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The Avengers

  • TV Series
  • 1961–1969
  • PG
  • 50m
IMDb RATING
8.3/10
9.5K
YOUR RATING
POPULARITY
2,342
769
The Avengers (1961)
The Avengers: A Touch Of Brimstone
Play trailer1:45
16 Videos
99+ Photos
Quirky ComedySuspense MysteryActionComedyCrimeDramaMysteryRomanceSci-FiThriller

A quirky spy show of the adventures of eccentrically suave British Agent John Steed and his predominantly female partners.A quirky spy show of the adventures of eccentrically suave British Agent John Steed and his predominantly female partners.A quirky spy show of the adventures of eccentrically suave British Agent John Steed and his predominantly female partners.

  • Creator
    • Sydney Newman
  • Stars
    • Patrick Macnee
    • Diana Rigg
    • Honor Blackman
  • See production info at IMDbPro
  • IMDb RATING
    8.3/10
    9.5K
    YOUR RATING
    POPULARITY
    2,342
    769
    • Creator
      • Sydney Newman
    • Stars
      • Patrick Macnee
      • Diana Rigg
      • Honor Blackman
    • 74User reviews
    • 42Critic reviews
  • See production info at IMDbPro
    • Nominated for 4 Primetime Emmys
      • 1 win & 5 nominations total

    Episodes161

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    The Avengers: A Touch Of Brimstone
    Trailer 1:45
    The Avengers: A Touch Of Brimstone
    The Avengers: Dead On Course
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    The Avengers: Dead On Course
    The Avengers: Dead On Course
    Trailer 1:16
    The Avengers: Dead On Course
    The Avengers: Death Dispatch
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    The Avengers: Death Dispatch
    The Avengers: Traitor In Zebra
    Trailer 1:06
    The Avengers: Traitor In Zebra
    The Avengers: The Removal Men
    Trailer 1:03
    The Avengers: The Removal Men
    The Avengers: The Mauritius Penny
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    The Avengers: The Mauritius Penny

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    Top cast99+

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    Patrick Macnee
    Patrick Macnee
    • John Steed…
    • 1961–1969
    Diana Rigg
    Diana Rigg
    • Emma Peel…
    • 1965–1968
    Honor Blackman
    Honor Blackman
    • Catherine Gale
    • 1962–1964
    Linda Thorson
    Linda Thorson
    • Tara King
    • 1968–1969
    Ian Hendry
    Ian Hendry
    • Dr. David Keel
    • 1961
    Patrick Newell
    Patrick Newell
    • Mother…
    • 1965–1969
    Ingrid Hafner
    • Carol Wilson
    • 1961
    Douglas Muir
    Douglas Muir
    • One-Ten…
    • 1961–1963
    Terence Plummer
    Terence Plummer
    • Executioner…
    • 1965–1969
    Valentino Musetti
    • Ali…
    • 1962–1964
    Richard Neller
    • Board Member…
    • 1961–1967
    Julie Stevens
    Julie Stevens
    • Venus Smith
    • 1962–1963
    Edwin Richfield
    Edwin Richfield
    • Alex…
    • 1961–1968
    Norman Chappell
    Norman Chappell
    • Fleming…
    • 1961–1969
    Frank Maher
    • Barman…
    • 1963–1969
    Art Thomas
    • Handcuffed Man…
    • 1966–1969
    Terry Richards
    Terry Richards
    • Cybernaut…
    • 1965–1969
    Cliff Diggins
    • Astronaut…
    • 1965–1969
    • Creator
      • Sydney Newman
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews74

    8.39.4K
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    Featured reviews

    dagdfg-3

    Campy yet fun and original

    Definitely 60's and it is obvious. Yet this is still one of the most fun shows ever made. John Steed is the epitome of British class, right down to the Bentley in British Racing Green (notwithstanding the Tara King years).

    Then there is Emma Peel, mmmmm Emma Peel. Aside from Diana Rigg's obvious physical charms her real appeal is the strength of her character. Totally confident, cool, classy, and capable (driving a Lotus Elan was also a big plus) Diana Rigg created a female character (which was resisted by the producers tooth and nail I understand) that surprised me even though I first saw the show over 20 years after it went off the air. Emma Peel was devoid of the traditional female stereotypes that permeate the airwaves always in need of rescue and if not are total cartoons. She could kick ass and frequently saved Steed's butt in the process. Mass media still has a major allergy to original, tough female characters which is a testament to the originality of the character.

    Something was lost after Tara King took over. It was a return to the stereotypes and the show lost something for me, that and I didn't like Steed's new car, just didn't have the same class as his former Bentley.

