Betty Grable and Dan Dailey are a married song and dance team who cannot have children. The movie follows the travails as they try and adopt and keep the kids they adopt while performing on ... Read allBetty Grable and Dan Dailey are a married song and dance team who cannot have children. The movie follows the travails as they try and adopt and keep the kids they adopt while performing on their TV show.Betty Grable and Dan Dailey are a married song and dance team who cannot have children. The movie follows the travails as they try and adopt and keep the kids they adopt while performing on their TV show.
- Director
- Writers
- Stars
- Awards
- 1 win & 1 nomination total
Harry Seymour
- Undetermined Minor Role
- (scenes deleted)
Robert R. Stephenson
- Undetermined Minor Role
- (scenes deleted)
Richard Allan
- Dancer
- (uncredited)
Bill Baldwin
- Bill
- (uncredited)
Jackie Barnett
- Minor Role
- (uncredited)
Beth Belden
- Lady
- (uncredited)
Georgie Billings
- Pageboy
- (uncredited)
Conrad Binyon
- Elevator Boy
- (uncredited)
Vicki Lee Blunt
- Jenny Pringle
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This TCF production looks like an attempt to update the standard 40's musical. Instead of romantic youngsters, there's Grable and Dailey as a mature married couple; and in place of the usual wispy storyline is a surprisingly biting one; while banal dialog is peppered with risqué throw-away lines; and most topically, there's that new-fangled livingroom monster, television. On the whole, however, the combination doesn't go down well.
For one, the main plot thread simply doesn't lend itself to light-hearted entertainment. Ping-ponging adoptive babies back and forth, plus an auto accident, is the stuff of dramatics, not fluff, and leads to abrupt interruptions in mood. Sure, Grable gets to show some acting chops, which I expect was the intention, but it comes at the expense of overall results. Then too, the musical numbers are forgettable, to say the least. But at least, big-budget TCF mounts them in splashy Technicolor keeping the eye entertained even when the ear isn't. And I agree with the reviewer who thinks the vibrant young Mitzi Gaynor steals the show. She's clearly on her way up the Hollywood ladder.
Anyway, Dailey and Grable hoof and warble well enough. But, unfortunately, the movie comes across as two Hollywood vets doing their best with difficult material, yet only partially succeeding.
For one, the main plot thread simply doesn't lend itself to light-hearted entertainment. Ping-ponging adoptive babies back and forth, plus an auto accident, is the stuff of dramatics, not fluff, and leads to abrupt interruptions in mood. Sure, Grable gets to show some acting chops, which I expect was the intention, but it comes at the expense of overall results. Then too, the musical numbers are forgettable, to say the least. But at least, big-budget TCF mounts them in splashy Technicolor keeping the eye entertained even when the ear isn't. And I agree with the reviewer who thinks the vibrant young Mitzi Gaynor steals the show. She's clearly on her way up the Hollywood ladder.
Anyway, Dailey and Grable hoof and warble well enough. But, unfortunately, the movie comes across as two Hollywood vets doing their best with difficult material, yet only partially succeeding.
Musicals wasn't my favorite genre but there are so many that offer an sexy appeal like this, Betty Grable was well-known for your fabulous legs and in this she show us in plenty shape, as a dramatic comedy wasn't enough funny, but the story is smart and fully interesting was musicals suggested, David Wayne had a good role and works well as supporting casting, Mitzi Gaynor in your first real debut is always unnoticed, the songs are outdated as well, so remains the great and sexy Betty Grable delivery all that can offer....what a pair of legs!!!
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First watch: 2010 / How many: 2 / Source: DVD / Rating: 7
Resume
First watch: 2010 / How many: 2 / Source: DVD / Rating: 7
One of Bettys more grown up movies and she does well. Strong acting on her part and always a joy to watch her sing and dance. Plot is melodramatic as was her Dolly Sisters movie.
Some mistakes in the screenplay though. I go for realism and a couple of scenes had me confused due to sloppy writing. Toward the beginning when Bette and Dan go into their dressing room at the radio station, they confront their dog. A few lines and they leave by closing the door. The dog is still inside??? Who looks after him till the next day?? They don't take the dog home with them?
