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7.0/10
8.2K
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A US Air Force major in Kobe confronts his own opposition to marriages between American servicemen and Japanese women after he falls for a beautiful performer.A US Air Force major in Kobe confronts his own opposition to marriages between American servicemen and Japanese women after he falls for a beautiful performer.A US Air Force major in Kobe confronts his own opposition to marriages between American servicemen and Japanese women after he falls for a beautiful performer.
- Won 4 Oscars
- 8 wins & 18 nominations total
Douglass Watson
- Colonel Crawford
- (as Douglas Watson)
Peter Brown
- Second Military Police
- (voice)
- (uncredited)
Jane Chung
- Undetermined Secondary Role
- (uncredited)
Carlo Fiori
- Chaplain
- (uncredited)
Dennis Hopper
- Military Police
- (voice)
- (uncredited)
Kenner G. Kemp
- General at Tokyo Airport
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured review
The books of James Michener taking readers to faraway places with strange sounding names were probably at their most popular in the 1940s and 1950s. His Tales of the South Pacific became a major blockbuster Broadway hit for Rodgers&Hammerstein. South Pacific was directed by Joshua Logan and he was a natural to do the film adaption of another Michener success, Sayonara.
It was only a decade before that American films during World War II did not portray the Japanese kindly. I'm sure it wasn't easy for people who fought the Pacific war to change attitudes overnight. That and a general no fraternization policy with occupied peoples in general are at the crux of this story about interracial romance.
Sayonara is a relevant film today. The military has always butted in to the personal lives of its personnel in ways no civilian employer could get away with legally. In America at the time Sayonara was made there were still miscegenation laws on the books in many states. Today gays in the military is a big issue. Someone may one day do a Sayonara like film on that issue.
Joshua Logan was on familiar ground. South Pacific also had racism as a component of its plot. With a sure hand, Logan assembled a great cast and crafts a beautiful story.
Marlon Brando, Patricia Owens, James Garner, Kent Smith some of the occidental players do a fine job. But the picture is stolen by the orientals here. Miko Taka hits the mark beautifully as Brando's love interest. But the real stars are the two that one both Supporting players Oscars, Red Buttons and Miyoshi Umeki.
Buttons is your everyman enlisted man Air Force member. He falls passionately in love with Katsumi played by Miyoshi Umeki. They marry and the military cruelly does everything they can to break them up. They presume to KNOW what's best for Buttons and Umeki. Buttons was a TV comedian and a fair talent, but he never got a part as good as this the rest of his career.
And Miyoshi Umeki's Oscar was the first one given to an oriental. It got a great deal of attention because at the time of the Academy Awards, Miyoshi was starring on Broadway in Flower Drum Song. I was privileged to see it on Broadway, it was the first Broadway show I ever saw. I still carry the memory of it.
That Oscar symbolized something else too. Our war with Japan was really over and we saw in Sayonara a great nation with a proud tradition and culture.
Ricardo Montalban plays Nakamura, a Kabuki Theatre actor. If Sayonara were done today, Logan would never get away with it. But Montalban is fine.
Good location photography and a grand story. This film should be revived more often it has a great moral.
It was only a decade before that American films during World War II did not portray the Japanese kindly. I'm sure it wasn't easy for people who fought the Pacific war to change attitudes overnight. That and a general no fraternization policy with occupied peoples in general are at the crux of this story about interracial romance.
Sayonara is a relevant film today. The military has always butted in to the personal lives of its personnel in ways no civilian employer could get away with legally. In America at the time Sayonara was made there were still miscegenation laws on the books in many states. Today gays in the military is a big issue. Someone may one day do a Sayonara like film on that issue.
Joshua Logan was on familiar ground. South Pacific also had racism as a component of its plot. With a sure hand, Logan assembled a great cast and crafts a beautiful story.
Marlon Brando, Patricia Owens, James Garner, Kent Smith some of the occidental players do a fine job. But the picture is stolen by the orientals here. Miko Taka hits the mark beautifully as Brando's love interest. But the real stars are the two that one both Supporting players Oscars, Red Buttons and Miyoshi Umeki.
Buttons is your everyman enlisted man Air Force member. He falls passionately in love with Katsumi played by Miyoshi Umeki. They marry and the military cruelly does everything they can to break them up. They presume to KNOW what's best for Buttons and Umeki. Buttons was a TV comedian and a fair talent, but he never got a part as good as this the rest of his career.
And Miyoshi Umeki's Oscar was the first one given to an oriental. It got a great deal of attention because at the time of the Academy Awards, Miyoshi was starring on Broadway in Flower Drum Song. I was privileged to see it on Broadway, it was the first Broadway show I ever saw. I still carry the memory of it.
That Oscar symbolized something else too. Our war with Japan was really over and we saw in Sayonara a great nation with a proud tradition and culture.
Ricardo Montalban plays Nakamura, a Kabuki Theatre actor. If Sayonara were done today, Logan would never get away with it. But Montalban is fine.
Good location photography and a grand story. This film should be revived more often it has a great moral.
- bkoganbing
- Mar 22, 2005
- Permalink
Storyline
Did you know
- TriviaAudrey Hepburn was offered the role of a Japanese bride opposite Marlon Brando but turned it down. She explained that she "couldn't possibly play an Oriental. No one would believe me; they'd laugh. It's a lovely script, however I know what I can and can't do. And if you did persuade me, you would regret it, because I would be terrible."
- GoofsWhen Eileen and Major Gruver visit Nakamura backstage, Gruver says he thought the kabuki performance could have used Marilyn Monroe, and Nakamura allows that he too is a fan of Miss Monroe. In 1957, when the movie was filmed, this conversation would have made sense. But it takes place in 1951, at a time when Marilyn Monroe was still a small-part player, little known to the public. It is highly unlikely that even Gruver would have known who she was, and impossible that Nakamura would have, that early in her career.
- Quotes
Major Gruver: [at a traditional tea ceremony: watching, as a Japanese man spends a lot of time carefully making a cup of tea] He makes such a production of everything.
Hana-ogi: The pleasure does not lie in the end itself... it's the pleasurable steps *to* that end.
- ConnectionsFeatured in Slaying the Dragon (1988)
Details
Box office
- Gross US & Canada
- $26,300,000
- Runtime2 hours 27 minutes
- Color
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