Three struggling theatrical performers meet a famous songwriter who is trying to convince a wealthy oilman to finance a musical he is scripting, promising them stardom if it comes to fruitio... Read allThree struggling theatrical performers meet a famous songwriter who is trying to convince a wealthy oilman to finance a musical he is scripting, promising them stardom if it comes to fruition.Three struggling theatrical performers meet a famous songwriter who is trying to convince a wealthy oilman to finance a musical he is scripting, promising them stardom if it comes to fruition.
Bebe Allen
- Restaurant Patron
- (uncredited)
Leon Alton
- Man at Ladder
- (uncredited)
John Alvin
- Clerk
- (uncredited)
William Bakewell
- Jaguar Owner
- (uncredited)
Jack Boyle Jr.
- Call Boy
- (uncredited)
Paul Bradley
- Diner
- (uncredited)
- …
Charles Cane
- Sergeant
- (uncredited)
Steve Carruthers
- Club Patron
- (uncredited)
Featured reviews
In sunny Miami, superstitions showgirl Doris Day (as Candy Williams) and her musical troupe find themselves destitute after their show "Parisian Pretties" closes. This is strange, because Ms. Day and performing manager Phil Silvers (as Hap Schneider) appear captivating on stage. The troupe is forced to take menial jobs. While working as a maid, tap-dancing Nancy Walker (as Flo Neely) meets famous songwriter Bob Cummings (as Dick Carson) and learns he is producing a new Broadway show...
Day hopes Mr. Cummings could provide her with a lucky break. Perhaps romance will follow. "Lucky Me" was meant to be a follow-up to the crowd-pleasing "Calamity Jane" (1953), but fell short. The earlier film featured Day's million-selling #1 "Secret Love" single. This film's song highlight is "I Speak to the Stars", a sleepy #16 hit. The closing party is mildly interesting, beginning with Day in a convincing disguise. This is where you can spot black-haired Angie Dickinson, in her big screen debut.
**** Lucky Me (4/9/54) Jack Donohue ~ Doris Day, Robert Cummings, Phil Silvers, Nancy Walker
Day hopes Mr. Cummings could provide her with a lucky break. Perhaps romance will follow. "Lucky Me" was meant to be a follow-up to the crowd-pleasing "Calamity Jane" (1953), but fell short. The earlier film featured Day's million-selling #1 "Secret Love" single. This film's song highlight is "I Speak to the Stars", a sleepy #16 hit. The closing party is mildly interesting, beginning with Day in a convincing disguise. This is where you can spot black-haired Angie Dickinson, in her big screen debut.
**** Lucky Me (4/9/54) Jack Donohue ~ Doris Day, Robert Cummings, Phil Silvers, Nancy Walker
LUCKY ME is a prettily Technicolored musical outing from Warner Bros., one that DORIS DAY was obligated to make because of arrangements made by her producer hubby. She should have stuck to her guns and refused to do the film, which doesn't do much for anyone--including its talented supporting cast--ROBERT CUMMINGS, PHIL SILVERS, NANCY WALKER, MARTHA HYER and EDDIE FOY, JR.
Day is the singer in a team of stranded players working in the kitchen of a fancy Miami hotel because of a prank played by the obnoxious PHIL SILVERS, whose strident comedy technique is overworked here.
When ROBERT CUMMINGS needs a singer for his upcoming Broadway show, he discovers Doris can sing and from then on he and his girlfriend (MARTHA HYER) squabble over her dad's backing for the show and his interest in Doris. That's all there is to the plot.
Songs by Sammy Fain and Paul Webster have been tacked onto this slight story with less than impressive results. Only one ballad--done as a dream sequence--has any real worth and it's a beauty called "I Speak to the Stars" which is the only genuine first class song in the movie. A catchy first number, "The Superstition Song," at least gets some interest for the way Doris Day manages to sing it through a lengthy opening sequence.
If you're a Doris Day completist and must see all her films--well, that's the only reason for catching up with this one. It's a dud--a real dud. Trite and unfunny as can be.
Day is the singer in a team of stranded players working in the kitchen of a fancy Miami hotel because of a prank played by the obnoxious PHIL SILVERS, whose strident comedy technique is overworked here.
When ROBERT CUMMINGS needs a singer for his upcoming Broadway show, he discovers Doris can sing and from then on he and his girlfriend (MARTHA HYER) squabble over her dad's backing for the show and his interest in Doris. That's all there is to the plot.
Songs by Sammy Fain and Paul Webster have been tacked onto this slight story with less than impressive results. Only one ballad--done as a dream sequence--has any real worth and it's a beauty called "I Speak to the Stars" which is the only genuine first class song in the movie. A catchy first number, "The Superstition Song," at least gets some interest for the way Doris Day manages to sing it through a lengthy opening sequence.
If you're a Doris Day completist and must see all her films--well, that's the only reason for catching up with this one. It's a dud--a real dud. Trite and unfunny as can be.