    Still I highly recommend watching it, fun plots, wry humor, over the top villains, great characters, and an impossible lack of blood. How can you not have fun watching this?
    nicholas.rhodes

    Chapeau Melon Et Bottes de Cuir !!

    Bowler hat and leather boots, that's the French title for this series which has been very successful here and and the 140 episodes or so are available on DVD !! I remember seeing some of the episodes when I was a boy in England during the 60's. I was stunned by Emma Peel's physical beauty and "childish" humour. Watching some of the Dvd's today, my view hasn't changed and I was just as pleased ! The best episodes were those made with Peel, both in colour and black and white. Not only were the scripts and stories well thought out and very mysterious, the picture quality was absolutely amazing and I liked the opening sequence and music with the two wine glasses on the screen. The episodes made with Gambit and Purdey were of LESS good quality than those with Diana Rigg despite being made almost ten years later ! I remember very well an episode with an empty milk float running across an airport runway - God knows what the story was called.

    In France, this series has a cult status and everyone has their favourite lady ( Honor "Pussy" Blackman, Linda Thorson, Joanna Lumley, or Diana Rigg ). Steed comes over as the typical English gentleman with the bowler hat. Highly recommendable on an entertainment level and much better than most of the rubbish on our screens today !
    fdpedro

    "Mrs. Peel, we're needed."

    PART TWO: KINKY BOOTS AND BOWLER HAT (65-68)

    THE AVENGERS was already a popular show in England during the early 60s. However, it all backfired when Honor Blackman decided to leave the series in order to star in GOLDFINGER. When season three ended, ABC decided to pull the plug on THE AVENGERS and sold the series to Telemen Limited. Albert Fennel and Brian Clemmens were both recruited to keep up the standard. Plus, a big revolution happened: The series moved from videotape to film and the budget was also sightly improved.

    But even knowing Patrick McNee came back, the studio faced a major problem: Cathy was gone. Since Blackman had already made the character so popular, it was decided a new partner would be created to be paired up with Steed. So Elisabeth Shappard was cast as Emma Peel (Man appeal! Get it?) and production started. But it was soon noticed Sheppard's cold beauty and persona was not right for the role. So Sheakespeare stage actress Diana Rigg was cast as a replacement. The show premiered in 1965 as a completely different deal.

    And of course, the rest is history... Diana Rigg brought the charm and kindness that Blackman lacked, altrough she lacked Honor's strenght and toughness. Patrick McNee also played a very different Steed: He went from a James Bond-like sexist macho man to a more kind gentleman spy. The new AVENGERS became so popular that it was exported to the US. Yes, the fourth season was indeed revolutionary. But what made it so much better than the previous seasons? The most obvious answer would be Emma Peel, or the bigger budget, but I would give credit to the writers. This time, the scripts were much sharper and the show never took itself very seriously. And then there is the wonderful chemistry between McNee and Rigg. The Steed/Emma relationship was subliminally romantic and funny. They always enjoyed great lines togheter.

    Some season four episodes are good even for today's standards: THE GRAVEDIGGERS has a hilarious silent film spoof climax. THE HOUSE THAT JACK BUILT was a clautrophobic "girl alone in a house" sort of thriller. THE CYBERNAUTS brought a strong sci-fi element. TOO MANY CHRISTMAS TREES brought the Steed/Emma chemistry to he highest calibur. And let's not forget a TOUCH OF BRIMSTONE that gets the award for sexiest episode ever.

    The UK didn't order a season five, but the US did. The series moved from B&W to color, the budget was even higher, and the action increased as well. Gone were the sloppy season four fights and the large male stunts used to double Rigg. Now, the fights were better coreographed, and Cyd Childs (Who looked a lot like Diana Rigg) would be in charge of the kung fu moves that would take out the female baddie of the week. Included were the "we're needed" introductions that were made in order to format the show a-la MISSION: IMPOSSIBLE. The US backers also demanded Emma Peel to be more femenine and Rigg decided to replace her leather catsuits with jumpsuits that woulkd go down in fashion history as Emmapeelers.

    No doubt season five was fun, but the show went from spy adventures to spoof comedies. Just look at the plot lines: THE HIDDEN TIGER dealt with cats progammed to attack their owners. ESCAPE IN TIME was about time-traveling! And FROM VENUS WITH LOVE was about an alien beam that would kill scientists! You just couldn't watch the show as a thriller anymore.

