When his wife leaves for a vacation, a man gets into trouble when he gets romantically involved with a nightclub singer who tricks him into thinking he's committed a serious crime.When his wife leaves for a vacation, a man gets into trouble when he gets romantically involved with a nightclub singer who tricks him into thinking he's committed a serious crime.When his wife leaves for a vacation, a man gets into trouble when he gets romantically involved with a nightclub singer who tricks him into thinking he's committed a serious crime.
Michael Balfour
- Sailor
- (uncredited)
Kenneth Cope
- Hotel Desk Clerk
- (uncredited)
Fred Davis
- Police Officer
- (uncredited)
Patrick Halpin
- Nightclub Patron
- (uncredited)
Victor Harrington
- Nightclub Patron
- (uncredited)
John Horsley
- Police Officer
- (uncredited)
Sam Kydd
- Ticket Inspector
- (uncredited)
Charles Lamb
- Mr. Palmer - Car Mechanic
- (uncredited)
Aileen Lewis
- Nightclub Patron
- (uncredited)
Featured review
IMPULSE is another typical British crime film, one that plays out in a very low key way and which features an imported American star in order to bring American audiences in. This time around it's a permanently stressed out Arthur Kennedy, playing a happily married man who decides to embark on a dalliance when his wife goes away for the weekend.
His problems begin when he helps a stranded woman who turns out to be a femme fatale played by Constance Smith, whose real life was more torrid and tragic than any movie. Smith is excellent, by the way, and gives the best performance in the movie. Kennedy finds himself obsessed by her, but he doesn't know that she's involved with some ruthless criminals who think nothing of committing murder to get their way.
Before long the film settles in the typical Tempean Films format, with a lone hero, the attractive women helping and hindering him, the thugs seeking to kill him, and the police always one step behind. It's rather undistinguished stuff that lacks a decent storyline to see it through and I was bored more often than not. Cyril Chamberlain's weary cop encapsulates the audience's mood on this one. Watch out for a youthful Kenneth Cope making his debut film appearance early on.
I just wanted to correct one of the other reviewers on this sight: Charles de la Tour is not the pen name of Cy Endfield. He was a director in his own right who had children, one of whom is RISING DAMP actress Frances de la Tour. Something that would be rather impossible if he didn't actually exist!
His problems begin when he helps a stranded woman who turns out to be a femme fatale played by Constance Smith, whose real life was more torrid and tragic than any movie. Smith is excellent, by the way, and gives the best performance in the movie. Kennedy finds himself obsessed by her, but he doesn't know that she's involved with some ruthless criminals who think nothing of committing murder to get their way.
Before long the film settles in the typical Tempean Films format, with a lone hero, the attractive women helping and hindering him, the thugs seeking to kill him, and the police always one step behind. It's rather undistinguished stuff that lacks a decent storyline to see it through and I was bored more often than not. Cyril Chamberlain's weary cop encapsulates the audience's mood on this one. Watch out for a youthful Kenneth Cope making his debut film appearance early on.
I just wanted to correct one of the other reviewers on this sight: Charles de la Tour is not the pen name of Cy Endfield. He was a director in his own right who had children, one of whom is RISING DAMP actress Frances de la Tour. Something that would be rather impossible if he didn't actually exist!
- Leofwine_draca
- Aug 26, 2016
- Permalink
Storyline
Did you know
- TriviaFeature-film debut of Kenneth Cope.
- GoofsAt 12 min. Mr. Johnson is in Room 6. As he enters the bathroom there are no stockings hanging near the door. He walks to the window then returns to the door to turn on the light and walks into stockings. At 13 minutes when the maid enters the room the stockings are now hanging close to the wall which would have made it impossible to walk into without hitting the wall.
- Quotes
Elizabeth Curtis: Darling, if hating Ashmore is making you hate,, everybody, we could move...?
Alan Curtis: Well, I don't really suppose it's Ashmore...
Elizabeth Curtis: Then it's me!
Details
- Runtime1 hour 20 minutes
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content