Advise & Consent

Allen Drury's sprawling novel of Washington intrigue gets a bit over-condensed in Wendell Mayes' screenplay--the exposition comes fast and furious and unconvincing, and some important subplots in the book, such as the space race, are altogether missing. But what's left is pretty juicy and compelling, as Secretary of State nominee Henry Fonda (top-billed, but with surprisingly little screen time) sets off a destructive round of politicking that ends in death, destruction, and satisfying upholding of the Constitution. Preminger handles the gay subplot with as little subtlety as you'd expect, and while he was clearly trying to show some sympathy to an oppressed minority, he comes off as a square homophobe. Don Murray is oversold as an Ideal Husband and Father to artificially ratchet up the poignancy, and as his wife, Inga Swenson just cries and cries, and seems a shrew and a scold. But the dialog is sharp, even with all the overexposition, and the cast is wonderful: Peter Lawford as a Kennedy-esque Rhode Island senator, Burgess Meredith as a weak witness, George Grizzard as a Roy Cohn-like meddler, Gene Tierney as Pamela Harriman more or less, Charles Laughton as a tasty-ham Southern senator, Lew Ayres as a Vice President with hidden strength, Franchot Tone as the horse-trading President, and Walter Pidgeon as the sort of Majority Leader Nancy Pelosi or Harry Reid should aspire to be. Even such solid character actors as Paul Ford, Russ Brown, and Betty White turn up in tiny parts. The cinematography's clean and uncluttered, and while this congressional bunch is far more articulate and epigrammatic than our own, the theme of backstage double-dealing feels more relevant than ever. Very fast-moving, and dated as it is, it still packs a wallop.

Advise and Consent (1962)

A moving look at a fictional moment in American politics. We see the dirty deals behind the scenes, but also that dignity and wisdom is preserved by some of the men (and one woman, shown). And we see the power of the system, the value of begrudging respect for those with opposite views, and plain old simplicity of being on the Senate floor and making points, orally, in front of a bunch of others, some of them actually listening.

Reminds me of my classrooms, and that brings government down to a level of believability. That's the secret to the movie, overall, it's ability to make the people real, including a host of really great actors like Charles Laughton and Walter Pidgeon, and of course Henry Fonda, who has a smaller role. Franchot Tone makes a believable ailing president, and it's great to see Gene Tierney in 1962, perfectly cast as a cool, smiley Senator's wife.

Otto Preminger is one of those revered directors who was always tweaking the moral edges of Hollywood, and therefore of America, and the spectacular thread that rises as the movie goes along, of a homosexual subculture existing at all in 1962, and arising from the activity of soldiers, and penetrating the Senate directly, was weirdly controversial stuff. Of course, it's almost ridiculous now, but it wasn't then, and to hear the central senator refer to another senator's gay military experience as a "tired old sin" is hard stuff for those of use who have grown up thinking "each to their own," or even "don't ask don't tell."

Preminger also irked a few anti-Communists by using a couple of left-wing actors, including Burgess Meredith, who has a small but memorable role. And the whole notion of a potential Secretary of State once having been superficially involved in a "Communist cell block" is interesting here partly because it shows how silly accusations can be, attacking things you do when you're twenty and have fully rejected or outgrown. Fonda is that figure of utter respectability for the good reason that he represents utter morality and patriotism, without become a cardboard flag-waver.

Though released to a public well into the Kennedy era, it feels like an Eisenhower world, with a couple younger senators easily looking like the Kennedy type, but still not President. The belligerent Old South conservative is, tellingly, a Democrat, back in the days when the South was pretty much conservative democratic. There are no parties mentioned, actually, but the leading voices seem to be liberal in their foreign policy, more like the Kennedy tone (or from the 50s, the tone of Adlai Stevenson, who lost the nomination bid to Kennedy in 1960). The book that led to the movie, by Allen Drury, was finished in 1959, and Drury was a bit of a right-winger, critical of the media he was part of, and openly anti-Communist. The events in the story (book and movie both) take one notable liberty: the Senator with a "homosexual scandal" in his past was Lester Hunt of Wyoming, whose son was a homosexual. That was enough to make the father a blackmail target, leading to Hunt's suicide.

