IMDb RATING
6.4/10
1.7K
YOUR RATING
A busboy in unrequited love with a nightclub performer grows closer to her after she is paralyzed in an attack by her gangster boyfriend.A busboy in unrequited love with a nightclub performer grows closer to her after she is paralyzed in an attack by her gangster boyfriend.A busboy in unrequited love with a nightclub performer grows closer to her after she is paralyzed in an attack by her gangster boyfriend.
- Awards
- 2 wins total
William T. Orr
- Decatur Reed
- (as William Orr)
Don Barclay
- Eating Contest Emcee
- (uncredited)
Mary Bayless
- Nightclub Patron
- (uncredited)
Louise Beavers
- Ruby - Gloria's Maid
- (uncredited)
Anthony Blair
- O'Rourke
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured review
This interesting story failed to make it big with audiences in its initial release, but is actually a noteworthy picture, nonetheless. This unlikely story has Henry Fonda as Little Pinks, a shy, timid busboy, who's obsessed with Lucille Ball's self-absorbed, mean-spirited torch singer. Despite her poor treatment of him, he continues to worship her. During an argument with her louse of a boyfriend, he (the boyfriend) pushes her down a flight of stairs. Paralyzed and desperate, Gloria moves in with Pinks. The wheelchair-bound diva alienates everyone around her with her anger and venomous commentary. But Pinks doesn't let it bother him. Instead the "odd couple" go on an unusual roadtrip together. He pushes her in her wheelchair all the way to Miami - pretty dumb, really !
Ball is excellent, and in top form. It's great to see her in such an unusual role (see also 1947's "Lured"). Fonda is great, too, as the innocent and smitten young man. And the rest of the cast is good; especially, the always fabulous Agnes Moorehead. Despite a good story and an excellent cast, the plot limps along at points, and the shoddy production value is unignorable. Plus, the whole "Let's push Lucy to Florida in her wheelchair" thing is utterly nuts! However, the final scene is an unforgettable melodramatic moment that is fascinating just for the fact that Ball is the center of it. It makes it worth sitting through the many drawbacks of this film just to see the ending scene.
Ball is excellent, and in top form. It's great to see her in such an unusual role (see also 1947's "Lured"). Fonda is great, too, as the innocent and smitten young man. And the rest of the cast is good; especially, the always fabulous Agnes Moorehead. Despite a good story and an excellent cast, the plot limps along at points, and the shoddy production value is unignorable. Plus, the whole "Let's push Lucy to Florida in her wheelchair" thing is utterly nuts! However, the final scene is an unforgettable melodramatic moment that is fascinating just for the fact that Ball is the center of it. It makes it worth sitting through the many drawbacks of this film just to see the ending scene.
Storyline
Did you know
- TriviaLucille Ball's favorite of her films. She felt her performance was unjustly ignored by the Academy of Motion Picture Arts and Sciences (AMPAS).
- GoofsA gathering to raise money to send Gloria Lyons to Florida doesn't raise enough, so a suggestion is made to put it on a horse. A face-on shot of Horsethief shows him sitting down and pulling a paper from his inside pocket. He stands up and unfolds the paper, but then a long shot shows him just starting to take the paper from his pocket.
- Quotes
Gloria Lyons: Love is something that gets you one room, two chins and 3 kids.
- Crazy creditsOpening credits: "Loser's Lane --- the sidewalk in front of Mindy's Restaurant on Broadway-- is not as high-toned a trading center as Wall Street, but the brokers are a lot more colorful. Generally they prefer to put their money on a prizefight or horserace, but when the action slows, anything can happen and it usually does. Tonight, for example, the citizens of the Lane are discussing the latest contest in their usual quiet way --"
- ConnectionsFeatured in AFI Life Achievement Award: A Tribute to Henry Fonda (1978)
- SoundtracksWho Knows?
(1942)
Lyrics by Mort Greene
Music by Harry Revel
Performed by Lucille Ball at the New York nightclub (uncredited)
Reprised by her with Ozzie Nelson and Orchestra at the Florida nightclub (Vocals for Miss Ball by Martha Mears) (uncredited)
Played often in the score
- How long is The Big Street?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Damon Runyon's The Big Street
- Filming locations
- Miami, Florida, USA(second unit - exteriors)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 28 minutes
- Color
- Aspect ratio
- 1.37 : 1
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