IMDb RATING
7.0/10
4.3K
YOUR RATING
After marrying her long-lost love, a musician finds the relationship threatened by a wealthy composer who is besotted with her.After marrying her long-lost love, a musician finds the relationship threatened by a wealthy composer who is besotted with her.After marrying her long-lost love, a musician finds the relationship threatened by a wealthy composer who is besotted with her.
- Awards
- 4 wins total
John Alban
- Concertgoer
- (uncredited)
Russell Arms
- Music Student
- (uncredited)
Lois Austin
- Norma - Wedding Guest
- (uncredited)
Patricia Barry
- Music Student
- (uncredited)
Brandon Beach
- Concertgoer
- (uncredited)
Lulu Mae Bohrman
- Restaurant Diner
- (uncredited)
Paul Bradley
- Concertgoer
- (uncredited)
James Carlisle
- Restaurant Diner
- (uncredited)
Gertrude Carr
- Wedding Guest
- (uncredited)
James Conaty
- Well-Wisher at Concert
- (uncredited)
Marcelle Corday
- Hat Check Woman
- (uncredited)
Gino Corrado
- Waiter
- (uncredited)
Suzi Crandall
- Music Student
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured review
How did I never come across Deception (1946) before? It's got to be Claude Rains' most delicious role. He absolutely has a blast playing the grand, tyrannical, jealous composer who hates giving Bette up to Paul Henreid, her former lover who has just returned from Europe at the end of the war. Both men are wickedly jealous of each other. The scene where the great composer unexpectedly arrives at Bette's and Paul's festive wedding party at her great loft apartment overlooking the river in New York (modeled on Leonard Bernstein's apartment) and trades poisonous banter with Bette and Paul makes the movie worth it by itself. But every scene is a gem, such as the scene where Claude takes them to a haute cuisine French restaurant and spends 10 minutes going back and forth over whether to order pheasant, trout, or saddle of lamb and whether to go with a Hermitage or a Vosne Romanee wine. This is some of the sharpest, wittiest dialogue I've seen in a movie, rivaling Ernst Lubitsch and every bit as good as in All About Eve. Oh, and I forgot to mention the amazingly good symphony performance scenes, with an original cello concerto by Korngold, ("played" by Henreid with the arms of two real cellists reaching in from either side to play the instrument). And Bette, a trained pianist, playing Beethoven at her wedding party (she really wanted to play it herself but Jack Warner decided against it but you can see she knows what she's doing in fingering the keys). If you haven't seen it, do check it out.
Storyline
Did you know
- TriviaPaul Henreid could not play the cello. While he was able to fake it in the long shots, to achieve the illusion in closeup, he wore a special jacket with no sleeves and holes for two real cellists to insert their arms - one to bow, and one to accurately finger the music - while seated behind him, out of shot.
- GoofsWhile Christine, alone in her studio, is talking to Alexander Hollenius on the telephone, the highly visible shadow of a crew member is moving back and forth across the piano behind her.
- Quotes
Alexander Hollenius: [to Christine] Good evening, my dear. Why, you look positively majestic. I think I'd better remain seated.
- ConnectionsEdited into Dead Men Don't Wear Plaid (1982)
- SoundtracksHollenius' Cello Concerto
Music by Erich Wolfgang Korngold
Performed by Paul Henreid (dubbed by Eleanor Slatkin)
- How long is Deception?Powered by Alexa
Details
- Runtime1 hour 55 minutes
- Color
- Aspect ratio
- 1.37 : 1
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