IMDb RATING
6.2/10
1.6K
YOUR RATING
Bette Davis is a successful poetess who falls in love with a war hero in this romantic melodrama that is a moving film experience any time of year.Bette Davis is a successful poetess who falls in love with a war hero in this romantic melodrama that is a moving film experience any time of year.Bette Davis is a successful poetess who falls in love with a war hero in this romantic melodrama that is a moving film experience any time of year.
Jim Davis
- Slick Novak
- (as James Davis)
Woody Herman
- Leader - Woody Herman and His Orchestra
- (as Woody Herman and His Orchestra)
Lois Austin
- Marcia
- (uncredited)
Tex Brodus
- Restaurant Patron
- (uncredited)
Gertrude Carr
- Woman on Subway
- (uncredited)
Steve Carruthers
- Restaurant Patron
- (uncredited)
Douglas Carter
- Waiter
- (uncredited)
Hugh Charles
- Headwaiter
- (uncredited)
Russ Clark
- Man in Cafe
- (uncredited)
Franklyn Farnum
- Restaurant Patron
- (uncredited)
Bess Flowers
- Restaurant Patron
- (uncredited)
Charles Fogel
- Restaurant Patron
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured review
This is a much more than your typical Bette Davis melodrama. Here, Davis plays a NYC poetess (Susan Grieve), who runs around in high social circles. One of her society friends, Stacy Grant (John Hoyt), invites her to dine with him as he entertains a navel hero, Slick Novak (Jim Davis, Jock Ewing from TV's Dallas) who is staying briefly in town. Stacy's idea was to make Susan his date while pairing Novak up with his secretary, Peggy Markham (Janis Paige). However, the evening doesn't go as planned, since Novak falls for Susan rather than Peggy and invites himself into Susan's house after the evening's entertainment.
In spite of Susan and Novak not hitting it off too well at first, they start to talk. They soon discover--after driving to Susan's family farm in CT--that they each have unresolved issues from their past. Susan's problem has to do with her dead father; how her mother had treated him which lead him to commit suicide.
Susan never forgave her mother for her cheapness. However, Novak's insistence that Susan had not tried to see her mother's side of the issue leaves Susan to question her own beliefs.
Novak's unresolved issue is spiritual in nature. Since he had been 16, he had always felt a strong need to enter the priesthood and had been discouraged from this by talking to a priest before entering the Navy.
The two help each other to resolve these some of these issues. In the end, this is not so much of a romantic story between a man and a woman as it is a mutual guidance about leading each other to spiritual epiphanies (or sudden moments of soulful clarity) of how to proceed with their lives.
P.S. This is one of those movies in which the two leading co-stars stare the last name: Davis & Davis.
In spite of Susan and Novak not hitting it off too well at first, they start to talk. They soon discover--after driving to Susan's family farm in CT--that they each have unresolved issues from their past. Susan's problem has to do with her dead father; how her mother had treated him which lead him to commit suicide.
Susan never forgave her mother for her cheapness. However, Novak's insistence that Susan had not tried to see her mother's side of the issue leaves Susan to question her own beliefs.
Novak's unresolved issue is spiritual in nature. Since he had been 16, he had always felt a strong need to enter the priesthood and had been discouraged from this by talking to a priest before entering the Navy.
The two help each other to resolve these some of these issues. In the end, this is not so much of a romantic story between a man and a woman as it is a mutual guidance about leading each other to spiritual epiphanies (or sudden moments of soulful clarity) of how to proceed with their lives.
P.S. This is one of those movies in which the two leading co-stars stare the last name: Davis & Davis.
Storyline
Did you know
- TriviaThis film was a huge box office failure, bringing in less than half the cost of production and promotion. It was Bette Davis's biggest flop at Warner Bros. and came after Deception (1946), another money-loser for the studio, causing Jack L. Warner to lose faith in Davis's box office appeal.
- GoofsWhen Stacey goes to Susan's apartment at the beginning of the film, he takes off a light-colored scarf. When he goes to leave, he puts on a much different and dark-colored scarf.
- Quotes
Stacy Grant: [to Peggy] Let me give you a piece of advice, culled from years of devestating experience. Next to loss of money, deafness, and skin disease, passion can be the most dangerous.
- ConnectionsFeatured in AFI Life Achievement Award: A Tribute to Bette Davis (1977)
- SoundtracksIf I Could Be with You
(uncredited)
Music by James P. Johnson
Played when Susan and Stacey arrive at the restaurant
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Details
Box office
- Budget
- $1,927,000 (estimated)
- Runtime1 hour 44 minutes
- Color
- Aspect ratio
- 1.37 : 1
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