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Dance, Girl, Dance

  • 1940
  • A
  • 1h 30m
IMDb RATING
6.8/10
3.3K
YOUR RATING
Maureen O'Hara, Lucille Ball, and Louis Hayward in Dance, Girl, Dance (1940)
In celebration of Pride, we recognize these unsung heroes of LGBTQ+ film history and the movies that changed the face of the film industry forever.
Play clip5:20
Watch Unsung Heroes of LGBTQ+ Film History
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After a troupe of danseuses becomes unemployed, one of them takes up burlesque dancing while another dreams of performing ballet.After a troupe of danseuses becomes unemployed, one of them takes up burlesque dancing while another dreams of performing ballet.After a troupe of danseuses becomes unemployed, one of them takes up burlesque dancing while another dreams of performing ballet.

  • Directors
    • Dorothy Arzner
    • Roy Del Ruth
  • Writers
    • Tess Slesinger
    • Frank Davis
    • Vicki Baum
  • Stars
    • Maureen O'Hara
    • Louis Hayward
    • Lucille Ball
  • See production info at IMDbPro
  • IMDb RATING
    6.8/10
    3.3K
    YOUR RATING
    • Directors
      • Dorothy Arzner
      • Roy Del Ruth
    • Writers
      • Tess Slesinger
      • Frank Davis
      • Vicki Baum
    • Stars
      • Maureen O'Hara
      • Louis Hayward
      • Lucille Ball
    • 47User reviews
    • 34Critic reviews
  • See production info at IMDbPro
    • Awards
      • 1 win total

    Videos1

    Unsung Heroes of LGBTQ+ Film History
    Clip 5:20
    Unsung Heroes of LGBTQ+ Film History

    Photos98

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    Top cast66

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    Maureen O'Hara
    Maureen O'Hara
    • Judy
    Louis Hayward
    Louis Hayward
    • Jimmy Harris
    Lucille Ball
    Lucille Ball
    • Bubbles
    Virginia Field
    Virginia Field
    • Elinor Harris
    Ralph Bellamy
    Ralph Bellamy
    • Steve Adams
    Maria Ouspenskaya
    Maria Ouspenskaya
    • Madame Basilova
    Mary Carlisle
    Mary Carlisle
    • Sally
    Katharine Alexander
    Katharine Alexander
    • Miss Olmstead
    Edward Brophy
    Edward Brophy
    • Dwarfie
    Walter Abel
    Walter Abel
    • Judge
    Harold Huber
    Harold Huber
    • Hoboken Gent
    Ernest Truex
    Ernest Truex
    • Bailey #1
    Chester Clute
    Chester Clute
    • Bailey #2
    Lorraine Krueger
    Lorraine Krueger
    • Dolly
    Lola Jensen
    • Daisy
    Emma Dunn
    Emma Dunn
    • Mrs. Simpson
    Sidney Blackmer
    Sidney Blackmer
    • Puss in Boots
    Vivien Fay
    Vivien Fay
    • The Ballerina
    • (as Vivian Fay)
    • Directors
      • Dorothy Arzner
      • Roy Del Ruth
    • Writers
      • Tess Slesinger
      • Frank Davis
      • Vicki Baum
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews47

    6.83.3K
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    Featured reviews

    10zetes

    Beautiful, powerful movie

    I love classical Hollywood as much as anyone I know, but I am also aware that the films are often mechanical and emotionally distant. Very few reach the level of Dance, Girl, Dance. The plot is great. It is not exactly original, but it seemed that way to me. I was entirely hypnotized. This is due to the direction, characterizations, and acting. This is one of the few Hollywood films of the era directed by a woman, Dorothy Arzner. Generally, you can't tell this fact, except for in the climactic scene of the film, where Maureen O'Hara delivers a powerful feminist speech. The direction is amazing, but it's definitely subtle and sometimes hard to catch. All the characters in this film, especially the lead two, are very well realized. They're people, and we believed them. The acting is the best of all. Lucille Ball may be best known for her television show, but she was a great movie actress, as well. I can't say that I've seen too many of her films, but it would shock me if she was ever better than she is in Dance, Girl, Dance. She is the spark of the film, and Maureen O'Hara is the emotional core. I think that her part represents one of the best female characters to be found in the cinema. O'Hara is simply fabulous as a ballet dancer who has to lower her artistic standards to make a living. And, like I mentioned before, listen for that speech she gives near the end of the film. I hadn't heard of this film before. I had never heard of Dorothy Arzner. I love the feeling that I've made a major cinematic discovery. This is most definitely one of those. 10/10.
    7cutter-12

    I love Maureen!

    Of all Maureen O'hara's pictures, this is definitely one of her best. How good would Lucille Ball have been as the streetwise floozy without Maureen's counter-role as a decent and moral girl struggling to overcome obstacles to fulfill her dream of becoming a dancer. Not once does her performance stray into the realm of treacle, her character, though perhaps a little naive never becomes timid to the point where she can't take care of herself in the clutch. She handles Lucy quite admirably in the latter stages of this film. Tis true Lucille Ball does her fair share of scene stealing and her performance is effective, but this is still Maureen's picture all the way. Also good performances by Louis Hayward (his only good role?) and Ralph Bellamy ensure this movie is well worth sitting through.
    8atlasmb

    This Film Has Much To Recommend It

    This film followed the delightful film "Stage Door" by only three years. Perhaps that is why Bosley Crowther wrote for the New York Times that it is "just a cliché-ridden, garbled repetition of the story of the aches and pains in a dancer's rise to fame and fortune." The film was a financial failure. But I disagree with Crowther. Though it is difficult to live up to the quality of "Stage Door", this film stands on its own and merits attention. And it is very entertaining.

