IMDb RATING
6.1/10
1.1K
YOUR RATING
Two producers find different actresses in Paris for the same Broadway role. Each promises her the part without telling the other. Drama unfolds on their ocean voyage back when both women lea... Read allTwo producers find different actresses in Paris for the same Broadway role. Each promises her the part without telling the other. Drama unfolds on their ocean voyage back when both women learn the truth.Two producers find different actresses in Paris for the same Broadway role. Each promises her the part without telling the other. Drama unfolds on their ocean voyage back when both women learn the truth.
- Awards
- 1 nomination total
Zizi Jeanmaire
- Gaby Duval
- (as Jeanmaire)
Patsy Bangs
- Dancer
- (uncredited)
Linda Bennett
- Ann
- (uncredited)
John Benson
- Minor Role
- (uncredited)
Cathy Ann Bisutti
- Girl
- (uncredited)
Jimmy Brooks
- Dancer
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAt one point Donald O'Connor commiserates with Bing Crosby, "You've got yourself a case of moonburn, huh?" "Moonburn" is the title of a Hoagy Carmichael song added to the 1936 film version of Anything Goes (1936) also starring Crosby.
- GoofsDuring the "Ya Gotta Give The People Hoke" number Bing Crosby and Donald O'Connor go into a prop room, pick up a prop, go on stage, do a "bit" and go back to the prop room. About midway through, Bing comes out on stage wearing a Fireman's hat. There is a pile of brownish debris and several piles of white material that were not there a second before, indicating that one or more "bits" had been cut after filming.
- Alternate versionsThere is an Italian edition of this film on DVD, distributed by DNA Srl, re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnectionsFeatured in Eye for an Eye (1996)
- SoundtracksYa Gotta Give The People Hoke
Written by Jimmy Van Heusen and Sammy Cahn
Performed by Bing Crosby and Donald O'Connor
Featured review
Another reviewer stated that no one goes to musicals for the story. Think of The Band Wagon, Seven Brides For Seven Brothers, Meet Me In St. Louis, State Fair (1945), Singin' In The Rain. Did you really enjoy those musicals just for the songs and dances, and ignore the story, dialog, and situations? I doubt it.
Some reviewers have criticized the screenplay by Sidney Sheldon. It's not great, but I think the direction is really the problem here. Robert Lewis was an accomplished theatre director and teacher (The Actors Studio), as well as an occasional Hollywood actor, but this was his first and last feature film as director.
There's some originality and wit (think of the two French sailors who appear periodically - a well-done bit), but the tone of the whole picture is off, the pace is off, the director doesn't know the tricks to brighten and even out the screenplay's banalities.
Disagreeing with some other reviews here, I think Jeanmaire has a surprisingly good, strong singing voice for a non-singer She was a professional ballet dancer, not a singer. And she was a pretty good actress - watch carefully and you will see her emotional responses are real. You can even see her breath come fast when she tells Crosby how much she loves him.
I disagree with the reviewer who criticized the number Donald O'Connor did with the kids. Please look at this number carefully and see exactly what an amazing dancer and athlete this guy is. Notice how he dances with that small ball, and the larger ones. How he's able to make the ball bounce exactly right, off of opposing walls, to match his turns, etc. It's amazing.
The song itself - like all the interpolated Cahn-Van Heusen songs - is so completely different in style from the old Cole Porter tunes, it just sounds out of place. Like Neil Simon had written some new scenes for a Kaufman-Hart play. It isn't that Cahn and Van Heusen aren't great, they just aren't the same style of songwriter as Porter, so their songs up against his are jarring.
Mitzi Gaynor, as usual, gives her all. I saw her stage show, once. Though she's very good on film, she was phenomenal onstage.
I could watch Bing in anything.
Some reviewers have criticized the screenplay by Sidney Sheldon. It's not great, but I think the direction is really the problem here. Robert Lewis was an accomplished theatre director and teacher (The Actors Studio), as well as an occasional Hollywood actor, but this was his first and last feature film as director.
There's some originality and wit (think of the two French sailors who appear periodically - a well-done bit), but the tone of the whole picture is off, the pace is off, the director doesn't know the tricks to brighten and even out the screenplay's banalities.
Disagreeing with some other reviews here, I think Jeanmaire has a surprisingly good, strong singing voice for a non-singer She was a professional ballet dancer, not a singer. And she was a pretty good actress - watch carefully and you will see her emotional responses are real. You can even see her breath come fast when she tells Crosby how much she loves him.
I disagree with the reviewer who criticized the number Donald O'Connor did with the kids. Please look at this number carefully and see exactly what an amazing dancer and athlete this guy is. Notice how he dances with that small ball, and the larger ones. How he's able to make the ball bounce exactly right, off of opposing walls, to match his turns, etc. It's amazing.
The song itself - like all the interpolated Cahn-Van Heusen songs - is so completely different in style from the old Cole Porter tunes, it just sounds out of place. Like Neil Simon had written some new scenes for a Kaufman-Hart play. It isn't that Cahn and Van Heusen aren't great, they just aren't the same style of songwriter as Porter, so their songs up against his are jarring.
Mitzi Gaynor, as usual, gives her all. I saw her stage show, once. Though she's very good on film, she was phenomenal onstage.
I could watch Bing in anything.
- How long is Anything Goes?Powered by Alexa
Details
- Runtime1 hour 46 minutes
- Aspect ratio
- 1.85 : 1
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