Bikini Beach

I think Avalon's duel role was played nicely but Funicello could have been played better in her role to show to differences in their perception of each other.

Someone said Avalon was one of the hottest singers in America but I think that's not the case as not many people have heard of him these days.

Bikini Beach seems to be like a beach party turned into a film and is really one of the inspirations of future beach parties. I honestly believe this film made way for future generations. It's a shame they don't do classic entertainment and humour like this anymore.

Ms. Funicello's solo was very entertaining though! I noticed that a lot of the bikinis in this film look familiar to that Talinda range I saw over at buybikini.org I wonder if they based their designs on this movie. I agree with another reviewer that Candy Johnson was past her prime here but I would still date her given the chance. Oh well I can keep dreaming, all in all I give this an eight and think it's worth watching if you have a couple of hours to burn.

Annette Funicello is probably the most over-dressed beach bunny to ever hit the sands, but she's a stitch in her scenes with Frankie Avalon (as surfer Frankie) and pop-singer The Potato Bug (Avalon again, in a Beatle wig, funny teeth and English accent). Their repartee makes this a charming piece of Americana, but the thing is so stuck in a sterile time-capsule it's nearly impossible to believe that teenagers once got a charge from it. Drag-racing is the newest craze, and the beach gang gets shown up once Keenan Wynn puts a chimp successfully behind the wheel of a hot rod. For racing aficionados, we get a glimpse of the Mantra Ray, a $50,000 all-aluminum experimental "dream rod" with a King Cobra Ford engine. Annette poses prettily beside it... ** from ****

We red-blooded males who followed Annette Funicello's career from the time she was a nubile Mousketeer will be especially enamored of "Bikini Beach," a superior entry in the, admittedly, mediocre "Beach Party" series. For once, Annette gets to play smart, sexy and slightly dangerous, possessing more than a passing interest in sex. Gone, thank goodness, is her usual "Doris Day with mild PMS" persona. I have a strong suspicion this is closer to the "real" Annette, here. I certainly hope so. Even Annette's singing is very good. I wish AIP would've sprung for the bucks to give "Bikini" better choreography. Annette, a trained dancer would have impressed even more. Annette's swimsuit is even more revealing than usual, about as close to a bikini as "Papa Disney" would allow her to wear.

While the script, as usual, plays as if it were cribbed from the back of a cereal box, the gentle ribbing of British rock stars, modern art and drag racing are a welcome change from the usual "Beach Party" dross. Martha Hyer is along and provides some classy, mature-sexy glamor. "Bikini" even has a cameo by a very young Stevie Wonder. While Frankie Avalon won't win any acting awards, his alter-ego, "Potato Bug" is certainly a less annoying character than Mike Meyers' execrable "Austin Powers". Even Don Rickles is along, playing a character named "Big Drag," a gentle pun on Don "Big Daddy" Garlits, a well-known drag racer and auto customizer of the era. Too bad, Rickles doesn't get to cut lose with his usual wise guy humor. Guess AIP was too cheap to spring for that.

While no work of art, "Bikini Beach" is more than just watchable. It's actually, at times, enjoyable. I give "Bikini Beach" a weak "6".

O.K., O.K., I must take some exception with the two prior reviews in this thread. Bikini Beach has a lot more going for it those pieces implied.

First, Frankie Avalon finally earned his AIP pay in this picture. While I really don't care for his 60s greaser college kid character in most of the other beach Party movies, here his dual roles (as "Frankie" the surfer who takes Dee Dee (Annette) for granted and as English invasion artist the "Potato Bug") are enjoyable to watch. He shows his reach as an actor far beyond what one would expect in a B movie like this.

Secondly, for anyone interested in the history of drag racing, the strip scenes are interesting; textbook mid 60s drag environment. Few if any other examples of that are available in American film.

Third, the music. Much better than what was in the movie that preceded it ("Muscle Beach Party" was one of the weakest of the series in terms of music) and many that followed. In Bikini Beach, you get to hear Annette sing a duet of a Styner-Hemrick ballad ("Because You're You") with Avalon that is good (if you have a copy of her Bikini Beach LP, her solo version of this song on it is arguably one of the most hauntingly beautiful recordings she ever made). The "house club band" at Big Daddy's in this film is the Pyramids, arguably one of the better now-forgotten west coast groups that played the role of the house band in these movies. Their instrumental version of "Fingertips" is classic early 60's surf instrumental. And a very young Stevie Wonder actually appears at the end.

Fourth, the infamous Candy Johnson (the fringe-wearing, wild blond go-go dancer character who, with the swish of her hips, could put a man in a daze and send him flying through the air) finally comes of age in this movie, the club fight scenes actually feature her. As do the closing credits, where she fractures the camera lens at the end.

Does all this make "Bikini Beach" a work of art? Heavens. no, but it's a heck of a lot better than Muscle Beach Party, Pajama Party, How to Stuff a Wild Bikini and the Ghost in the Invisible Bikini. In other words, out of the seven AIP Beach Party Movies, this is definitely in the top two or three (only bettered by Beach Blanket Bingo and arguably Beach Party).

It's a colorful southern California summer of 1964.

Frankie Avalon (as Frankie) hears nature calling him to Annette Funicello (as Dee Dee); but, she hears only wedding bells. In short order, the "Beach Party" gang goes ga-ga over popular English superstar Frankie Avalon (in a dual role, as "The Potato Bug"), arriving to fill out a romantic triangle for Mr. Avalon and Ms. Funicello. Newspaperman Keenan Wynn (as Harvey Huntington Honeywagon III) is also on hand; accompanied by his ape "Clyde" (Janos Prohaska); Mr. Wynn sets out to prove the "sexually preoccupied" teenagers are akin to monkeys. Adult beauty Martha Hyer (as Vivian Clements) thinks Avalon and company are just having a good time. Don Rickles (as Big Drag) and Harvey Lembeck (as Eric Von Zipper) help add drag racing and motorcycle fun.

Returning more to the initial entry's "Beach Party" formula makes "Bikini Beach" an improvement over the series' recent dip into "Muscle Beach Party". The script is relatively snappy, and amusing. "Clyde" and "Frieda" have a great scene together; for example, when "Clyde" plays with Rickles' bird, in the dragster's beer joint (strictly for kids, Rickles explains, as he serves only beer and soda). Avalon's dual role is nicely played; and it is a timely, welcome nod to the mid-sixties musical "British invasion". Funicello, with a decent amount of navel displayed, is always charming; however, the added hair was unnecessary. The regular "teenagers" are attractive, and Ms. Hyer performs exceptionally well.

Director William Asher uses bewitching wife Elizabeth Montgomery well; she reads the beginning of a newspaper article, and voices the French "Lady Bug". Despite the presence of Stevie Wonder, the Pyramids, and the Exciters; performing songs by the usual writers, the soundtrack is derivative, and unmemorable. Look for Gary Usher, Roger Christian, and Mike Nader among the "Beach Boys". Mr. Nader once told me he was in these movies, and now I see him.

****** Bikini Beach (7/22/64) William Asher ~ Frankie Avalon, Annette Funicello, Martha Hyer, Don Rickles