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We’re obviously completely self-aware that we’re publishing this list the Monday after Deadpool & Wolverine made $205 million at the box office. That’s the whole point of being meta, right? Or if you want to get Merriam-Webster involved, something that “shows or suggests an explicit awareness of itself or oneself as a member of its category: cleverly self-referential.”

That said, when it comes to movies, this kind of self-awareness can cover a wide range of narrative devices. A character quietly acknowledging the audience can be meta. Other times, meta scenes can intentionally break apart a film’s reality. Meta doesn’t even necessarily need to be done for the sake of humor either, as plenty of movies — from Frederico Fellini’s 8½ to the horror thriller Funny Games — get meta without much humorous intention.

But for the purposes of this list, which Cracked writers Tim Grierson and Matt Solomon and...

Never Give A Sucker An Even Break was a 1941 movie from W.C. Fields. But it could have been the theme to Bill Maher’s Real Time on Friday night.

From Donald Trump’s latest foibles, through TikTok’s right to exist in the US, to the growing lost generation of young men, Maher and his guests tried to make sense of a world that seems to be flailing in its battle to find solutions.

Ultimately, Maher turned his guns on nepo babies, the children of the famous who feel they’ve hit a triple when they’re born on third base.

Maher’s New Rules editorial focused on the long string of Hollywood stars that got a leg up thanks to their connections, starting with Douglas Fairbanks Jr. “It doesn’t make them bad people or untalented,” Maher said. “But let’s also admit they weren’t the only...

After a 15 months delay, the 74th annual Tony Awards honoring the best of Broadway will be held September 26 on CBS and Paramount +. And there a lot of familiar faces expected at the ceremony at the Winter Garden Theatre including six-time Tony winner Audra McDonald, who is nominated for the revival of “Frankie and Johnny in the Clair de Lune”; Jane Alexander, who won her first Tony Award 52 years ago for “The Great White Hope” and contends for “Grand Horizons”; and 90-year-old Lois Smith, who made her Broadway debut nearly 70 years ago, is up for “The Inheritance.”

The Tony Awards first ceremony, held April 6 1947 at the Grand Ballroom of the famed Waldorf-Astoria hotel in New York City, was a vastly different affair. Awards were handed out in only eight categories. Producer, director and Tony founder Brock Pemberton was the host of the evening which was broadcast on Wor and Mutual Network radio stations.

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“Extreme Fields”

By Raymond Benson

If you’ve never seen what is essentially the last starring film appearance by W. C. Fields, Never Give a Sucker an Even Break (1941), then you’re missing the most extreme, surreal, and ridiculous motion picture featuring the boozy misanthropic comedian ever made.

Fields (William Claude Dukenfield) brought his vaudeville schtick to life in his films made in the 1920s and 30s and he enjoyed immense popularity until alcoholism derailed his career. He was indeed a talented man, however, and there are true comic classics among his filmography. He was often responsible for writing the initial storylines to his movies, and he used silly pseudonyms in the screen credits, such as Mahatma Kane Jeeves or, in the case of Never Give a Sucker, Otis Criblecoblis.

Even after the success of The Bank Dick, Universal Studios was tiring of...

Never Give a Sucker an Even Break

Blu ray

Kino Lorber

1941 /77 min.

Starring W.C. Fields, Franklin Pangborn, Leon Errol

Cinematography by Charles Van Enger

Directed by Edward Cline

If Larsen E. Whipsnade ever laid eyes on Harold Bissonette, his mouth would water. Bissonette, a mild-mannered grocer for whom no good deed goes unpunished, is the perfect target for a con man like Whipsnade. W.C. Fields performed variations on both of those diametrically opposed characters throughout his career but in Never Give a Sucker an Even Break he synthesized them into one complicated but equally funny cat: himself. Released by Universal in 1941, the movie was Fields’ last starring role. It’s hilarious, unmanageable and a shambles – in other words a self-portrait of the comedian at the sunset of his career. He would not exit without a fight.

The working title was The Great Man (in some countries it was known...

Acclaimed stuntman and action director extraordinaire Jesse V. Johnson joins us to discuss the U.S. based action films and filmmakers that have influenced him the most.

