Black Sunday

La Maschera Del Demonio/The Mask of Satan(1960) is the film that introduced audiences around the world to the cinema of Mario Bava. After years as Assistent Director and Director of Photography, Bava was rewarded with his first full directorial assignment and the results are impressive. He didn't direct full time until he was in his late 40's. Its interesting to note that two other directors named Lucio Fulci and Terence Fisher didn't get international recognization until their big breaks(Zombie[1979] + Curse of Frankenstein[1957]) when they were in their early to mid 50's. Its about a dead witch who returns from the dead with her lover to terrorize the descendents of their executioners. It was done due to the success of Horror of Dracula(1958).

The opening scene of the execution of Asa is a stunning combination of atmosphere and violent imagery. The Mask of Satan(1960) is based on a short story by Nikolai Gogol. Gogol is a writer that would play together with Edgar Allen Poe as a major influence in Bava's Supernatural tales. Its one of the best horror films of the last fifty years. Asa is resurrected when the blood of a doctor is accidently dropped on her corpse(this is played homage to in Lamberto Bava's Demons 2{1986}). Tim Burton has cited this movie as one of his favorites.

The film was pratically butchered in the states when first released, but has since been released on Home Video in uncut form(longest print in existence). This is an item that many aspiring Horror Filmmakers should watch in order to see how a great horror film should be done. The Mask of Satan(1960) isn't interested in plot and story as much as atmosphere and painting style visuals. Barbara Steele emerges as the first horror queen of the modern era. Barbara Steele has a macabre beauty that bewitches the viewer and gives her presence. Barbara Steele along with Christopher Lee, Peter Cushing, and Vincent Price were some of the greatest icons in 1960's-1970's horror films.

Barbara Steele does outstanding work as the witch Asa and her descendent Katia. Mario Bava's direction has the look of a great artist. Bava also contributes to the great cinematography. La Maschera Del Demonio is a well made mixture of the Universal Horror features of the 30's-40's and the violence of Hammer Horror of the 50's-60's. The fact that Mario Bava did this based on the success of Horror of Dracula(1958) must have influenced Terence Fisher to respond by directing Dracula:Prince of Darkness(1965). One theme that is present in The Mask of Satan(1960) is the decay and decline of a once happy and powerful family(more fully explored in Bava's later films of Black Sabbath{1963}, The Whip & the Body{1964}, Lisa and the Devil{1974}, and Shock{1977}).

BARBARA STEELE became an icon of horror films (the way Christopher Lee did when he played Dracula), when she played the role of a vampire witch princess burned at the stake in the 17th century who returns two hundred years later with a vengeance. Not that the story itself is all that original, but when done as stylishly as it is here, with the perfect B&W atmosphere and chiller mood, it's a winner.

There's no let-up in suspense from the gripping opening scene where the mask of Satan is nailed onto the face of the poor victimized woman, even though the unfolding of the story is rather slow. The graveyard scene of an undead man rising from the earth is masterfully photographed. The mood becomes more and more intense as several key characters emerge as vampires.

As a young doctor who figures importantly in the plot, JOHN RICHARDSON is a rather wooden actor and makes a cardboard hero, but in a film that relies on its effect for brilliant camera-work and Gothic touches, it's not much of a flaw. Barbara Steele's impassive mask-like beauty is suitable in the eerie dual role she plays with wide-eyed conviction.

The moody camera-work captures the spirit of Gothic horror in every shadowy scene. While the story itself is less than inspired, it does fulfill the promise of a good cobweb chiller right up until the rather predictable ending.

Well worth watching for fans of this genre.

Whoever said a horror movie can't be beautiful? Thanks to actress Barbara Steele's stunning good looks and director Mario Bava's striking visual sense, that's exactly what BLACK SUNDAY is! The plot deals with a witch and her vampire-like lover who return from the grave to seek revenge on the descendants of those who burned her at the stake over one hundred years before. As is usually the case with Bava, style is way more important than substance, though the plot isn't bad for such a Gothic horror film. Barbara Steele appears in a dual role: a beautiful and pure princess, and the wicked witch who wants to take over her body. Steele is magnificent in both roles, and Bava's direction is as solid as can be. This film is truly a classic of the genre and demands multiple viewings. Horror fans must not miss it!!!!!

La Maschera del Demonio/The Mask of Satan(1960) is the film that introduced audiences around the world to the cinema of Mario Bava. Responsible for being the first horror film to have a formidable evil female villain. Its about a dead witch who returns from the dead with her lover to terrorize the descendents of their executioners. Translitional picture that predates the broodish and moody style of Night of the Living Dead(1968). Tim Burton has cited this movie as one of his favorites.

