Delightfully Dangerous

Plug Powell's bouncy effervescence into a generator and the sky would light up. At times she's a little much, but as an aspiring teenage singer, she really lights up the screen. Now, if she can just get the vocal career she wants and turn sister Moore from a burlesque queen into a legitimate stage performer, she'll be happy. Meanwhile, big-time stage producer Bellamy gets to stand around and look handsomely important. All together, they make an engaging threesome.

For sure, director Lubin keeps things moving, while the choreographed musical numbers are imaginative eye-catchers. Too bad the songs are forgettable even with the renowned Morton Gould conducting. Note the fringe presence of all the lively servicemen as the big war winds down in the production year of 1944. And for those interested in ladies' fashions of the time, there's plenty, especially with the stately Moore modeling. Then too, is that the great W. C. Fields doing a quick grab-by in the rolling record scene. It passes quickly, but see what you think.

Anyway, it's a fast moving, if not particularly memorable musical, that showcases a teenage Powell clearly on her way up the movie ladder.

15-year-old Sherry Williams (Jane Powell) attends a private all-girls music school. She's very proud of her older sister Josephine (Constance Moore) whom Sherry believes is a very famous concert singer. Sherry heads to the city to track down her sister, only to learn that she's actually a burlesque queen known as "Bubbles Barton". Sherry's image of her sister is shattered, and Josephine and friend Arthur Hale (Ralph Bellamy) try to smooth things over. Also featuring Arthur Treacher, Louise Beavers, Ruth Tobey, and Morton Gould & His Orchestra.

This was the second film appearance for teen singing star Powell, and her first in a fictional role (she'd played herself in 1944's Song of the Open Road). She's cute and has screen presence, but she's also a bit rough, acting-wise, overdoing several scenes. But perhaps that was intended, as she's an emotional teenager. The songs are passable, if unmemorable. The burlesque setting, and some of the racy dialogue, shows that the production code boundaries were being pushed against, if ever so gently.

IMDB says that this is a remake of Mad about Music featuring Deanna Durbin. That surely must be an error. This film, Delightfully Dangerous rather has an identical premise to Two Sisters from Boston featuring Kathryn Grayson, June Allyson & Peter Lawford. If so, pretty incredible given that these films were made within a year of each other. Rather, The Toy Tiger with Jeff Chandler, Laraine Day & Tim Hovey is a very charming remake of Mad about Music. Incredible how many 1930s films were remade in the 1940s.

Pleasant enough film, if slightly exasperating at times. Musical sequences bit too long, in my opinion.

Poor plot, dire music, amateurish dancing, but surprisingly likable overall! The screenplay is quite witty and the acting in the minor parts is excellent. Better directed and photographed than most musicals of this type the time passes quite nicely. Watch for amusing cameos by stalwarts Arthur Treacher and Louise Beavers. There are a number of glaring inconsistencies and holes in the plot. Morton Gould, surely the least charismatic band leader ever to star in and write the music for a musical, plays just the sort of dull symphonic schmaltz that is apparently holding back the prospects of Arthur Hale's new production, while Josephine's shocking burlesque act shows a great deal less leg than her interminable number in a legitimate play at the end of the film.

I just finished watching this wonderful movie and immediately rushed to IMDb thinking I'd find a whole bunch of cult followers to yap with. Instead I find only 1 post in the forum and 2 lukewarm reviews.

As my title states: C'mon peeps, this movie is FREAKING AWESOME! First of all Jane Powell is absolutely adorable as "Little Poison Ivy", the 15-year-old girl who has a spooky way of looking twice her age at times. But regardless of how she's gussied up, she carries a sweet, impish, Jennifer Jones-like charm which is just perfect for the role.

It's perfect because--enter the sultry sister--Constance Moore works the other end of the spectrum. As a worldly, boogie-woogie burlesque showgirl, Ms. Moore is the perfect compliment to Ms. Powell's Baroque innocence.

Caught in the middle is Ralph Bellamy as a very Jimmy Stewart-like father figure who gets dragged into the whole mess that these feisty sisters create. He does a fantastic job. I would venture to say that in this case he out-Stewarts Stewart.

But what really knocked me out were the supporting performances from the butler Jeffers, the schoolchum Molly and the maid Hannah, each of whom make perfect comedic entrances at the perfect time. It was like watching a Shakespearean comedy where the real big laughs are handled by the minor characters, leaving the major characters to focus on the plot an dialogue. Freaking brilliant stuff & excellent performances all around. This is one of those movies where the cast is absolutely perfect all the way down to the extras, and I can't imagine anyone doing a better job in any of the roles.

Lastly I have to mention the excellent camera work and framing of shots. The director was very creative with perspective and depth, so we don't feel like we're watching a 2-dimensional cartoon all the time. There are clever shots where the action is in the forefront, but our eye is drawn to some detail in the background. And when the director applies this cinematic style to the actual dance numbers, the result is staggering (like in the finale where a parade of girls magically "flows" from behind a column and draws the shot toward the camera while Powell remains the stationary focal point in the background. Yeah it's hard to describe.

I am truly dumbfounded at why this film has such a low (5.9) rating on IMDb. I'm guessing it's because this is a very female-dominated story & performance, and practically all of the votes are from males (out of 40 votes, only 2 are female). Well golly, I don't feel like any less of a man for saying "this girly movie kicks ass!"