Show Notes: Movies Referenced In This Episode

On The Waterfront (1954)

Fultah Fisher’s Boarding House (1922)

Undisputed (2002)

Undisputed II: Last Man Standing (2006)

Undisputed III: Redemption (2010)

Boyka: Undisputed (2016)

The Killer Elite (1975)

Convoy (1978)

The Osterman Weekend (1983)

Bring Me The Head Of Alfredo Garcia (1974)

Le Cercle Rouge (1970)

Straw Dogs (1971)

The Wild Bunch (1969)

Mr. Holland’s Opus (1995)

The Shawshank Redemption (1994)

The Birdcage (1996)

Cross of Iron (1977)

Electra Glide in Blue (1973)

Dirty Mary, Crazy Larry (1974)

Easy Rider (1969)

Fail Safe (1964)

The Cincinnati Kid (1965)

Ride The High Country (1962)

Major Dundee (1965)

Jinxed! (1982)

Beowulf (2007)

Kiss Me Deadly (1955)

Once Upon A Time In Hollywood (2019)

The Girl Hunters (1963)

Los Angeles Plays Itself (2003)

Point Blank (1967)

Falling Down (1993)

M (1951)

M (1931)

The Black Vampire (1953)

The Roaring Twenties (1939)

Scum (1979)

Elephant (1989)

The Man Who Shot Liberty Valance (1962), possibly Joe’s favorite John Ford...

W.C. Fields’ last starring vehicle was shot under the title The Great Man, and despite a host of studio-mandated cuts, stands as a triumphantly nonsensical, semi-autobiographical farrago of unreconstructed Fieldsiana. Sadly, few original Fields trailers exist so this one is a fan-made attempt to duplicate the style of Universal promotion circa 1941.

The post Never Give a Sucker an Even Break appeared first on Trailers From Hell.

Just back from the 2017 TCM Classic Movie Festival with a few thoughts and thoughts about thoughts. I certainly held my reservations about this year’s edition, and though I ultimately ended up tiring early of flitting about from theater to theater like a mouse in a movie maze (it happens to even the most fanatically devoted of us on occasion, or so I’m told), there were, as always, several things I learned by attending Tcmff 2017 as well.

1) TCM Staffers Are Unfailingly Polite And Helpful

Thankfully I wasn’t witness, as I have been in past years, to any pass holders acting like spoiled children because they had to wait in a long queue or, heaven forbid, because they somehow didn’t get in to one of their preferred screenings. Part of what makes the Tcmff experience as pleasant as it often is can be credited to the tireless work...

“It’s the most wonderful time/Of the year…” – Andy Williams

Well, yes and no. There is, after all, still about a week and a half to go before we can put the long national, annual nightmare of the tax season behind us. But it’s also film festival season, which for me specifically means the onset of the 2017 TCM Classic Film Festival, the eighth iteration of what has become a perennial moviegoing event. More and more people flock to Hollywood Boulevard each year from all reaches of the country, and from other countries, to revel in the history of Hollywood and international filmmaking, celebrate their favorite stars (including, this year, beloved TCM host Robert Osborne, who died earlier this year and whose presence has been missed at the festival for the past two sessions) and enjoy a long-weekend-sized bout of nostalgia for the movie culture being referred to when...

“Anybody who goes up in the damn thing is gonna be Spam in a can.” • Chuck Yeager (Sam Shepard), “The Right Stuff” (1983), Written by Tom Wolfe and Phillip Kaufman based on the book by Tom Wolfe (1979), Directed by Phillip Kaufman

Henry Luce: “Now, I want them all to meet my people who will write their true stories. Naturally these stories will appear in Life magazine under their own bylines. For example, “by Betty Grissom,” or “by Virgil I. Grissom,” or…

Gus Grissom: “Gus!”

Henry Luce: “What was that?”

Gus Grissom: “Gus. Nobody calls me by…that other name.”

Henry Luce: “Gus? An astronaut named “Gus?” What’s your middle name?

Gus Grissom: “Ivan.”

Henry Luce: “Ivan…ahem…well. Maybe Gus isn’t so bad, might be something there…All right, all right. You can be “Gus.”Henry R. • Luce (John Dehner), Virgil (Gus) I. Grissom (Fred Ward)“The Right Stuff” (1983)

“Godspeed,...

