When a matador leaves town to focus on his music, his twin sister takes on his identity in the bullfighting ring.When a matador leaves town to focus on his music, his twin sister takes on his identity in the bullfighting ring.When a matador leaves town to focus on his music, his twin sister takes on his identity in the bullfighting ring.
- Nominated for 1 Oscar
- 1 win & 1 nomination total
Jean Vanderwilt
- Maria Morales (as a Child)
- (as Jean Van)
Bobby Barber
- Reporter
- (uncredited)
Eumenio Blanco
- Cantina Patron
- (uncredited)
Nick Borgani
- Townsman
- (uncredited)
Paul Bradley
- Reporter
- (uncredited)
Gene Coogan
- Party Guest
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe song "La Bamba", in the soundtrack, would be a hit record for Ritchie Valens in 1958.
- GoofsDuring Maria's bullfighting scene, bulges in her frontal shots clearly indicate that the bullfighting is being done by a male stand-in.
- Quotes
Antonio Morales: You want to be famous, huh? Always remember, if you wish to live beyond your first fight, the bull does not stop to admire pretty pictures.
- ConnectionsReferenced in Forecast (1945)
- SoundtracksFantasia Mexicana
based on "El Salon Mexico"
Music by Aaron Copland
Music Adapted and Orchestrated by Johnny Green
Piano soloist André Previn
Featured review
When "Fiesta" played in Tampa, more local Latinos went to see Montalban than the film or anyone else in it! This was because Montalban was a well known star from the many Mexican movies that played locally.
However, in Mexico he was a serious actor while in Hollywood he was a "latin lover". In his first years more time was spent making him into a musical star than giving him time to display his acting talent.(He had to loose his hair to be taken seriously!) The movie was a vehicle for Esther Williams sans swimming pool (except for one brief scene) but it was Montalban and Cherrise's dancing that made it a hit. This was odd because Montalban was never in musicals in his native country. He sang -well he carried a tune- but actually danced quite well in order to creditably partner Cherrise and later on Anne Miller.
The one dramatic scene -in which Montalban who wants to be a composer and not follow his father's footsteps in the arena - that shows off Montalban's acting. He is in a wayside saloon and on the radio he hears his composition...actually Aaron Copelands "Fantasia Mexicna"..and goes to a piano and interprets with passion, vigor and sensitivity his composition.
An entertaining film and a great vehicle to feature Montalban. Too bad that his early cinematic years did not allow him to display his serious acting ability. Oh well, "That's Hollywood"...Ay Caramba!
However, in Mexico he was a serious actor while in Hollywood he was a "latin lover". In his first years more time was spent making him into a musical star than giving him time to display his acting talent.(He had to loose his hair to be taken seriously!) The movie was a vehicle for Esther Williams sans swimming pool (except for one brief scene) but it was Montalban and Cherrise's dancing that made it a hit. This was odd because Montalban was never in musicals in his native country. He sang -well he carried a tune- but actually danced quite well in order to creditably partner Cherrise and later on Anne Miller.
The one dramatic scene -in which Montalban who wants to be a composer and not follow his father's footsteps in the arena - that shows off Montalban's acting. He is in a wayside saloon and on the radio he hears his composition...actually Aaron Copelands "Fantasia Mexicna"..and goes to a piano and interprets with passion, vigor and sensitivity his composition.
An entertaining film and a great vehicle to feature Montalban. Too bad that his early cinematic years did not allow him to display his serious acting ability. Oh well, "That's Hollywood"...Ay Caramba!
Details
- Runtime1 hour 44 minutes
- Aspect ratio
- 1.37 : 1
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