Spring Reunion

There are so many ways to approach a film: on cinematic terms alone, like "great film" or "average film" or "B-Minus" etc.

There are films that have flaws but have virtues. This is one of them.

I know it's a B-film from the 50s, when Betty Hutton and Dana Andrews were past their prime.

But: for those who like those actors professionally and as people, there are lovely virtues that are unique.

I LOVE Betty Hutton in her bombshell, younger days - when she was on fire - a firecracker who couldn't stand still -notably in one of my favorites, Miracle of Morgan's Creek.

And I really like Dana Andrews for his understated performances, especially in The Best Years of Our Lives.

And while most of Dana Andrews 50s films are pretty uninteresting, I loved the pairing between him and Betty. They are both vulnerable, in their professional life journey more vulnerable to the downward trajectory. But that gives their performances immediacy and sensitivity. They are both players characters who life has battered down a bit or more - and WHO doesn't know how THAT feels - and they bring that to their roles.

I really liked when the two of them are on screen, interacting with each other. You feel their connection to each other. Both of them are very good in their maturer, vulnerable state. To me, that's a highlight of the film- to see the two of them interact.

Everything else is secondary. The schools scenes are okay. Jean Hagen, who I like, has to struggle with an ill-defined role, and does well, as always. Her jock paramour has an even more illdefined role, and is okay.

Betty's parents do okay, in dated roles - the possessive father and doting repressed mother.

Again: if you want to see mature Betty Hutton and mature Dana Andrews bring their life experience to their work, you will enjoy their on-screen duo.

Nice little film about the ironies of life stars Betty Hutton and Dana Andrews as two former high school icons who were voted most popular and most likely to succeed. They meet 15 years later at a reunion, both unmarried and both leading aimless lives.

Hutton still lives in her hometown, partnered with her father in a real estate development firm. Even worse, she still lives at home. She graduated in 1941 and her boyfriend was killed during WW II (so was her brother) and she's never gotten her life back on track. She pours her emotions into her work.

Andrews (who broke his leg in the "big game") wanders from job to job but never seems happy or satisfied with anything. It's as if his life never recovered from the football field accident even if his leg did.

Also at the reunion are the usual types, the blowhard sports jock (Gordon Jones) who still relives his glory days, the little mother (Jean Hagen) who feels trapped by a husband and four kids, and unsuccessful guy (Herbert Anderson) hoping to sell a few used cars.

Oddest dynamic is Hutton's household, where her common-sense mother (Laura La Plante) feels estranged from her husband (Robert F. Simon) who seems fixated on his daughter as a replacement for the dead son. There's almost a sexual tension among the three adults, but since this is a 1957 movie, that is not explored.

Things come to a head when Hutton and Andrews make the snap decision to get married and daddy goes into overdrive to stop the wedding. The harder he works to sabotage the wedding, the more alarmed mother becomes. Can Hutton and Andrews withstand the interference?

1940s superstar Betty Hutton is just fine in her final film. She has a slightly shell-shocked look that fits the character. She also gets to sing a mellow rendition of "That Old Feeling." Dana Andrews is also quite good in his usual understated way. Robert F. Simon is appropriately creepy as the father, and silent film star Laura La Plante is very good (and looks great) as the mother.

Jean Hagen and Gordon Jones are fine in the minor and slightly comic subplot. There's also Irene Ryan as the high school's Miss Stapleton, and Herbert Anderson, Dorothy Newmann, Richard Deacon, and Ken Curtis among the reunion crowd.

James Gleason (billed as Jimmy) as a nice bit as a lighthouse keeper, George Chandler plays the soda jerk, Sara Berner plays the awful impressionist.

This was the final film appearance for Hutton, whose big hits included ANNIE GET YOUR GUN, THE GREATEST SHOW ON EARTH, INCENDIARY BLONDE, THE MIRACLE OF MORGAN'S CREEK, and THE PERILS OF PAULINE. This was also the final film for La Plante, whose big hits included SHOW BOAT, THE CAT AND THE CANARY, THE LOVE TRAP, KING OF JAZZ, and SMOULDERING FIRES.