The director-centric 1970s were a time for pushing the boundaries of 'acceptable' film content, but John Byrum's witty and profane period piece about a Hollywood porn director was a step too far. Richard Dreyfuss leads a cast of utterly fearless actors in a witty and intelligent dissection of movieland decadence. Inserts Region A Blu-ray Twilight Time 1975 / Color / 1:85 widescreen / 115 min. / Street Date June 14, 2016 / (Nc-17) / Available from Twilight Time Movies Store29.95 Starring Richard Dreyfuss, Jessica Harper, Veronica Cartwright, Bob Hoskins, Stephen Davies. Cinematography Denys N. Coop Art Direction John Clark Costumes Shirley Russell Produced by Davina Belling, Clive Parsons Written and Directed by John Byrum

Reviewed by Glenn Erickson

At least in Los Angeles, the theatrical showings of John Byrum's remarkable Inserts came and went (cough) so fast that nobody had time to be outraged. The reviews made it sound like sordid trash that could only attract men in plastic raincoats.

or, Savant picks The Most Impressive Discs of 2015

This is the actual view from Savant Central, looking due North.

What a year! I was able to take one very nice trip back East too see Washington D.C. for the first time, or at least as much as two days' walking in the hot sun and then cool rain would allow. Back home in Los Angeles, we've had a year of extreme drought -- my lawn is looking patriotically ratty -- and we're expecting something called El Niño, that's supposed to be just shy of Old-Testament build-me-an-ark intensity. We withstood heat waves like those in Day the Earth Caught Fire, and now we'll get the storms part. This has been a wild year for DVD Savant, which is still a little unsettled. DVDtalk has been very patient and generous, and so have Stuart Galbraith & Joe Dante; so far everything...

He's back and he's funnier than ever. The mischievous, cagey entertainer William Claude Dukenfield starred in some of the best comedies ever. This five-disc DVD set contains eighteen of his best, all the way from Million Dollar Legs in 1932 to Never Give a Sucker an Even Break in 1941. And we get to see all sides of W.C's talent -- he was a top-rank juggler, of just about anything. W.C. Fields Comedy Essentials Collection DVD Universal Studios Home Entertainment 1932-1941 / B&W / 1:37 Academy 1316 minutes (21 hours, 46 min) Street Date October 13, 2015 / 99.98 Starring Larson E. Whipsnade, T. Frothinghill Bellows, Egbert Sousé, Eustace P. McGargle, Harold Bissonette, Professor Quail, Augustus Winterbottom, Mr. Stubbins, Sam Bisbee, Ambrose Wolfinger, Cuthbert J. Twillie, Humpty-Dumpty. Written by Charles Bogle, Mahatma Kane Jeeves, Otis Criblecoblis

Reviewed by Glenn Erickson

In the late 1960s there were these things called Head Shops, see, where various hippie consumer goods were sold.

Bill Hader has come a long way since his stint on Saturday Night Live, creating many popular characters and impersonations such as Stefon, Vincent Price and CNN’s Jack Cafferty. He is one of the highlights in such films as Adventureland, Knocked Up, Superbad and Pineapple Express, and so it is easy to see why author Mike Sacks interviewed him for his new book Poking A Dead Frog. In it, Hader talks about his career and he also lists 200 essential movies every comedy writer should see. Xo Jane recently published the list for those of us who haven’t had a chance to read the book yet. There are a ton of great recommendations and plenty I haven’t yet seen, but sadly my favourite comedy of all time isn’t mentioned. That would be Some Like It Hot. Still, it really is a great list with a mix of old and new.

War movies have been around as long as cinema has existed. There is something about the horror, bravery, tragedy, and excitement of combat that has inspired filmmakers and drawn audiences. We’ll be celebrating the Great War films On August 5th at The Way Out Club with Super-8 Movie Madness Goes To War!

We’ll be showing six films in the condensed (average length: 15 minutes) Super-8 sound film format projected on The Way Out’s big screen that tells heroic stories of World War Two. They are: William Holden and Alec Guinness in The Bridge On The River Kwai, Clint Eastwood and Richard Burton in Where Eagles Dare, Lee Marvin and Charles Bronson in The Dirty Dozen, Frank Sinatra in Von Ryan’S Express, Harrison Ford and Robert Shaw in Force Ten From Navarone, and John Wayne and an all-star cast in The Longest Day.

Movie that we’ll be...