Without Pity

If this movie is at all well remembered or occasionally revived, it is not because of the director or stars. It is because one of its writers and assistant directors was Federico Fellini. Given his later success and directorial vehicles, it is sometimes forgotten that he rose to prominence as a writer of Italian neo-realism movies.

These movies were acclaimed for their efforts to show real people with real problems. In large part they were a response to much of the production facilities in Italy being destroyed in the war and money being in very short supply for film production after the war. If the only setting you have for your movie is the ruined street or the impoverished countryside, you can't ignore that reality in the script.

Director Alberto Lattuada, who had more of a career than promoting Fellini to co-director on VARIETY LIGHTS, directs very competently. The story might have played in Italy in 1948 as the story of a woman reduced to prostitution and her American GI lover, but the production people decided to make her lover Black, for shock value in the American market. Carla del Poggia as the woman overwhelmed by events, is excellent when contrasted with the cynicism everyone else in Italy seems to show. That gives this movie an upbeat, neo-realist message: things may be bad, but good people can find triumph in tragedy.