    Unlike the earlier film, Lucille Ball is a huge part of "Dance, Girl, Dance", playing a burlesque star named Bubbles with panache and charisma. In sharp contrast, Maureen O'Hara plays the role of Judy O'Brien-a dancer who longs to perform serious ballet. Both women are strong in their roles, though O'Brien does not perform her character's most demanding dance moves.

    Much has been written about the influence and effect of director Dorothy Arzner on this film. Much of that is overstatement and revisionism. But the director gives us some terrific close-ups of the characters in this film, something many directors don't do enough of.

    Also deserving mention are the lighting and the costuming.

    Watch for Maria Ousopenskaya in a brief but strong performance as the ballet mistress/manager whose life is dedicated to dance.

    And watch for the speech in the courtroom scene. It outshines the earlier speech where Judy addresses the burlesque audience, though the latter speech is often lauded.

    More than anything else, this film has a lot to say about tabloid journalism. And it says it well.
    7bkoganbing

    Two Redheads In Their Salad Days

    Dance Girl Dance tells the story of two redheaded dancers in their salad days. One is Lucille Ball who makes it to the top in burlesque. The other is Maureen O'Hara who has the ambitions and the talent, but not the drive to succeed in classical ballet. She acts as a stooge/foil for Lucy's burlesque act and takes the money as well as the audience jibes that come with it.

    Both of them pique the interest of Louis Hayward a soon to be divorced playboy from Virginia Field. In addition even though O'Hara chickened out of the audition, ballet company head Ralph Bellamy thinks she has that something which will make her succeed in ballet.

    All these lives are tangled up with each other, but the focus is on the rivalry between Lucy and Maureen. It's friendly at times and not so friendly at others. It gets real nasty when the two have a knock down drag out brawl on stage. The customers at the burlesque sure got their money's worth that night, all these two needed was a pit of mud.

    In her memoirs Maureen O'Hara had nothing but kind words to say for Lucille Ball whom she got to be great friends with. She also said that by dint of her training as a Goldwyn Girl, Lucy had quite a head start on her in the dance department. O'Hara recalled the shoot as exhausting but she was proud of the finished product. As well she should have been.

    Lucy also met her leading man from her next scheduled picture Too Many Girls and fell in love with him. That would be Desi Arnaz and we all know where that romance went.

    O'Hara also enjoyed working for Dorothy Arzner and felt that Arzner brought a special dimension to what is a 'woman's picture' since it's about the friendship between two women. In any event Dance Girl Dance is a work anyone associated with it can be proud of.
    7thien314

    Lucille Ball is great in this movie!

    Considering the fact that Lucille Ball has the third name in this movie, she has a very noticeable role that proves she is a great actress. Of course, everybody knows that Lucille Ball is best known for her character in "I Love Lucy," but watching this movie would really surprise you. She does a terrific job as a vain and conceited girl who wants to be on top of everyone. Not to mention, she is very attractive and alluring in this movie. I personally believe that this movie focuses a great deal on Lucille Ball, and that's the best part. "Dance, Girl, Dance" would probably be one of the few movies, where Lucille Ball fans can actually see her terrific talent as an actress on the big screens and on television.

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    Storyline

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    Did you know

    Edit
    • Trivia
      Lucille Ball and Maureen O'Hara became inseparable friends while shooting this film, and remained lifelong friends until Ball's death in 1989. O'Hara was having lunch with her when Ball first saw her future husband Desi Arnaz.
    • Quotes

      Judy O'Brien: Go on, laugh, get your money's worth. No-one's going to hurt you. I know you want me to tear my clothes off so you can look your fifty cents' worth. Fifty cents for the privilege of staring at a girl the way your wives won't let you. What do you suppose we think of you up here with your silly smirks your mothers would be ashamed of? We know it'd the thing of the moment for the dress suits to come and laugh at us too. We'd laugh right back at the lot of you, only we're paid to let you sit there and roll your eyes and make your screamingly clever remarks. What's it for? So you can go home when the show's over, strut before your wives and sweethearts and play at being the stronger sex for a minute? I'm sure they see through you. I'm sure they see through you just like we do!

    • Connections
      Featured in Gotta Dance, Gotta Sing (1982)
    • Soundtracks
      Beer Barrel Polka
      (uncredited)

      aka "Roll Out the Barrel"

      Music by Jaromir Vejvoda

      Lyrics by Wladimir A. Timm (song Skoda lásky)

      English lyrics by Lew Brown

      Played at the Palais Royale Club

      Danced and sung by Lucille Ball and the chorus girls

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    FAQ17

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    Details

    Edit
    • Release date
      • August 30, 1940 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Dance, Girls, Dance
    • Filming locations
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Angeles, California, USA(Studio)
    • Production company
      • RKO Radio Pictures
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 30 minutes
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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