Above and Beyond

Real good work. Its straight ahead, no frills film-making had me in its grip every step of the way. Just a good old-fashioned major studio A picture; it's like tooling around in a luxury car. And I don't care what anybody says - Robert Taylor was a fine actor. I've seen a number of his films now and he hasn't given a bad performance yet. It is a tad disconcerting to have Mr. McGoo playing General Curtis LeMay, but it's a small part and I let it slide.

Despite my love for aviation films, I somehow never got around to seeing "Above and Beyond" until now. Much of this is because although I like airplane films, I incorrectly assumed that this movie would basically be a by the numbers and very dull documentary about the dropping of the first atomic bomb. Seeing them recreate this somewhat mundane process depressed me and I only got around to seeing it finally because the film starred Robert Taylor--an exceptional actor. Fortunately, my assumptions about the film were mostly wrong--and it was a very good retelling of this true story.

I think the biggest reason I liked "Above and Beyond" is because it does NOT show as much of the technical aspects as I thought it would. Instead, it focused a lot of the film on the personal toll the project took on its commander, Col. Tibbets. Now this is NOT the toll on him after the dropping of the first A-bomb (he actually seemed to have no problems with this from everything I've read--saying that it DID help end the war)--but how the secrecy demands of the project took a major toll on the Colonel's marriage. I had just assumed, incorrectly, that Tibbets was some guy chosen at the last minute to command this mission and that he was already serving in the Pacific. Instead, he was picked long before and headed an unit in Utah that spent many, many months working out the specifics of the bombing. The security for all this surprised me--as I'd just assumed this was only for the Manhattan Project itself.

Interesting, well-written and acted, this is a nice historical piece that is both fascinating and entertaining. I was particularly impressed by the recreation of the atomic bomb drop from the point of view of the crew as it happened--it was well done and believable. The only negative, if there is one, is that the film really doesn't even mention the second bomb dropped a few days later--a bit on an odd omission. I guess being second doesn't hold a lot of interest to most folks.

I knew of Wendover Airbase long before seeing this movie. Although the movie infers that Tibbets picked the field for its isolation (true) it was also where they taught heavy bomber crews during WW2. So the field hardly had to be developed for the special mission of the 509th.

And today it has another famous reason - it is the site of many movie scenes, such as Independence Day and ConAir.

In fact, when I went to visit the site - right on the Utah-Navada border, they were filming ConAir.

Today all one sees as a reminder of its importance are the old concrete foundations of the many wooden buildings - with signs telling you what each building's purpose was.

But to the movie - I know that the main points were factually correct - right down to the flight time a B29 required flying from Saipan or Tinian to Japan - and back.

14 hours.

It seems that the secrecy at this base was as stringent as Los Alamos, where the Bomb was developed.

Besides being an entertaining movie it is educational.

Considering that "Above and Beyond" was made during the height of the hysteria now known as McCarthyism, one would have expected a jingoistic flag-waver out of Hollywood. Instead, surprisingly, the screenplay as written allows the Paul Tibbets character (Robert Taylor) the opportunity to register a variety of emotions, in a most realistic and compelling performance.

This is ironic, seeing as the real Tibbets, decades after the event (the bombing of Hiroshima), is to this day unrepentant. Not to criticize his position in any way, because that was a different time and place, and it's Tibbets' view that he had a job to do, and the morality of it all, he has stated, is best debated by others.

But the film is all the more compelling because of the ambivalence written into the Tibbets character, and Taylor's especially fine work. There are uniformly strong performances throughout the cast, notably those of Eleanor Parker (Lucy Tibbets), James Whitmore (the security officer) and Larry Keating (General Brent).

Another surprise: the team of Melvin Frank and Norman Panama (screenplay, direction) had been best known for their Bob Hope comedies, when under contract at Paramount. Their first dramatic effort was "Above and Beyond," and they acquitted themselves admirably.

Final note: the musical score by Hugo Friedhofer is immensely satisfying: stirring in an emotional sense, with just a touch of, but not too much of, militaristic flavor.

Dore Schary, a Democrat, had succeeded fervent Republican Louis B. Mayer at MGM in 1951, and had encouraged the production of "Above and Beyond." One wonders if (a) the film would have been made at all on Mayer's watch, and (b) if it had, would it have been more of a cornball, John Wayne-type flag-waver. Thankfully, those questions are moot. "Above and Beyond" is a stirring, finely-crafted film. I would stress again the unusual nature of the protaganist's ambivalence as portrayed in a film made during a very sensitive time in America's history.

Highest rating with Robert Taylor and Eleanor Parker giving phenomenal performances, perhaps the best ever in both of their careers.

After he has been chosen to test pilot the B-29 bomber, Taylor is so affected by his work in the preparation of dropping the atomic bomb on Japan, that he becomes intolerable to live with and is extremely harsh with all those under his command. He had no choice as the objective of his work obviously had to remain top secret.

This is definitely a superior story of the human spirit in triumph.

Taylor is aided by an excellent supporting cast headed by Larry Gates, Larry Keating and the recently departed James Whitmore.

The emotional pain of Taylor is sincerely etched in his face in an unforgettable performance.