Mrs. Miniver

I've seen this film several times now, and despite knowing what occurs, the beauty never wears off.

The film is aesthetically lovely, thanks to William Wyler's low key yet attentive and detailed style. The characters act naturally, something oft times missing in older films that lean to be more stylized. The acting is incredible in this film, and something many a modern film would do well to copy. Greer Garson is the portrait of strength, beauty, and dignity as Mrs. Miniver in a brilliantly played role. Yet it's the substance that stays with you. The film is telling a story about people and a time in history, and it's simple because it allows itself to be. It flows like real life, the trivial, the simple, the small moments, the enormous and life shattering. It taps into the real emotions people feel, and not big "war movie" emotions, but the joy of greeting a child upon return, of having a flower named after you and winning an award, of happiness and humor, of exhaustion, fear, pain, and grief. The film gently brings us into another life and lets us reside there. While there, we begin to love the Minivers and those that they love.

At one point in the movie, the family is in a bomb shelter and Mr. and Mrs. Miniver are talking. Mr. Miniver picks up "Alice in Wonderland" and begins to recite a passage about the joys of childhood, a summer past, and the simple pleasures in life. Mrs. Miniver finishes the passage, and Mr. Miniver (Walter Pidgeon) mentions that he wonders if Lewis Carrol ever thought that his story would be so beloved decades later. I found that interesting, because after all these years and viewings, it's the characters and their realistic palpable experiences and emotions, the strength and courage they show, and the simplicity of the film in allowing us to see it plainly and feel it too, because it's a story of the human experience we can all relate with that isn't limited to the battleground, that do and will keep this movie everlasting, and an homage to the human spirit.

Greer Garson gives a wonderful performance as Kay Miniver, a middle-aged English wife and mother whose kindness, intelligence, and positive spirit speak well of women all across England, during the difficult days of WWII. And that's what this movie is really about: the love and devotion of ordinary people during wartime.

Technically, this is a fine film. The script is well written and the plot is easy to follow. Most of the characters are sympathetic, and all of them have convincing arcs through the story. I did not care for the very Victorian Lady Beldon, but Dame May Witty gives a nice performance in that role. The film's plot has an interesting twist toward the end that coincides with the randomness of the effects of war. The story's tone does drip with a bit of sentimentality. But given the fact that the movie itself was made during the war it portrays, I think some sentimentality is entirely appropriate.

The film's B&W cinematography is conventional but competent. Production design and costumes are credible. And the special effects are surprisingly good for the early 1940s.

I will say that the film seems very dated. Customs and manners have changed so much in the last 65 years; the behavior of characters in this film is so proper and formal. That's not a criticism, just an observation.

The 1930s and 40s must have been a truly awful time for peace loving people. It's good, therefore, that we have high-quality films like Mrs. Miniver as a reminder of what life was like for ordinary people, to give us some historical perspective from which to view our own times. Of the many WWII films that I have seen, "Mrs. Miniver" is one of the best.

With her peaceful English life suddenly thrown into turmoil by the Second World War, MRS. MINIVER continues to provide a solid rock of security for her family.

Released seven months after America's entry into the War, this film did a great deal to inform the American people about Britain's defiance against Nazi Germany and the steadfast resolution of the British people in the face of seemingly overwhelming odds. Coming at a time of heightened emotions - as well as being expertly produced and extremely well acted - it is easy to see why the film earned 6 Oscars, including Best Picture & Best Director.

Greer Garson is completely marvelous in the title role, (for which she won the Best Actress Oscar), presenting a portrait of grace & courage under fire which transcends mere acting. She is representing an entire island full of women who grew the crops & ran the factories and kept the nation operating while the men went to battle. Through her wonderful performance, Garson shows how those she symbolized more than did their part in the fight against the Axis.

Two other ladies give outstanding performances in the film. As the local aristocrat, Dame May Whitty is properly imperious & proud, yet the viewer sees her character unbend over the course of the film to become much more vulnerable. Winning the Best Supporting Actress Oscar, lovely Teresa Wright is luminous as Dame May's granddaughter. Sweetly sensible, elegantly at ease, joyous during hardships, Miss Wright gives a performance not easy to forget.

In solid, understated roles, both Walter Pidgeon as Mr. Miniver & Richard Ney as his elder son, supply good support to the ladies in the cast. Pidgeon gets to pilot one of the Little Boats to Dunkirk and Ney becomes a flyer with the RAF, but both are performed in an almost subdued manner, leaving the heroics to the women.