After years as Assistent Director and Director of Photography, Bava was rewarded with his first full directorial assignment and the results are impressive. Mario Bava was a talented filmmaker with a love for the fine arts of Europe and Russian literature. He didn't direct full time until he was in his late 40s. Mario Bava's influences as a film director were Riccardo Freda and Freda and Fritz Lang. Nikolai Gogol is a writer that along with Edgar Allen Poe played a major influence on Bava's supernatural tales.

One theme that is present in The Mask of Satan(1960) is the decay and decline of a once happy and powerful family{more fully explored in Bava's later films of Black Sabbath(1963), Whip and the Body(1964), Lisa and the Devil(1974), and Shock(1977)}. Deals with the notion of the inescapability of fate that is an important theme in Bava's work. An example of this motif comes from Barbara Stelle with her line:"Here is the Very image of my life". Mario Bava was a fatalistic filmmaker who used imagery to convey his beliefs in destiny or fate. Part of his fatalistic style comes from him experiences and memories of WW2.

Some of the special effects are amazing for a film of this caliber. Mario Bava was a genius in creating special effects with only his creative soul and imagination. Makes one wonder what great special effects he could create with a modest budget. The gore effects although spread out in small pieces are gruesome for 1960. Proves that great special effects don't necessarily have to be done with mega dollars.

The opening scene of the execution of Asa is a stunning combination of atmosphere and violent imagery. Barbara Stelle along with Christopher Lee, Peter Cushing, and Vincent Price are some of the greatest icons in 1960s to 1970s horror films. Many movie makers in horror films were influenced by the opening scene. Certain parts of the atmospheric opening can be seen as one inspiration for the prologue of Lucio Fulci's L'Aldila/The Beyond(1981). A special moment in horror cinema.

The Mask of Satan(1960) came about as a result of the success of the Curse of Frankenstein(1957) and Horror of Dracula(1958) in Italy. Mixes the old fashion horror of Univerisal Studios with the graphic violence of Hammer horror. The Hammer and Universal horror films are responsible for the birth of horror in Post war Italian cinema. There are a couple of scenes that are obviously influenced by Horror of Dracula(1958). The fact that Mario Bava did this based on the success of Horror of Dracula(1958) must have influenced Terence Fisher to respond to directing Dracula:Prince of Darkness(1966).

The Mask of Satan(1960) isn't interested in plot and story as much as atmosphere and painting style visuals. Mario Bava took the barebones material of the film and turned it into something magnificent. Mario Bava's direction has the look of a great artist. Setting up atmosphere, dread, mood, and terror were some of Bava's strengths. His experiences as a cinematographer really pays dividends in Bava's direction.

A significant influence was placed on La Maschera del Demonio by the first Italian horror film of the sound era, I Vamipri(1956). A few references are made to I Vampiri(1956) especially in the discovery of a dead body near the river bank. Also, the aging effect in Mask of Satan(1960) comes from Bava's work on I Vampiri. Italian filmmaker, Riccardo Freda was the major influence behind Bava's films and the main directorial mentor of Mario Bava. The romantic subplot of The Mask of Satan(1960) also derieves from I Vampiri(1956).

Has some of the best set designs in a low budget horror film. Mario Bava would use some of the set for his late 1960s horror classic Kill Baby Kill(1967). Amazing that Mario Bava could put together grandeur looking art and set designs with so little. He also contributed to the dazzling cinematography. Mario Bava used many of the film's motifs and themes for The Whip and the Body(1964).

La Maschera del Demonio/The Mask of Satan(1960) is based loosely on a short story by Gogol called the Viy. An interesting note on the making of The Mask of Satan(1960) is that Bava made changes thoughout production because of uncertainities about the screenplay. Its one of the best horror films of the last fifty years. The camera moves with a smooth feel typical of a Mario Bava phtographed feature. This is an item that many aspiring horror filmmakers should watch in order to see how a great horror film should be done.

The screenplay is hackneyed ,the story has been told told and told again...

And however,Bava's film is a sparkling diamond.How come?The direction of course,the cinematography absolutely incredibly breath-taking,and Barbara Steele ,the par excellence Gothic heroine:her fans will rejoice for she plays two parts here! Bava has no match when it comes to use the light the settings and the soundtrack.It's a black and white work and had it been filmed in color it would not have been better.From the gloomy family vaults to the forest where danger awaits on the young peasant girl to the doomed castle where a family tries to fight against a mysterious curse.

The carriage which takes the doctor to the mansion and its coachman reminds me of Murnau's "Nosferatu" .No less.