    Even Rigg got tired and decided to leave the series. Linda Thorson was cast as Tara King for season six. Of course, the only reason was that Linda was the girlfriend of then-producer John Bryce. The character of Tara King was the femenine partner that the US backers wanted. The girl was so dependent of Steed that she carried a brick on her purse. It looks like Venus Smith all over again. The fact that Linda was a totally unexperienced actress didn't help. Season six began, with quite good rantings that kept up the standard.

    Most fans usually hate season six because of the absence of Emma Peel, but I dare say this season was a great deal of underrated fun. Not as silly as season five or as serius as the first three seasons, this era of the show saw Steed and Tara on trully good adventures. LOOK... teamed them against killer clowns (?). SPLIT! dealt with agents shifting personalities through brainwashing. And STAY TUNED is one of those rare episodes where Steed almost cracks!

    Even the character of Tara King became more tolerable as the season progessed. She even had a Steedless episode (ALL DONE WITH MIRRORS) where she put both Emma and Cathy to shame. She soon didn't need the brick (*sight*) and her intelligence was also improved. In France, she is ten times more popular than Emma.

    However, the show's rantings in the US were poor due to the bad time-slot of putting the show against LAUGH-IN. The US didn't order more episodes and without the US support, THE AVENGERS ended.

    THE AVENGERS was indeed a revolutionary and magic TV show. Many later sows (HART TO HART, REMINGTON STEELE) owe a lot to it.

    Sure there is the 1976 revival and te dreadful 1998 movie, but that is another story...
    Big Movie Fan

    Surreal And Unique

    To this day, The Avengers remains a cult favourite. It is still released onto video and watched by fans today; whether a new generation of fans has been introduced to it is unknown but I do know that people like myself who watched it the first time round are tuning in again.

    The one constant through the series was Patrick Macnee who played John Steed. He was joined by various females throughout the show (my favourite being the lovely Emma Peel played by Diana Rigg).

    The show was full of wit in addition to the action, intrigue and adventure. Steed-in his bowler hat and with his umbrella-faced all kinds from mad scientists to robots. Always calm, Steed brought down his foes usually with the help of his bowler hat or umbrella.

    What more can I say about The Avengers? It was unique, it was funny and it has stood the test of time very well.
    Red Herring

    The Avengers set the standard for TV espionage

    One of my all-time favourite series, which hits its peak with the colour Emma Peel episodes. Style, humour, character and a wonderful hitchcockian macabre atmosphere.

    Macnee is one of the greatest, most charismatic, leading men to ever grace Television. Rigg has become iconic in TV history, also appreciated was the groundwork set by Honor Blackman for strong females roles.

    Great show. Great music. Great production values once it hit it's fifth series. Great atmosphere all round.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      During her first season, Diana Rigg was dismayed to find out that the cameraman was being paid more than she was. She demanded a raise, to put her more on a par with her co-star, or she would leave the show. The producers gave in, thanks to the show's great popularity in the U.S.
    • Quotes

      [repeated line]

      John Steed: Mrs. Peel, we're needed.

    • Crazy credits
      In some parts of the world, the opening credits for the first color season begin with a brief sequence showing Steed preparing to open a bottle of champagne. Mrs. Peel shoots the cap off the bottle, and they pour a toast to each other. Only then do the opening credits actually begin.
    • Alternate versions
      Starting in the summer of 2004, the BBC America Channel aired prints of fifth and sixth season episodes with the humorous tag sequences at the end of episodes deleted. During the autumn of 2004, the prints were further altered, with the original closing credits sequence with shadowy images of Steed and Mrs. Peel against a blue background replaced by credits rapidly rolled past a plain black background. In early 2005, the same channel aired seventh season prints with the same changes.
    • Connections
      Featured in Television: The Good, the Bad, and the Ugly (1985)

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    FAQ22

    • How many seasons does The Avengers have?Powered by Alexa
    • Who besides me remembers closing credits where an unseen person performs "card tricks?" Fanning a deck open, then snapping it shut, etc. I have looked and looked for this sequence, followed, I believe, by a final ABC (Associated British Corporation).
    • Why doesn't Steed use a gun?
    • What's the difference between The Avengers and The New Avengers?

    Details

    Edit
    • Release date
      • January 7, 1961 (United Kingdom)
    • Country of origin
      • United Kingdom
    • Language
      • English
    • Also known as
      • Mit Schirm, Charme und Melone
    • Filming locations
      • 31 Ennismore Gardens Mews, Knightsbridge, London, England, UK(John Steeds house)
    • Production company
      • Associated British Corporation
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      50 minutes
    • Color
      • Black and White
      • Color
    • Aspect ratio
      • 4:3

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