The Marx Brothers come to the rescue in the Wild West after a young man, trying to settle an old family feud so he can marry the girl he loves, runs afoul of crooks.The Marx Brothers come to the rescue in the Wild West after a young man, trying to settle an old family feud so he can marry the girl he loves, runs afoul of crooks.The Marx Brothers come to the rescue in the Wild West after a young man, trying to settle an old family feud so he can marry the girl he loves, runs afoul of crooks.
Iris Adrian
- Mary Lou
- (uncredited)
Barbara Bedford
- Baby's Mother on Stagecoach
- (uncredited)
Margaret Bert
- Train Passenger
- (uncredited)
Clem Bevans
- Railroad Official
- (uncredited)
Rudy Bowman
- Barfly
- (uncredited)
Frederick Burton
- Johnson
- (uncredited)
Earl Covert
- Specialty in 'As If I Didn't Know'
- (uncredited)
Edgar Dearing
- Bill - Train Engineer
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I have a real soft spot for "Go West". It's a little less frantic, has a
mellow vibe and it's obvious they enjoyed making it. I liked the
songs and many of the sequences, particularly the "outfitter" and
also the train sequence which is such a metaphor for modern life
(they are in such a hurry to "get there" that they totally destroy and
burn the entire contents and structure of the train so when they
arrive at their destination there is nothing left but skeletal
wreckage). This alone is worth any other disappointments the film
may hold for you. I would say, don't skip over this one. And, to get
to the required 10 lines, I will say it again: don't skip over this one.
LOL
mellow vibe and it's obvious they enjoyed making it. I liked the
songs and many of the sequences, particularly the "outfitter" and
also the train sequence which is such a metaphor for modern life
(they are in such a hurry to "get there" that they totally destroy and
burn the entire contents and structure of the train so when they
arrive at their destination there is nothing left but skeletal
wreckage). This alone is worth any other disappointments the film
may hold for you. I would say, don't skip over this one. And, to get
to the required 10 lines, I will say it again: don't skip over this one.
LOL
The Marx Brothers' "Go West" is a vastly underrated gem. Admist a few comparatively disappointing later years Marx movies, it was certainly the strongest. I grew up on the Marx Brothers via my father (even though most of them were made before he was born as well), and ended up liking them so much I eventually bought every movie they made, and most of the documentaries, three single Groucho movies, two sets of 'You Bet Your Life' episodes, and even 'The Story of Mankind,' featuring the three primary brothers, though in small parts in separate segments...(Many books by and/or about them too.) In any case, I'm a huge fan. Even with all this, I admit that there are a handful of pretty weak Marx films. Love Happy was pretty awful on most levels, though little Harpo bits, and one or two Groucho lines give it its only very brief redemption. The Big Store was also pretty fairly terrible, with again, the only worthwhile notes being a few Groucho quips, and a few Harpo physical bits. Room Service and At The Circus as well suffered, as all their movies after the big MGM ones (Opera & races) did, due to the studios lack of interest and confidence in putting money and attention into the productions. Room Service and At the Circus both felt like they should've and could've been more, though each had a handful or more of perfectly enjoyable moments. And re-watching A Night in Casablanca (which at least a little more time and money was put into for what she really be considered their true final film, rather than the slapped together for quick cash 'Love Happy', which was originally a Harpo solo project), I've come to realize that Casablanca is stronger than I remembered, but still felt stale for much of it compared to their classics. So I suppose I better get the reason for this review-- So, in the middle of all these lesser like, later years fare, came Go West (in 1940). And I have to say, it has gotten an unfair rap from fans, critics and Groucho himself (though he was that way about much of their movies, sadly). I think, even with it's slapdash absurdity and overwrought gags, that it holds up better, and has better, more solid comedy than any of they other movies after A Day at the Races. In fact, and I know I'm essentially alone in saying this, but, I actually find it more entertaining than A Day at the Races (I think). There are some brilliant moments/lines for three brothers that felt more akin to there early madcap movies (the best ones), and I even enjoy the silly songs, and western pastiche elements, and the physical gags are stronger than the movies before and after as well. In any case, fans (and critics too) should give it another watch, and just let it try to entertain you, it really is a lot of fun, and hilarious.
Patchy but still fairly enjoyable Marx Bros. vehicle. Their unique brand of comedy adapts reasonably well to the Western format though, at the end of the day, a lot more could have been done with this situation; the film suffers in comparison with their 'classic' stuff, but even more so when measured against other comics' brush with the genre particularly two ambitious Buster Keaton masterworks, OUR HOSPITALITY (1923) and THE GENERAL (1927), and Laurel & Hardy's (more straightforward but) equally delightful and inspired WAY OUT WEST (1937)!
