The Black Arrow

The Black Arrow casts Louis Hayward as the son of a noble family returned from the War Of The Roses where he's fought for the Yorkist side which has just gained the crown again at Tewksbury. But there's trouble at home where his greedy uncle George MacReady has obtained the estate of Lancastrian Paul Cavanaugh by most foul means including the stabbing death of Hayward's father Russell Hicks which we see in flashback.

Hayward has to take to the forest where legends of Robin Hood abound and he gathers his own group of merry men. In Cavanaugh's daughter Janet Blair, Hayward has his own Maid Marian whom MacReady wants to marry and solidify his hold on now both Hayward's and Cavanaugh's holdings. That would make him a most powerful baron indeed.

Of some interest here is MacReady's patron the Duke of Glouscester who as we know later became Richard III. He's played here by Lowell Gilmore, most ambiguously.

As for how this works out the ending was used again in MGM's far bigger budgeted production of Ivanhoe a few years later.

Hayward who played a variety of roles and well is most identified with the costume swashbuckler. Although he could be a charming heel in many films, he's a straight Black Arrow hero in this one. Those fond of the genre will have little reason for complaint.

THE BLACK ARROW, based on a historical novel by Robert Louis Stevenson, is an American-made swashbuckler that's set in England and tells a tale that's very reminiscent of the Robin Hood story. Set in the aftermath of the Wars of the Roses, it sees a soldier return home to find his father murdered, apparently by a rival, although he soon discovers that the murderers lay close at hand and that foul play was involved.

This is a light and breezy affair, with a fast pacing and plenty of action to recommend it. The swordfights are conducted in the classic manner with the opponents adopting fencing stances and a general old-fashioned feel to them. Louis Hayward, the erstwhile hero, is a guy I didn't find particularly charismatic, but the supporting cast of dastardlies and outlaw heroes is a well-chosen one.

Of course, never for a second does this film convince you that it's set in England, and the American accents of some of the cast members don't help much. Nonetheless it's an entertaining piece, with all of the jailbreaks, skullduggery, rescues and escapes you could hope for in an adventure movie. The ferocious jousting climax is a real highlight and surprisingly barbaric for its time.

Lois Hayward is capable of much better than this. It was slow and awkward...some of the cast was good but over all I did not feel the casting was a great asset...certainly the script and direction were not...the cast deserved better to work with. Still if you are an afficianado of sword and swash be prepared to sit around for awhile and wonder why you bothered to wade thru this...definitely "not" a keeper...but watch it only if you love Louis Hayward movies.

The Black Arrow is directed by Gordon Douglas and adapted to screenplay by Richard Schayer, David P. Sheppard and Thomas Sellar from the novel written by Robert Louis Stevenson. It stars Louis Hayward, George Macready and Janet Blair. Music is by Paul Sawtell and cinematography by Charles Lawton Jr.

A little known swashbuckler, the Black Arrow has all the requisite touches for fans of such dashing fare. Story is set just after The War of the Roses has ended and pitches the returning Sir Richard Shelton (Hayward) into a hunt for the truth behind his father's murder. Political intrigue, fights, brutal jousting and romance does follow. It doesn't give the Flynn or Power swashbucklers a run for their money, but it's good honest family entertainment with medieval literacy at the core and red-blooded machismo bulging at the seams. 6/10

This 1948 swashbuckler set in the aftermath of the War of the Roses has three things that makes this mildly enjoyable programmer: the underrated Gordon Douglas directing, the menacing scene stealer George Macready, and the dashing Louis Hayward isn't Errol Flynn, which is a good thing, as Hayward has got his own unique style; he looks the part, acts really well as the son who returns to find his father murdered, and his sword fights are executed with cat-like agility.

The story - A young British nobleman comes back from fighting in the War of the Roses to discover that his father has been murdered by an old family friend who is now an outlaw. However, he becomes suspicious about the exact circumstances of his father's death and determines to find out exactly what happened.

As the storyline suggests, there's a little intrigue, especially with the black arrows left for Hayward's character to read. It implies that his uncle, Macready, is the real culprit. The first half moves slightly ponderously, but it's still captures your attention. There are sword fights, secret passages, rebellious bandits on the side of good, and an exciting jousting sequence. Enjoyable swashbuckler, though I wish it was in technicolour. Check out the brilliant Disney 1985 version of this Robert Louis Stevenson penned adaptation.