The first time I saw this film I was distracted for a few minutes and missed the intro credits. Being in a lazy mood I just sat down to watch and if it hadn't been for the setting (Miami) and the star (Doris), I'd have sworn this were one of the early MGM CinemaScope films, since someone was obviously emulating a certain kind of Arthur Freed approach. But while elaborate visually at times, no, it was Warner Bros., but for what it was, not bad. In fact, the only real debit I can make against LUCKY ME remains its very conventional and predictable plot conventions. That, and the one-note roles of Phil Silvers (a ham) and Robert Cummings (handsome but bland nice guy). Songs? Okay, nothing special, perhaps, but serviceable. So for anyone who simply wants an old, spiffy if brainless musical, they still can't go wrong here, even if someone like Howard Keel might have brought more to the Cummings role (for better and worse).
As for the film process itself, did this film really need such elaboration? Probably not, but Scope does continue to lend it a certain novelty.
As for the film process itself, did this film really need such elaboration? Probably not, but Scope does continue to lend it a certain novelty.
"Lucky Me" gives you everything you want in a musical and more. All the songs are catchy; the banter is quick and witty; there are some big dance productions; and of course, the one and only Doris Day.
Most films from Doris Day leave me wishing there were more musical numbers, but "Lucky Me" has just the right amount. The plot is thin and the romance does not start until about halfway through, but who cares? This film is a whole lot of fun.
If you are a Doris Day fan, this is a must. If not, then this is a good a place as any to find out about one of the greatest entertainers of all time. She can sing. She can dance. She can be really funny.
If you like upbeat, colorful musicals, then check out "Lucky Me."
Most films from Doris Day leave me wishing there were more musical numbers, but "Lucky Me" has just the right amount. The plot is thin and the romance does not start until about halfway through, but who cares? This film is a whole lot of fun.
If you are a Doris Day fan, this is a must. If not, then this is a good a place as any to find out about one of the greatest entertainers of all time. She can sing. She can dance. She can be really funny.
If you like upbeat, colorful musicals, then check out "Lucky Me."
I found this movie on DVD at my local public library. I wanted to watch it for two stars of yesteryear, Doris Day and Martha Hyer.
The simple story involves four small time entertainers barely drawing audiences in Miami and wanting to hit it somewhat bigger. They find out famous songwriter Dick Carson is in town and make attempts to meet him. Quite by accident, a car accident that is, Candy (Doris Day) meets Carson (Robert Cummings) but assumes he is a mechanic for the loaner car he is driving from a prior accident. This goes on long enough that when she finds out who he really is, she vows that she will never talk to him again. But he is smitten with her and also wants her to play the lead in the show he is writing.
To complicate things Carson needs funding for his planned Broadway show and needs help from Ms Thayer's wealthy Texas oilman father. Ms Thayer (Martha Hyer) has a deep crush on Carson and threatens to sabotage the whole thing if he keeps pursuing Candy for the lead role.
It is a rather simple and silly rom-com but all the actors are in good form. Especially Cummings, the impact of the whole story depends on the way he plays Carson and he nails it. Phil Silvers has a role as Hap Schneider, very similar in style to the Sgt. Bilko character he started playing on TV shortly after this movie came out.
All in all a worthwhile 100 minutes to see some of the stars of yesteryear. Day and Hyer were about 30 and lovely. Day was quite a good singer, even better than I thought I remembered.
The simple story involves four small time entertainers barely drawing audiences in Miami and wanting to hit it somewhat bigger. They find out famous songwriter Dick Carson is in town and make attempts to meet him. Quite by accident, a car accident that is, Candy (Doris Day) meets Carson (Robert Cummings) but assumes he is a mechanic for the loaner car he is driving from a prior accident. This goes on long enough that when she finds out who he really is, she vows that she will never talk to him again. But he is smitten with her and also wants her to play the lead in the show he is writing.
To complicate things Carson needs funding for his planned Broadway show and needs help from Ms Thayer's wealthy Texas oilman father. Ms Thayer (Martha Hyer) has a deep crush on Carson and threatens to sabotage the whole thing if he keeps pursuing Candy for the lead role.
It is a rather simple and silly rom-com but all the actors are in good form. Especially Cummings, the impact of the whole story depends on the way he plays Carson and he nails it. Phil Silvers has a role as Hap Schneider, very similar in style to the Sgt. Bilko character he started playing on TV shortly after this movie came out.
All in all a worthwhile 100 minutes to see some of the stars of yesteryear. Day and Hyer were about 30 and lovely. Day was quite a good singer, even better than I thought I remembered.
Did you know
- TriviaIn her autobiography, Doris Day reported that she was suffering from nervous exhaustion following the strenuous production schedule for "Calamity Jane" (1953) and did not feel sturdy enough to begin work on "Lucky Me" (1954). When her husband-manager Martin Melcher and Warner Bros. strong-armed her into moving forward, she suffered what she termed a "nervous breakdown" during filming.
- Quotes
Candy Williams: There's 13 people in the audience.
Hap Schneider: This is no time to be superstitious. It's bad luck.
- ConnectionsReferences The Command (1954)
- How long is Lucky Me?Powered by Alexa
Details
- Runtime1 hour 40 minutes
- Aspect ratio
- 2.55 : 1
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