has a good back and forth. It's great to have smart people on both sides. This does have drawbacks from the traditional crime mystery. It doesn't have much mystery. This is carried by a few good actors.
Rene Farrand (Douglas) is engaged to a wealthy, beautiful woman, Lorraine de Grissac (Bruce). When a fabulous emerald necklace is stolen from Lorraine's uncle, everyone is a suspect. A private eye who once worked for the FBI, Steve Emerson (William) is brought in to investigate. The name of the famous jewel thief, Arsene Lupin, is tossed around, though he is dead. However, Emerson has never believed that, and there are clues pointing to his return from the grave.
Emerson is very suspicious of Farrand, and suspects that he might be the dead Lupin. In one scene, the necklace keeps turning up, first in one person's pocket, and then another's.
One bone to pick. One review here complained that NO ONE in this movie had a French accent, even though this story takes place in France. In France, the people speak French. They don't speak English with a French accent. So no accent is needed since one assumes they're speaking French. Following the line of thought of the review, if these people needed accents, so would anyone performing a Chekhov play need Russian accents, and you'd need Swedish accents for Strindberg. Incorrect.
This is a good movie with nice performances all around; the series never caught on, in part due to the fact that Arsene was played by different actors all the time.
Pleasant.
Did you know
- TriviaOf the primary cast members, only Melvyn Douglas and Virginia Bruce were born in the 20th Century. The rest were born in the 1800s.
- GoofsWhen Steve goes into his boss's office to resign from his G-man's job, the door oddly has no door frame as the camera follows him past a coat rack and a water cooler. A very unusual set construction and shooting technique to show a character passing from one room to the other. This may also reveal the budget constraints of the picture - at least in regards to set construction.
- Quotes
Lorraine de Grissac: Now I know you really missed me when I was away.
Rene Farrand: Missed you? I'll have you know I took shower baths in my own tears.
[Lorraine laughs]
- ConnectionsFollows Arsène Lupin (1932)
- SoundtracksNocturne No. 2 in E flat major Opus 9
(1830-1) (uncredited)
Written by Frédéric Chopin
Played on piano by Melvyn Douglas
Details
- Runtime1 hour 21 minutes
- Color
- Aspect ratio
- 1.37 : 1