Girl on the Run

Never heard of the directing duo, but they certainly owe a debt to Fritz Lang and Wiemar cinema in general. With an nod to Tod Browning for ambience.

Best viewed as a gestalt. Ignore such conventions as plot, acting and dialogue. The reward is in the esthetic. The evocative cinematography in particular. Cf, the mechanical clown that opens and closes the film. A stunning and memorable image.