I watched this movie mainly because I really like Dana Andrews in films. Unlike many big name stars, he seemed like a real person and didn't play too many pretty boy roles. However, despite my liking his films so much, I was shocked at the casting decisions. The film is about a 15 year reunion for a high school. While Betty Hutton and Jean Hagen aren't that much older than the characters they were playing, Andrews was 48--making him a 33 year-old at high school graduation!! And to make matters worse, Robert Simon played Hutton's father and he was only a year older than Andrews! I know you need to often suspend disbelief when you watch a film, but this was ridiculous! Additionally, Gordon Jones and Herbert Anderson were awfully long in the tooth to be playing such parts.

Now if you ignore the silly casting, the film itself is a nice little film, though certainly not one you should rush to see. While the film is set during this reunion, the underlying theme is life choices. Anderson has chosen to live life with few connections and he's lonely, while Hutton has stayed attached to her parents and longs to break free. Interesting and thought-provoking--but that's about it.

So much was riding on this film to re-invigorate Betty Hutton's film career that the "star" quality of Hutton in this "B" movie overwhelmed the production, making the actors supporting her really have to work to make their scenes memorable in any way. Most did well with the exception of Dana Andrews whose own career was all but on the way out. He is too withdrawn to have any chemistry whatsoever with Hutton who was really trying hard to reign in her own habit of dominating every scene. It's a nice script, an oft told tale of high school reunions but with a twist in that it often centered on the relationship between Hutton and her domineering father who seemed to want his little girl to ever remain a spinster. Anyone looking like Hutton made this spinster character a bit unbelievable.

Others have mentioned Hutton's "cross eyed" moment when she sings "That Old Feeling," but the truth is, she broke character and started chewing up the scenery when the tune which started slowly began to swing. Having seen Hutton in concert in Vegas I can say with certainty that this "cross-eyed" moment was Hutton on stage, not the shy spinster she was portraying. Interesting that they let her loose like that but then, that was Hutton. She never failed to dominate the screen when she lit into a song. I loved it. It was the last song she would ever sing in a film and thank God she gave it the Hutton touch. It may have been the highlight of the film.

Anyone interested in Hutton's career must see this film because it shows her in a more mature mode and she has a bang up scene with the actor playing her father near the end. This should have led to more roles but her own emotional problems began to surface around town and she never made another film. Too bad. Really, too bad.

There is a reason this was the LAST movie Betty Hutton ever made. All of the thing you like about "Betty Hutton Movies" are simply missing in this film. It was a resounding failure with her fans of the day.

Betty Hutton is one of my all time favorite actresses. She is one of the most adept comics of the golden Age of Movies. She can also sell a song like no body's business. There are some things she just cannot do-- unfortunately ALL of those things are present, in large quantities, in the movie.

This was the first movie Hutton made in four years. She looks much older than her actual age - which is no doubt why she has to speak the same trite line of dialogue, "I am only 33 years old", in FOUR separate scenes. Her energy level is very very low. As is her mood no matter what scene she is filming.

I love Betty Hutton, but there was clearly something wrong with her at this point in her life. She is totally missing the "spark" which her fans loved in her earlier movies. The only time the "Classic Hutton" was seen is when she sings a song at her High School Reunion.... and even this is obviously prerecorded and lipsynched.

As a "generic movie from the mid 1950s" this movie is a real stinkeroo. The plot is so stale you expect to see mold growing on it. There is not one new idea in the entire screenplay, it appears to be recycled from scenes from really bad TV dramas of the period.

There are reasons, however, to sit through this film. It was also Laura La Plant's last film. She was one of the most beautiful women of the silent era. She has a lackluster part as Hutton's Mother. La Plant is still beautiful in her early 50s. The Laura LaMont character from "singing in the Rain" is based on Laura La Plant. Interestingly, Jean Hagen, the actress who played the ditzy blond in the earlier movie, plays Hutton's sidekick in this movie.

The supporting cast also features some of the most adept scene stealers from the age of classic television. Irene Ryan (Beverly Hillbillies),Richard Decon (Dick Van Dyke Show), Herbert Anderson (the Father on"Dennis the Menace") all have small parts.

This movie is worth sitting through - as long as you understand ahead of time that it is not a "Betty Hutton Movie"