The Richard Boone Show

We watched "The Richard Boone Show" regularly during its all-too-brief run. Everyone else in the country appeared to be watching "The Fugitive", which--to our way of thinking--couldn't't't't compare in quality to Richard Boone. This was a repertory company, and all the regulars played many different types of characters. Many of them went on to star in better-known productions, while their excellence in this show went largely unnoticed. I'm glad to see that it did receive some nominations and one Golden Globe award, but it should have had a much longer run and received many more awards. I agree with a comment on the message board, that there should be copies available for purchase. I would greatly enjoy seeing these episodes once more on one of the cable or dish channels that feature "oldies but goodies".

1963-64 featured two unique bits of prime-time series programming: George C. Scott's social work series on CBS, EAST SIDE WEST SIDE, with its vivid bi-racial stories (several strong enough they were never shown in Georgia, where I watched), and Richard Boone's one-hour series of original dramas, each one acted by the show's in-house cast of players. Boone, John McIntyre (WAGON TRAIN) and Henry Morgan (DRAGNET)were well known, Robert Blake was about to be-- the rest of the company were just as often featured (Bethel Leslie and Jeanette Nolan were particularly strong). They took the repertory ideal very seriously-- Clifford Odets wrote the premiere script, and their most noticed hour was written by Horton Foote ("All the Comforts of Home"). The quality of these shows was less remarkable than Scott's show, which I am convinced would still look good today. But Boone's experiment made a strong case for the idea that this was what actors should be doing, to enlarge their skills. Wherever Laura Devon, Lloyd Bochner, and Warren Stevens are today, they should be satisfied to have been part of this project.

I can add little to the well-made comments of the ex-Georgian (now safely in Mass.) regarding THE RICHARD BOONE SHOW. It was indeed unique on television in the 1960s and beyond.

The producers probably thought the name would attract viewers, but obviously not enough. I would like to think this rotating cast of characters and situations was "ahead of its time," but perhaps there was no such time. Series, a.k.a. "prime time" television watchers apparently did not like the insecurity of no characters or settings to which they could become attached. Always there was something new, even unique, c.f. the afore-mentioned episode by Odets. THE RICHARD BOONE SHOW was not in keeping with Ray Bradbury's notion of "television family" -- which the host's expositions from the Green Room could not replace. To be best of my recollection, Richard Boone disappeared from television with this noble experiment.

I was five, yes,five, when this show first ran. Until recently, I judged on a single, wonderful episode, "Vote No on Eleven" which I somehow managed to see. Jeannete Nolan was nominated for an Emmy for her portrayal of a bag lady. Recently, I have been able to catch some episodes on You Tube, and what I have seen is truly excellent.It is very sad that this show failed to be a hit, as Richard Boone and Buck Houghton put a lot into it. The cast of the show was uniformly excellent.The shows music was by Henry Mancini, except for the first episode, "Statement of Fact' which featured music by Bernard Hermann.

Robert Blake, Lloyd Bochner, Richard Boone, Laura Devon, June Harding, Bethel Leslie, Harry Morgan, Jeanette Nolan, Ford Rainey, Warren Stevens and Guy Stockwell.

My vote for most valuable player would go to Actors Studio alumnus Warren Stevens, who was cast in a wide range of roles (including as a Vietnamese) and was always convincing and interesting. In a long and distinguished career (apparently still going on), this was his finest hour. Stevens was particularly fine in an episode as a dying journalist who returns to his home town and revives a relationship with a woman he once knew (a luminous Bethel Leslie).

Bethel Leslie was also extraordinary in this series, and showed great range. Many years later Leslie was in a superb production of O'Neil's "Long Day's Journey into Night" opposite Jack Lemmon.

Laura Devon was memorable in "The Fling" as a voluptuous, slutty waitress who makes the aging Boone burn in agony, even though he is deeply in love with his invalid wife (Bethel Leslie).

Richard Boone had just finished a six-year run on the superb "Have Gun Will Travel". That show was still strong in the ratings in its final year, but Boone was bored. Instead of using his clout to get a big raise, he got this ambitious series on the air. Boone didn't even take a year off between series.

Buck Houghton ("Twilight Zone", "Yancy Derringer") was the producer. Playwright Clifford Odets ("The Country Girl", the screenplay for "The Sweet Smell of Success") was the story editor.

The series was nominated for an Emmy as Best Dramatic Series along with the great "East Side, West Side" with George C. Scott. The winner was "The Defenders". 1963-64 was a remarkable season for drama series. Television drama got much more timid after the failure of "The Richard Boone Show" and "East Side, West Side". Who would try to do either of them today?

Bethel Leslie and Jeannete Nolan received Emmy nominations for single performances. Warren Stevens should also have been nominated, perhaps as Best Supporting Actor in a Series.

Richard Boone was nominated as Best Actor in a Continuing Performance in a Series. Boone was up against George C. Scott ("East Side,West Side"), David Janssen ("The Fugitive"), Dean Jagger ("Mr. Novak") and Dick Van Dyke ("The Dick Van Dyke Show"). Five superb performances made it a brutal choice for voters. The winner was Van Dyke. Boone was the only one of the nominees not to show up at the ceremony. Maybe he was fed up with television after his ambitious show was canceled. Or maybe Boone had already headed to Hawaii for a long, well deserved rest.

The fine Timothy Hutton version of "Nero Wolfe" sort of borrowed the repertory concept from the Boone show. The guest characters each week were largely played by a repertory group of actors (including Debra Monk). I think it enriched the show.

The poster who thought John McIntire was on "The Richard Boone Show" was probably thinking of Ford Rainey, who had a similar quality. But John McIntire's wife was on the show-the magnificent Jeanette Nolan.