User reviews

It's hard to imagine this series without Lionel Barrymore as the cantankerous old wheelchair-ridden Dr. Gillespie, who is perfect counterpoint to the good actor, but rather bland Lew Ayres, playing Dr. Kildare. Without Barrymore, or the likes of him, the series would surely have flopped. The three plots going at once is typical of the series, and handled well by the director Harold S. Bucquet. The film, however, is badly named, because I couldn't tell for sure what Kildare's secret was. The audience is in on several of his deceptions: his quitting Gillespie to force him to rest; his not telling Helen Gilbert he was a doctor; and finally his lying to her about the treatment he was going to give her. Still, the film is fun to watch, especially if you've seen others films in the series and get to know how the various hospital characters interact.

In 1939's "The Secret of Dr. Kildare," the young doctor is faced with a tough decision. Dr. Gillespie's cancer has exacerbated, and he cannot continue his lab experiments as he once did. Of course, he's refusing to stop. So Kildare quits, knowing Gillespie can't do the work without him. He takes over instead the care of a young woman, Nancy Messenger (Helen Gilbert), who has some emotional issues. Her father (Lionel Atwill) isn't sure what to do about her, so Kildare gains her confidence and tries to get to the bottom of her problems. Meanwhile, Kildare's parents (Samuel S. Hinds and Emma Dunn) come to visit. It turns out that the senior Dr. K has a potentially terminal heart problem and has come to New York for a second opinion. This, too, is a Secret of Dr. Kildare - because he doesn't tell his son.

What made this series a great success was the interrelationships of the characters. Lionel Barrymore is a great Dr. Gillespie, and his relationship with Kildare, with his head nurse, Molly Byrd (Alma Kruger) and Dr. Carew (Walter Kingsford) are lively ones of affection cut with bellowing. Laraine Day is Mary Lamont, who's in love with Kildare, but things haven't really heated up between them yet. She, too, has her moments with Gillespie. At one point while recuperating from a weak spell, he asks her to order him a steak, baked potato and apple pie. Lamont never changes expression, picking up the phone to get him gruel and weak tea.

Though the plot line involving Nancy Messenger is oversimplified and not terribly realistic, this is nevertheless a good episode in the Kildare series. Some trivia - Helen Gilbert, who plays Nancy, in real life was married for one year to gangster Johnny Stompanato, Lana Turner's boyfriend who was killed by her daughter Cheryl.

The third movie in the wonderful Dr. Kildare series from MGM finds Jimmy Kildare (Lew Ayres) trying to help a rich man's daughter who's having some kind of psychological problems that have led to a case of hysterical blindness. Meanwhile, Kildare must also deal with both his father (Samuel S. Hinds) and mentor, Dr. Gillespie (Lionel Barrymore), having illnesses. Gillespie's still fighting his cancer and refusing to rest. Kildare, Sr. is visiting a heart specialist without telling Jimmy.

Ayres and Barrymore are both great. Barrymore's Gillespie gives some tough love to an alcoholic with one of my favorite outbursts of his ("If you drink, it's your own fault and you can't blame your poor ancestors!"). The cast of regulars, including Laraine Day and Nat Pendleton, are terrific. None of them hit a bad note. Pretty Helen Gilbert is the girl with hysterical blindness. She does fine. Lionel Atwill is somewhat wasted as her father. I kept expecting to find out her condition was caused by some mad science experiment of his but, alas, no such luck. Sara Haden and Grant Mitchell also appear in small roles.

It's not the strongest entry in the series but it is enjoyable. One interesting tidbit is that Gillespie refers to hospital head Dr. Carew (Walter Kingsford) as the best doctor in the hospital. Carew is usually displayed in the series as more of a bureaucrat than a competent doctor, let alone 'the best.' It was a nice touch for them to add a layer to the character, even if it's little more than lip service.

"The Secret of Dr. Kildare" shines as a multi-threaded gem, typical of the Kildare series. And this time the master may teach his pupil, but the pupil has a lesson of his own to give the great Dr. Gillespie. Three main twists populate this inviting plot, all of which come together in a heart warming conclusion, in true Dr. Kildare fashion. The first centers on the mysterious symptoms of a wealthy young female patient. The second involves the progression of the cantankerous Dr. Gillespie's illness. And the third focuses on the sudden, terminal diagnosis of Dr. Stephen Kildare. Our poor young doctor certainly has his hands full in this well paced and droll mystery. And while Dr. Kildare may be keeping lots of secrets in this one, he is certainly not the only one.