Another example of poor writing is when the couple visit their writers and best friends at the farmhouse. They are are surprised to see the couples six kids and say they didn't know they had kids. WHAT?? They've known them for years and didn't know they had kids???? Didn't anyone, including the actors question this oddity?? So very strange. And while the friends/writers are in their NY place, who watched those six kids????
Debut of Mitzi Gaynor and she doesn't have much to do, but dances well.
My Blue Heaven which starred Dan Dailey and Betty Grable are a happy show business couple who started in vaudeville and now are going into that happy new medium television. This was one of the first films that dealt with the phenomenon of television. As Dailey says during the course of the film, right now only Milton Berle and Howdy Doody are in it, the field is wide open.
Dailey and Grable are a happy couple, but they'd even be happier with a child, in fact Betty loses a baby almost at the beginning of the film. Friends and sponsors, David Wayne and Jane Wyatt suggest adopting because three of their six are adopted. The rest of the film is a lighter treatment of the themes from A Penny Serenade. Things go a lot happier for Dailey and Grable than they did for Cary Grant and Irene Dunne.
Because they are a musical performing couple Grable and Dailey get a whole lot of numbers and there's even a few tossed in for Mitzi Gaynor who was doing her second film. What a pity she came along as late as she did, she would have been a Grade A star in the Thirties. Gaynor plays an eager young understudy who'd just as soon Grable stay out on maternity leave.
Other than the title song, there's nothing terribly memorable in the score that Harold Arlen and Ralph Blane wrote for My Blue Heaven. Of course very few songs are as memorable. Until Bing Crosby introduced White Christmas in Holiday Inn, My Blue Heaven was the largest selling song in history with Gene Austin's version topping the charts.
My Blue Heaven is a pleasant enough diversion. Grable and Dailey work well as a team together, you'll enjoy them.
Dailey and Grable are a happy couple, but they'd even be happier with a child, in fact Betty loses a baby almost at the beginning of the film. Friends and sponsors, David Wayne and Jane Wyatt suggest adopting because three of their six are adopted. The rest of the film is a lighter treatment of the themes from A Penny Serenade. Things go a lot happier for Dailey and Grable than they did for Cary Grant and Irene Dunne.
Because they are a musical performing couple Grable and Dailey get a whole lot of numbers and there's even a few tossed in for Mitzi Gaynor who was doing her second film. What a pity she came along as late as she did, she would have been a Grade A star in the Thirties. Gaynor plays an eager young understudy who'd just as soon Grable stay out on maternity leave.
Other than the title song, there's nothing terribly memorable in the score that Harold Arlen and Ralph Blane wrote for My Blue Heaven. Of course very few songs are as memorable. Until Bing Crosby introduced White Christmas in Holiday Inn, My Blue Heaven was the largest selling song in history with Gene Austin's version topping the charts.
My Blue Heaven is a pleasant enough diversion. Grable and Dailey work well as a team together, you'll enjoy them.
Can't remember much about the movie, except my parents were a little disgusted at some of the dialogue. One that stands out: Grable and Dailey, a married couple, announced she was pregnant.
At a party (or something)where they announced the news, somebody said something like, "Well, we had better go because they probably want to be alone."
To which David Wayne, in whatever role he was playing, said, "Listen, if what these two kids said is true, they've been alone."
That was one pretty risque line for 1950. Would that dialogue today were as tame as that.
At a party (or something)where they announced the news, somebody said something like, "Well, we had better go because they probably want to be alone."
To which David Wayne, in whatever role he was playing, said, "Listen, if what these two kids said is true, they've been alone."
That was one pretty risque line for 1950. Would that dialogue today were as tame as that.
Did you know
- TriviaThe reason that Dan Dailey sings "Friendly Island" in such an odd voice is that he is making fun of Ezio Pinza the basso profundo opera star who was starring in the then current stage show "South Pacific".
- GoofsDuring the Cosmo Cosmetics number, all of the monitors in the television control room are in color. Expensive color sets would never have been used in a real TV control room, and in fact weren't even available in 1950.
- ConnectionsEdited from Mother Wore Tights (1947)
- SoundtracksMy Blue Heaven
Music by Walter Donaldson
Lyrics by George Whiting
Sung during the opening credits by Betty Grable, Dan Dailey and chorus
Danced by Betty Grable and Dan Dailey
- How long is My Blue Heaven?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- La cigüeña se demora
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 36 minutes
- Aspect ratio
- 1.37 : 1
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