The Bedford Incident

The Bedford Incident is directed by James B. Harris and is adapted by James Poe from the 1963 book by Mark Rascovich. It stars Richard Widmark and Sidney Poitier, with Widmark co-producing. The cast also features James McArthur, Martin Balsam, Wally Cox and Eric Portman, as well as early appearances by Donald Sutherland and Ed Bishop.

The story is set during the Cold War and focuses on the captain and crew of the USS Bedford as it patrols the North Atlantic waters for Russian submarine activities. Capt. Eric Findlander (Widmark) is a tough authoritarian figure who drives his crew hard and keeps them ever ready for any sort of incidents that may arise. They respond loyally to his ethics, this is a crew where nobody ever goes on sick call such is the hard approach instilled in them by their captain. Two newcomers have boarded the ship by helicopter: Ben Munceford (Poitier), a liberal newspaper journalist, assigned to write a story about the Bedford and its grizzled captain and a ship's doctor, Lieut. Comdr. Chester Potter (Balsam), a reserve officer who has volunteered for active duty. Both men are quickly disliked by Findlander, he sees their being there as intrusive and upsetting the tough equilibrium of his ship. When a Russian sub is spotted unlawfully in Greenland's territorial icy waters, Finlander stalks it ready to take action. But the top brass doesn't want a perilous situation arising between the two nuclear powered ships and orders Finlander to sit tight, something he is unable to comprehend and intends to do things his own way. With his hard driven crew at breaking point, this could turn into a catastrophic incident...

Taut, tense and impeccably acted by the cast, The Bedford Incident is a superior psycho-drama that feeds off of the paranoia of the Cold War and cloaks it in military claustrophobia. It offers up the dangers of military aggression fuelled by some sense of patriotic duty, with an intriguing "hunt till we drop" iron fist ethic making for an engrossing narrative thread. The film of course is not alone in the "doomsday" scheme of things, even the previous year had seen the release of Sidney Lumet's Fail-Safe and Stanley Kubrick's Dr. Strangelove (a link here coming courtesy of James B. Harris having been Kubrick's producer for almost ten years), but Harris' movie is more than the equal of any other film with the same thematics. The box office returns for the film at the time didn't do it justice, but time has been kind to the movie. For now it can be viewed as a lesson in jangling the nerves, a reference point in how to script polar opposite characters; thriving on dialogue set in amongst murky military zeal and an unstable political environment. Now more than ever the film serves as a cautionary tale. Tho there's some differences from the book, the film follows the novel fairly closely. However, the big change comes with the ending. I don't consider it hyperbole to suggest that the ending to the film is stunning. A fitting closure to the piece and the ultimate release from the stifling grip that the makers had held the viewers in throughout the story. Shot in stark black and white by Gilbert Taylor and with Widmark at the top of his game, The Bedford Incident is a must see for the serious War movie fan. 8/10

Excellently acted and directed. I came to this movie late, too. I've always held the better known "Dr. Strangelove" and "Fail Safe" close to my heart, but I happened to catch "Bedford" on a cable channel a couple years ago and was completely blown away. Absolutely brilliant plot device by keeping the soviet sub unseen, mysterious; focusing instead on the character dynamics on the destroyer.

No outrageous special effects, huge explosions, ridiculously unbelievable stunts, or mannered performances. Why can't Hollywood make politically suspenseful films like this, "Dr. Strangelove", "Fail Safe", and "Seven Days In May" anymore???? Of course, I know the answer. Modern movie audiences have the attention span of a gnat, the cerebral tenacity of a chipmunk, and the spoiled expectations of a pampered child.

Channel surfing, I stumbled across this movie on TCM and must say, "Wow!" As a child during the Cold War, I remember the tension between America and Russia, which this film captures well -- at least from the U.S. perspective. Richard Widmark's performance tops that of Humphrey Bogart in "The Caine Mutiny," strawberries or not. Sidney Poitier fits his role like a glove -- the scene between Poitier and Widmark in the latter's cabin is splendidly acted, allowing the viewer to get inside Widmark's head while not giving away too much -- and Martin Balsam gives another example why he was one of the screen's greatest supporting actors. It's better than "Fail Safe," sparing us Henry Fonda's hysterics as president. The tension builds aboard ship until a breathtaking climax. One worth watching.

Richard Widmark is a determined naval ship captain in "The Bedford Incident," which also stars Sidney Poitier, Eric Portman, Martin Balsam, James Macarthur, and Wally Cox.

This is quite a different meeting from the one Widmark and Poitier had in "No Way Out," where Widmark is a bigot who lashes out at Poitier. Poitier in this film plays a journalist, and there is never any mention of his color. This is not only remarkable but marvelous.

Martin Balsam is the ship's new doctor. Poitier and Balsam board ship together and pick up almost immediately that there is a tension on board and that the men are intimidated by their cold, tough captain.

The Bedford's assignment is to patrol for Russian subs and ships.

When a submarine is detected in the area, the captain seems to want to take the matter too far. Portman, as a German adviser, disagrees with him.

The role of the captain, Finlander, is the type of role normally associated with Widmark, and he is excellent as an uncompromising man reminiscent of Captain Queeg.

Poitier turns in a stellar performance, which really builds as he becomes more and more concerned about the captain and the potential international situation. Martin Balsam is very good, actually providing, along with Wally Cox, a little comic relief.

The scenes showing the gray sea and huge icebergs might be dated now, given what film technology is capable of, but they are no less evocative of the atmosphere.

After the buildup of drama and tension, the last moments of the film are incredibly exciting - staggering even. And you'll do what I did - just sit and stare at the words "The End." A very good film.

Along the same lines as FailSafe this is a tense Cold War drama with a cat and mouse game going on between an iron willed Navy Captain and an essentially unseen Soviet submarine. Great performances all around are what make this a good film. Richard Widmark is great as the somewhat tyrannical ships skipper who has his crew drilled, trained and poised for all out war up to the breaking point. Sidney Poitier as always does another superb job as the journalist aboard to do a story of a Navy deployment and gets more than what was expected. Despite the fact that an individual like the Poitier character would not enjoy that much freedom aboard a US Naval vessel this motion picture is quite realistic. Martin Balsam and James MacArthur also put in outstanding performances with Balsam as a newly arrived unappreciated ships doctor and MacArthur as an Ensign who is dogged endlessly by his commanding officer.