A boxing champ gets involved with a Broadway show and a shapely chorine...who's engaged to his new sparring partner.A boxing champ gets involved with a Broadway show and a shapely chorine...who's engaged to his new sparring partner.A boxing champ gets involved with a Broadway show and a shapely chorine...who's engaged to his new sparring partner.
Cobina Wright
- Estelle Evans
- (as Cobina Wright Jr.)
Mantan Moreland
- Amos - Porter
- (as Manton Moreland)
Louise Allen
- Chorus Girl
- (uncredited)
Loretta Barnett
- Chorus Girl
- (uncredited)
Harry Barris
- Composer
- (uncredited)
Eleanor Bayley
- Chorus Girl
- (uncredited)
Brooks Benedict
- Nightclub Extra
- (uncredited)
Featured review
As in A YANK IN THE R.A.F., BETTY GRABLE proved with this one that she didn't need Technicolor to sparkle. As it is, she could (as she herself modestly said) sing a little, dance a little, and act a little. Well, she turned those abilities into a show biz personality on screen that kept her popular at the box-office, especially during wartime America in World War II as the nation's number one pin-up girl.
Here she doesn't expand too much on those talents, but does well as a chorus girl who becomes the love interest of reliable Fox stars VICTOR MATURE and JOHN PAYNE, as boxers. When you watch both of them fighting for Betty's affection, it reminds you why they were so often chosen to co-star opposite vivacious Betty.
It's also fun to see a supporting cast that includes JANE WYMAN (still playing sharp-tongued chorines at this stage in her career), JAMES GLEASON and PHIL SILVERS. None of the songs are particularly memorable, but it's all good fun as backstage musicals go.
Since I'm used to recalling Grable in all of her Technicolor films, it seems strange to see her in glorious B&W, but her fans should enjoy this one--and her co-stars are just fine, particularly Mature as the overly cocky boxer who can't take his mind off Grable. No wonder COBINA WRIGHT, JR. is his jealous sweetheart.
My favorite line: Victor Mature saying in all seriousness to Betty Grable: "You know, you're right. I never do think of myself first."
Here she doesn't expand too much on those talents, but does well as a chorus girl who becomes the love interest of reliable Fox stars VICTOR MATURE and JOHN PAYNE, as boxers. When you watch both of them fighting for Betty's affection, it reminds you why they were so often chosen to co-star opposite vivacious Betty.
It's also fun to see a supporting cast that includes JANE WYMAN (still playing sharp-tongued chorines at this stage in her career), JAMES GLEASON and PHIL SILVERS. None of the songs are particularly memorable, but it's all good fun as backstage musicals go.
Since I'm used to recalling Grable in all of her Technicolor films, it seems strange to see her in glorious B&W, but her fans should enjoy this one--and her co-stars are just fine, particularly Mature as the overly cocky boxer who can't take his mind off Grable. No wonder COBINA WRIGHT, JR. is his jealous sweetheart.
My favorite line: Victor Mature saying in all seriousness to Betty Grable: "You know, you're right. I never do think of myself first."
Storyline
Did you know
- TriviaIronically, in the scene where Ms. Grable is rehearsing dance routines over and over (as she is the understudy) in the event she is called upon to fill in for the leading lady, her friend Flo, played by Jane Wyman, utters the line "You have as much chance of going on as I have of becoming First Lady." Of course, Ms Wyman's husband, Ronald Reagan, did become President, but was remarried to Nancy Reagan by that time.
- Quotes
Bruce McKay: She's closed up more nightclubs than the chief of police!
- ConnectionsFeatured in Salute to Stan Laurel (1965)
Details
- Release date
- Country of origin
- Language
- Also known as
- Fräck och förälskad
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 20 minutes
- Color
- Aspect ratio
- 1.37 : 1
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