That said, a number of scenes here deliver the goods: the ticket-office sketch at the beginning, the stagecoach ride, the robbery of the safe and, of course, the climactic train 'wreck; on the debit side: the songs in this one are particularly negligible.
My verdict, therefore, is that GO WEST is a worthwhile comedy but a lesser Marx Bros. film.
That said, a number of scenes here deliver the goods: the ticket-office sketch at the beginning, the stagecoach ride, the robbery of the safe and, of course, the climactic train 'wreck; on the debit side: the songs in this one are particularly negligible.
My verdict, therefore, is that GO WEST is a worthwhile comedy but a lesser Marx Bros. film.
'Go West' was the first movie from the Marx Brothers that I saw. Because I saw this one before their great movies like 'Duck Soup' I was able to appreciate this one completely. I don't want to call the movie great but since everything was new to me I had a very good time.
Groucho Marx is S. Quentin Quale and Chico and Harpo are the brothers Joe and Rusty Panello. The two brothers and Quale are heading west to find fortune. The movie starts with a very funny sequence where the two brothers steal some money from Quale. After this the movie has some slow sequences without very big laughs, especially when the brothers and Quale are not yet working together. There is a nice scene with Chico playing the piano in a great and very funny way that gives the movie some spirit again. Everything leads up to the scenes on a train and I have to say that once they are on the thing every gag is good for a laugh. May be some of the events are inspired by Buster Keaton's 'The General' but they're funny anyway.
Why the brothers and Quale have to work together, what the story is, is not really important. The story is just there to prepare a new joke. Because most of them work I think this is a very nice movie with a great start and finish and may be a part that is a little too slow in the middle. The Marx Brothers have a great talent for comedy and they do show that here, although we know they can do better.
Groucho Marx is S. Quentin Quale and Chico and Harpo are the brothers Joe and Rusty Panello. The two brothers and Quale are heading west to find fortune. The movie starts with a very funny sequence where the two brothers steal some money from Quale. After this the movie has some slow sequences without very big laughs, especially when the brothers and Quale are not yet working together. There is a nice scene with Chico playing the piano in a great and very funny way that gives the movie some spirit again. Everything leads up to the scenes on a train and I have to say that once they are on the thing every gag is good for a laugh. May be some of the events are inspired by Buster Keaton's 'The General' but they're funny anyway.
Why the brothers and Quale have to work together, what the story is, is not really important. The story is just there to prepare a new joke. Because most of them work I think this is a very nice movie with a great start and finish and may be a part that is a little too slow in the middle. The Marx Brothers have a great talent for comedy and they do show that here, although we know they can do better.
The movies from the Marx Bros. are just like my old Bowie's vinyls, or my Oscar Wilde's books: they're always there, and always will be. They're just like those old friends that will never let you down.
"Go West" has each and everyone of the essential ingredients of the movies from Groucho and co. : hilarious dialogs, crazy situations, Harpo's hooliganism, the music... everything goes as quick as a flash. So, if some youngster thinks that this movie hasn't anything to offer because it was made 65 years ago, thats belongs to the Pleistocenic... OK, I won't waste my time explaining why the Marx Brothers are bigger than life. I'd rather watch "Duck Soup" or "A Night At The Opera" one more time, and let the party begin once again...
*My rate: 8/10
"Go West" has each and everyone of the essential ingredients of the movies from Groucho and co. : hilarious dialogs, crazy situations, Harpo's hooliganism, the music... everything goes as quick as a flash. So, if some youngster thinks that this movie hasn't anything to offer because it was made 65 years ago, thats belongs to the Pleistocenic... OK, I won't waste my time explaining why the Marx Brothers are bigger than life. I'd rather watch "Duck Soup" or "A Night At The Opera" one more time, and let the party begin once again...
*My rate: 8/10
Did you know
- TriviaThe name of Groucho Marx's character, "S. Quentin Quale", caused a stir when the film was first released due to the subtle but clear joke: the use of the term "San Quentin quail", which means "jail bait".
- GoofsAfter Terry rides in to see Eve, his horse's rein tightens as an offscreen crew member starts to lead it away.
- Quotes
S. Quentin Quale: Lulubelle, it's you! I didn't recognize you standing up.
- Crazy creditsOpening card: Foreword: In 1851, Horace Greeley uttered a phrase that did much to change the history of these United States. He said: Go West, young man, go west. This is the story of three men who made Horace Greeley sorry he said it.
- ConnectionsEdited into Hollywood: The Dream Factory (1972)
- How long is Go West?Powered by Alexa
Details
- Runtime1 hour 20 minutes
- Color
- Aspect ratio
- 1.37 : 1
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