That none of this matters is tribute to the movie, which really captures 1950s style American politics in a bright, Hollywood way. I mean that positively. It's not a gritty documentary, and it doesn't make scandal out of everything. But the air is familiar, the tone, the looks, the clothes. And it is supremely well done, from the dignified camera-work (nothing film noir here) to the solid editing and storytelling, to of course the acting itself. Not exciting, but very involving and interesting.

The complex story, numerous characters, and sensitive themes would seem to make Allen Drury's "Advise & Consent" a challenging story to film. This is a good adaptation that succeeds in most respects, and it gets about as much out of the material as you could hope for in a couple of hours or so worth of screen time. Otto Preminger seems to have had a good appreciation for the dramatic possibilities, and the fine cast brings the main characters to life believably.

The movie version (more so than the novel) is as much or more about the practicalities of politics than it is about ideology. Some of the political issues themselves were hotly debated topics in the movie's own era, and a couple of them are still topical now, but even they are often secondary to the harsh and often unseemly realities of political power. All of the major characters have their flaws and make mistakes, yet all but a couple of them have some worthwhile characteristics. On its best level, the story is not about winning and losing so much as it is about the ways that political battles affect individual lives and personal character.

There are numerous good performances and some fine casting. Charles Laughton personifies the old-time Senator Cooley, Walter Pigeon (the spell-checker refuses to accept it spelled properly) could not have been better chosen as the Majority Leader, and Henry Fonda is perfect in a challenging role that calls for him to maintain a difficult balance. Even most of the supporting roles are filled well by fine actors like Lew Ayres, Franchot Tone, and Burgess Meredith (who uses his brief screen time very effectively, in a role that must have been quite ironic for him personally).

Naturally, some of the characters and events from the novel had to be omitted or streamlined, but there is still plenty of meat left, even once you discount the Cold War era ideological issues. The personal lives and personal agendas of the characters, the tension between their lives as individuals and their responsibilities as public servants, and the contrast between what they do and what the public sees, all give the movie some extra depth that makes it worthwhile and that gives it meaning that goes well beyond the political issues on the surface.

As a Congressional correspondent for the New York Times during the 1950s, author Allen Drury had ample opportunity to witness Washington politicians in their natural habit---and drew upon numerous factual sources, including the controversial Alger Hiss case and the scandalous suicide of Senator Lester Hunt, to create the story of a controversial nominee for Secretary of State. The novel was not only a best seller, it was awarded the Pulitzer Prize.

It was also a book that Hollywood could not film under the film industry's notorious Production Code. As it happened, the book fell into the hands of director Otto Preminger, long-time foe of Hollywood's rules for self-censorship. He not only made the film, he flagrantly broke the code; as such, ADVISE AND CONSENT presents our nation's leaders embroiled in a blackmail plot, finds actress Gene Tierney using the word 'bitch,' and became the first Hollywood film to show a gay bar. It was shocking stuff for 1962.

The story is extremely convoluted. An aging and extremely ill President makes a highly controversial nomination for Secretary of State---which is opposed by a member of his own party, who bears the nominee a personal grudge and who attempts to derail the nomination by accusing the nominee of former membership in the Communist Party. This in turn touches off a vicious battle between those in the party who support the nominee and those who don't, a battle that will ultimately result in the suicide of the only character who has the integrity we would like to see in our political leaders.

The cast is indeed remarkable and, from Lew Ayres to Betty White, plays with considerable conviction and tremendous restraint. Henry Fonda is often cited as the star of the film, but in truth he appears in the small but pivotal role of Robert Leffingwell, nominee for Secretary of State. Screen time is divided between Walter Pigeon as the Majority Leader, Charles Laughton as the senator who opposes the nomination, and Don Murray, an idealist who finds himself chairing the nomination committee. All three play extremely well, but it is really Laughton---in his final screen role---who walks off with the film as the devious and openly vicious Senator from South Carolina. The trio is ably supported by a dream cast that includes Franchot Tone as the President, Lew Ayres as the Vice President, George Grizzard as a growling ideologue, Gene Tierney as a society hostess---and yes, Betty White, who offers a brief turn as the Senator from Kansas.

It has become fashionable to dismiss Otto Preminger films of the 1950s and 1960s as ponderous, all-star, and pseudo-intellectual trash, and indeed it is difficult to find much positive to say about films like EXODUS and HURRY SUNDOWN these days. But Preminger is in many ways under-rated; his films have not always dated well in terms of subject, but they hold up extremely well in the way in which they are put together, with ADVISE AND CONSENT a case in point---and it is worth pointing out that accusations of leftism, adultery, and homosexuality are still enough to prompt everything from impeachment to congressional hearings to resignations. Nor has the process of the political dance itself changed greatly between then and now.

