Years Without Days

This is a very melancholy crime drama in which a very arrogant young gangster gets pinched by the cops and goes up the river where the warden isn't very sympathetic to his "tough guy" attitude or ways. Eventually the warden wears him down and becomes a semi-productive prisoner. Until a fellow inmate wants to make a breakout attempt to see his pregnant girl and he panics when he discovers it's on Saturday...his unlucky day.

The gangster is played by John Garfield and he has a very sympathetic and understanding girlfriend played by Ann Sheridan.

There are no real likable or sympathetic characters, but it was a short prison-centric gang story for those who might enjoy that.

One of my favorite lines: "Come on and shove over. What do you want me to do catch cold?"-Tommy.

Anatole Litvak directs this remake of 20,000 YEARS IN SING SING. Very faithful to the original starring Spenser Tracy. Tommy Gordon (John Garfield) is a mobster with a super ego. He does not worry about his prison sentence, because he figures his connections on the outside will make his 'time in the can' easier. Enter the stern, but kind hearted warden (Pat O'Brien) and the stand by her man girlfriend (Ann Sheridan)and we have the typical players of a basic prison drama.

Garfield plays the role with more attitude than Tracy did. Also starring are Burgess Meredith, Henry O'Neill, Guinn Williams and Jerome Cowan. Hard to notice any change in script from the first version eight years earlier. Very good opener for a Litvak double header that also features CONFESSIONS of a NAZI SPY.

John Garfield steps into the shoes of, most obviously Spencer Tracy (it is, after all, a remake of the earlier "20000 Years in Sing Sing") and also Cagney (in "Angels With Dirty Faces") in Anatole Litvak's prison drama, even finding himself pitted against Tracy's old mate and Cagney's "Angels" co-star Pat O'Brien.

Garfield is the upwardly mobile mobster who finally takes a fall, winding up in the notorious Osining or Sing Sing penitentiary under the tough but fair governorship of O'Brien. Garfield is initially defiant but it's amazing what three months in solitary confinement and worrying about the girl you left behind, in this case, Ann Sheridan can do to even the toughest of tough guys and soon the one-time rebel is starting to play ball with the law, to use Dylan's phrase.

When he learns that Sheridan is critically ill after a close encounter with his supposedly supportive but in truth, backstabbing lawyer, Garfield's good behaviour inside sees him allowed out by the benevolent governor on an own-recognisance overnight furlough (whoever heard of such a thing for such a dangerous criminal!), to visit his ailing girl, but rats!, this falls on a Saturday which as we've already been made well aware, is Jinx-day for Johnny.

Sure enough, it all goes wrong when Garfield visits Sheridan in hospital and accidentally encounters his two-timing lawyer and there's also the little matter of the governor, who stands to lose his job if Garfield doesn't do the honourable thing and turn himself back in, leaving the stage clear for a climactic Rocky Sullivan-type dilemma for our hero.

Litvak keeps the action moving briskly and there's good synergy among the three leads, enmeshing Garfield's typically hot-wired demeanour, O'Brien's paternal concern and Sheridan's blind devotion. A young Burgess Meredith also makes a good impression as a would-be escapee.

As usual, Litvak inserts a montage or three into the action, but overall this short but sharp early-noir thriller built around the charismatic Garfield is well worth tracking down.

Except for some opening scenes that show the crime that John Garfield is sent to prison for, Castle on the Hudson is a virtual word for word remake of 20,000 Years in Sing Sing.

But it's better cast. John Garfield does far better here than Spencer Tracy did in the original. In fact this was the second remake that Garfield did that improved on the original. He was also better in They Made Me a Criminal than Douglas Fairbanks, Jr. in The Life of Jimmy Dolan.

Also a big improvement is Burgess Meredith over Lyle Talbot as the stir crazy convict whose escape attempt is a flop.

Still though there is that nutty premise of warden Pat O'Brien giving a one day furlough to Garfield where he gets in trouble. Same as the original film, it just doesn't ring true.

Or should I say any more true.

John Garfield provides the power as a gung-ho gangster who struggles to accept his time at Sing Sing in this prison reform drama. A faithful remake of 20,000 Years At Sing Sing that leans more to its 30s gangster roots than to the nascent style of film noir. Though the plot itself is harsh, the film lacks subtlety, portrays the prison staff as noble stewards bent on rehabilitation, and aims for sentimentality over action.