A quintet of fine actors add small, deft brushstrokes to the movie's canvas: cherubic Henry Travers as the station-master who delights in the gentle art of breeding roses; blustery Reginald Owen as the local storekeeper who eagerly takes over as air raid warden; kindly Henry Wilcoxon as the village vicar; blunt Rhys Williams as the boyfriend of the Miniver's maid (comically played by Brenda Forbes); and Helmut Dantine as the pitiless German pilot who briefly invades the Miniver household.

Six-year-old Christopher Severn will either delight or annoy as the Miniver's talkative infant son. Clare Sandars, as his slightly older sister, is left something of a cipher by the script.

Movie mavens should recognize Ian Wolfe, uncredited as a boatman helping with the Dunkirk rescue.

The scenes involving the brutal aerial bombardment are still vividly suspenseful, focusing primarily on the faces of the actors involved.

With the help of the extensive British colony in Hollywood, William Wyler directed at MGM the best World War II propaganda film to come out of our film industry. Mrs. Miniver won a host of Oscars including Best Picture, Best Actress for Greer Garson, Best Supporting Actress for Teresa Wright, Best Director for William Wyler, all deserved.

Forget all the war pictures, this film about the trials of a British family just before and during World War II struck a poignant note with the American public. Showing how they were coping with the attacks on their civilian population made every American family identify with the Minivers. If they fail in their resolution to defend their blessed isle, we in America could be facing these same trials and depredations.

Like the people in The Diary of Anne Frank, the Minivers are such ordinary folks, caught up in a thing that was not of their making. The film opens with Greer Garson coming home after a shopping trip to London deciding how to tell her husband Walter Pidgeon about a new hat. On the way home, the stationmaster Henry Travers asks Garson permission to name a rose he's been cultivating for the flower show the Miniver Rose. Pidgeon's splurged on a new car and he's trying to figure out how to tell Garson.

The war comes and the Minivers and all their neighbors in their small country town have to deal with rationing and shortages and then the blitz as the ruling malignancy in Germany seeks to terrorize the British people into submission. As London took it as their Prime Minister said it would, so to do the small villages and hamlets, especially if they're located next to an RAF base.

Which is where their oldest boy, Richard Ney, is now stationed after having left Oxford. He's involved too, with a radiantly beautiful Teresa Wright as the granddaughter of the local grande dame, Dame May Witty.

Wright is involved in two of my favorite scenes. When she first meets the pretentious Ney and gently but firmly puts him down, who could help but fall for this girl. And her final scene with Greer Garson is what I'm convinced got them both Oscars. You have to see it, I can't say more and the hardest of hearts will be moved.

Pidgeon's moment comes when he's called away because he owns a small boat, a cabin cruiser we'd call it and ordered to take it to Ramsbottom. It's the beginning of the greatest citizen mobilization of the last century, the evacuation of the British Army from the beach at Dunkirk. He and thousands like him are told what the mission is and they could expect to be under fire at that beach and crossing 40 miles of English Channel. No one flinches and a very nice animated scene at night is showing all of these small crafts filling up the river on a date with history.

Garson also comes face to face with Nazism herself as she first is held captive and then turns the tables on a wounded Nazi flier who bailed out played by Helmut Dantine. Don't think all the women in America didn't think about coming face to face with evil right in their kitchens.

Both Walter Pidgeon for Best Actor and Henry Travers for Best Supporting Actor got nominations themselves, but lost to James Cagney and Van Heflin respectively. In addition Dame May Witty was also up for Best Supporting Actress, but lost to her fellow cast member Teresa Wright.

The valedictory for the film is delivered by Vicar Henry Wilcoxon after a bad raid in which several cast members are killed. With so much death and destruction waged on them at home, it has become the people's war, more a people's war than it was even in the United States with so many civilian casualties. We got a taste of it at Pearl Harbor and a much bigger taste on 9/11 in New York, Northern Virginia, and on the Pennsylvania countryside. The words of Henry Wilcoxon should be standard reading or viewing. It's what makes Mrs. Miniver such a timeless classic as we deal with another brand of totalitarian malignancy in this century.

One unnoticed talent in the picture was Christopher Severn playing the part of Toby Miniver, the Miniver's youngest child. Child actors are often cast strictly for their appearance and their performances frequently leave much to be desired. However, Christopher, playing at such a young age, gives an absolutely delightful performance that is also refreshingly professional. His timing is excellent, his dialogue is on the button, and he hits all his marks. He far outshines his other child co-star. He contributed to every scene he was in. Ironically, the rest of his short career was spent in oblivion, not even receiving screen credit in some of his roles.

The rest of the picture is very good. The sappy violin music through much of the picture could be toned down. But the picture as a whole is far less sappy than many other propaganda pictures of the day and much more believable. Callous modern audiences, hardened by the deadening sex and violence constantly doled out on today's screen, may find some of its conventions amusing. But it stands the test of time and is still a very watchable picture.