The great flaw of the film is its conclusion, which seems facile to the point of being hokey---but this is also the great flaw of the novel, which ends in much the same way--and at times ADVISE AND CONSENT seems more than a little dry. All the same, it remains a movie worth watching, particularly notable for its performances, fluid camera work, and meticulous recreation of party politics. The DVD offers a near-pristine widescreen transfer with good sound quality and an interesting, if occasionally too academic, commentary by film historian Drew Casper. Recommended.

GFT, Amazon Reviewer

A brilliant adaptation of a known bestseller dealing with politic intrigues and plenty of familiar faces formed by an all-star-cast who gives extraordinary acting . Senate investigation into the President's newly nominated Secretary of State , gives light to a secret from the past , which may not only ruin the candidate , but the President's character as well. Then the USA senate presided by the Vice President (Lew Ayres) at is called upon to confirm the controversial nominee by President (Franchot Tone) for Secretary of State (Henry Fonda) . But the nominee is accused as communist by Herbert Gelman (Burguess Meredith ,in real life, he was himself named an "unfriendly witness" by the House Un-American Activities Committee, which nearly ruined his career and Will Geer, who plays the Senate minority leader, was also blacklisted for refusing to name names before the same Committee) , he testifies against Leffingwell at the latter's confirmation hearing, claiming that the two of them were members of a Communist cell . A Southern Senator (flamboyant acting by Charles Laughton) strongly opposes himself the appointment . Meantime , a senator (Don Murray) is blackmailed (the blackmail attempt is based on the case of Wyoming Senator Lester C. Hunt, who was blackmailed by members of the Republican Party).

Gripping and long movie that contains over-the-top performances, engrossing drama , intrigue , corruption , political events and a special vision of US Senate and its behind-the-scenes Washington . Thought-provoking and stimulating film in which abounds top-drawer acting among the popular stars ; interesting screenplay from Allen Drury bestselling novel wheeling with a suspenseful intrigue about a controversial senator promoted to Secretary of State . When Allen Drury was writing the novel , John F. Kennedy, upon whom the character Senator Lafe Smith was based, was a young Senator with ambitions to be President. When the movie came out Kennedy was President, and Lafe Smith was played by Peter Lawford who was, at that time, married to Kennedy's sister Patricia . Main and support cast are very fine , there abounds magnificent performances as Don Murray , Paul Ford , Walter Pidgeon , Peter Lawford , Gene Tierney , Edward Andrews , Malcolm Atterbury and Franchot Tone , among others . Fascinating interpretation by Charles Laughton at his final movie , easily the most stimulating acting . Furthermore , stands out Henry Fonda who gives an adequate underplaying and the scene-stealing best , George Grizzard . Good production design by Lyle Wheeler , for the scenes taking place inside the US Senate, Columbia dusted off its senate set built for Mr Smith Goes to Washington. Appropriate cinematography in Panavision by Sam Leavitt , though also there is a horrible version being shown in computer-colored . Atmospheric and appropriate musical score by Jerry Fielding .

This engrossing , riveting picture was effective and compellingly directed by Otto Preminger . At the beginning he became a stage director and subsequently a notorious secondary actor . Otto directed several films , nowadays many of them are considered as classic movies . He made ¨Laura¨ that was released in 1944 and Preminger ranked as one of the top directors in the world . He realized all kind of genres as Court drama such as the great success ¨Anatomy of a murder¨, ¨Court martial of Billy Mitchell¨ , Noir film as ¨Laura¨ which made him an A-list director in Hollwyood , ¨Angel Face¨ , ¨Man with a golden arm¨, Religious drama as ¨The Cardinal¨ , Musical as ¨Porgy and Bess¨, ¨Carmen Jones¨ , Western as ¨River with no return¨ and historical as ¨Saint Joan¨, ¨Exodus¨ though also had some flop as ¨Rosebud¨ getting scathing reviews , though with ¨The human factor¨ won him respectful notices . However , his powers began to wane after and by the end of the decade of the 60s he was considered washed-up . ¨Advise and Consent¨ resulted to be one of the his best films . Rating : Better than average , Worthwhile watching .