The interwoven plot lines keep the viewer entertained with anticipation and concern; however, Lionel Barrymore's outstanding performance as the cranky, brilliant, and always lovable Dr. Gillespie really steals the show. Lew Ayres offers a convincing and commendable job as the altruistic protege, while Laraine Day provides a lovely and supportive co-star, shining in a particularly touching bedside scene with Barrymore. But it cannot be said too often that this film gains so much from _all_ of the characters involved -- from Kildare's amiable parents, to the inexorable Head Nurse Byrd and the doctors' ever copacetic assistant, Conover. The conclusion ties the story lines together with typical charming optimism, but then if you aren't watching these films as part of the doctor's feel-good prescription, then you might be missing the point.

Dr. Kildare (Lew Ayres) assists wheelchair-bound dying Dr. Gillespie (Lionel Barrymore) in a fight to cure pneumonia. Wall Street tycoon Paul Messenger wants his daughter Nancy checked as she presents personality issues. With Gillespie sidelined due to exhaustion, Kildare poses as a family friend to investigate Nancy.

I don't know anything about this series or these characters to my detriment. This is preceded by two movies in the series and two more stories before MGM. I missed the connection between student and mentor. I get the idea from the movie but not the feeling. Lionel is a lion. Lew Ayres pales in comparison. If it's done today, this would be TV show material. This is fine for pre-TV to have a movie series such as this.

Dr. Gillespie's health worsens and the work on a project with Dr. Kildare is taking its toll. In order to get him to take a rest, Dr. Kildare persuades the hospital to assign him to look after an heiress who believes she is dying.

Fourth of the ten films in the series and the third in which Lew Ayres plays Dr. Kildare. Quite entertaining but fans of the series will know what to expect and, as usual, Lionel Barrymore steals the show as Dr. Gillespie. Helen Gilbert plays the heiress.

In real life if Donald Trump had a daughter like Helen Gilbert with all kinds of ailments we would be catering to her I have no doubt the way Walter Kingsford as head of Blair General Hospital is catering to Gilbert's father Lionel Atwill. Of course Kingsford turns the problem over to Lionel Barrymore who in turn gets Lew Ayres to do the actual work.

Which consists of being introduced as an eligible young man by Atwill to his daughter and Ayres to start dating her up to observe her behavior from a medical perspective. You know that's going to cause a problem for Ayres because his relationship with nurse Laraine Day who was introduced to the Blair General Hospital staff and the Dr. Kildare series in the previous film.

Best thing about a somewhat silly episode is the performance of Grant Mitchell as a quack doctor who Gilbert gets involved with. The Dr. Feelgood of his time.

Lionel Barrymore ("Dr. Gillespie") and Lew Ayres ("Dr. Kildare") are teacher and pupil in this competent medical drama. The former is working himself too hard trying to get to the root causes - and therefore to develop a treatment for - pneumonia. The latter is working with the daughter of one of America's wealthiest men (Lionel Atwill) who seems to be suffering from a sort of psychological illness derived from some incident from her past. Barrymore is great as the curmudgeonly, wheelchair-bound physician and he has some fun set-piece skirmishes with head nurse "Molly" (Alma Kruger); otherwise it is only really remarkable as an obvious precursor to not only the "Dr. Kildare" television series' but to episodic medical programming in general.

The very watchable Dr. Kildare series is a refreshing and smart reality check for the matinee crowd, then as now, and has wisely been noted by others as a precursor to the modern medical TV dramas. But the one thing that spoils these otherwise well balanced (drama/wit/intellect) and well paced stories is the Conover character played by George Reed in this forced black stereotype "Amos and Andy" patronizing manner, instead of in the normal, everyday, regular guy way of talking, like the rest of the cast. Even the "Irish" bartender bit got over played racially in the series. You have to tell yourself this is the product of the times, but were all movie directors 'that' insensitive in the 1930's? Oh well, it is what it is, but it could have been much, much better without the negative racial portrayals.