Cowboy

An unusual change-of-pace for Jack Lemmon, excellent as always portraying a hotel clerk in Chicago who invests $3800 in a struggling cattleman's next herd; he hits the trail with the cowboys as a partner and tenderfoot, though rough-hewn cattle-boss Glenn Ford has his doubts. Frank Harris' autobiographical book "My Reminiscences as a Cowboy" becomes a forthright dramatic film about responsibility and endurance, with Lemmon going through the rigors of boot camp--with cowboy boots. Ford works surprisingly well with Lemmon, and when these two--at odds from the start--stare each other down under the cloudy open skies, the tension in their familiarity seems arrived at honestly. Delmer Daves directed, with little sentiment, and the supporting cast of salty old pros is solid. Refreshing for the genre, and exceptionally well-made. *** from ****

Frank Harris was a hotel clerk who had always dreamed of becoming a ranch hand. When circumstances provided him with an opportunity, he did just that. The movie which is based on his real life exploit is called " Cowboy." In it Jack Lemmon plays Harris who buys a partnership with Cattle boss Tom Reese (Glen Ford) and is reluctantly hired on as a tenderfoot cowboy. Directed by Delmer Daves, Harris encounters all the hardships warn him by Tom Reese. What he further learns is the hard lessons concerning life and death on the trail. Reese is a hard brand who bestows the harsh lessons on his apprentice to such a degree, that what he develops into, is a replica of an uncaring, unsympathetic tough as leather trail hand. From an audience point of view, Ford fits comfortable in his role, but Lemmon seems a bit out of his element. Still, it's fun to watch as both men work to ply their craft. A good film with the addition of experienced cast members, like Brian Donlevy and Dick York. Recommended to Ford and Lemmon fans. ***

Jack Lemmon's second dramatic role and his only western was this bowdlerised version of Frank Harris' unreliable memoirs 'My Life Out West' which represented a further step in the move by Delmer Daves - a director incapable of making a dull film - from rugged outdoor fare to romantic melodramas when he took Lemmon out of his accustomed urban environment and teamed him with Glenn Ford; who later the same year himself made a memorable venture into comedy with 'The Sheepman'.

As might be expected much of the humour derives from Lemmon looking incongruous in a stetson, while in a supporting role Brian Donlevy is permitted rather more depth than usual.

Formidable Western full of action , ironic touches , fascinating drama , Mexican fiesta , cattle round-up , romantic episodes and fabulous performances . Fine and classic Western by Delmer Daves with a magnificent Jack Lemmon and a restrained Glenn Ford . It's a wonderful adventure film format "western" itinerant, full of amusing events , danger and life lessons . In the 1870s a Chicago hotel clerk named Frank Harris (a notoriously mendacious Jack Lemmon in his usual role ) dreams of life as a cowboy , and the tenderfoot gets his opportunity when , jilted by the dad of the girl (Anna Kashfi) he wishes , he unites forces with Tom Reece (Glenn Ford) and his cattle-driving team (Dick York , Richard Jaeckel and Brian Donlevy) . Soon after, though, the ex-clerk finds out existence on the range is neither what he expected nor what he's been wishing . The brave clerk agrees to covenant with Tom a 2.000 mile cattle drive from Chicago until arrive their destination in the Rio Grande , overcoming several risks , avoiding Indian attacks , cattle stampede and several other things .

This first-rate Western draws its riveting tale and power from the interaction of finely drawn roles as well as adventure and action . Good adult Western with exciting battle of wits between an obstinate clerk and an expert cowboy . Interesting and likable screenplay based on own reminiscences by novelist Frank Harris and well adapted by the notorious Edmund H. North and the black-listed Dalton Trumbo . Delmer Daves does a good work , an energetic and exciting movie , pitting two antagonist characters against the rugged toughness forced a vast natural environment throughout the trail . Highlight the exemplary value of the landscape as essential dramatic figure, and the narrative takes a brisk pace but not fast, a dash dense but not cumbersome. Glenn Ford as stern boss does an excellent interpretation along with a great cast that appears beautiful Anna Kashfi and other nice secondaries as Dick York , Richard Jaeckel and special appearance by veteran Brian Donlevy. Striking cinematography by Charles Lawton Jr who reflects masterfully the spectacular outdoors . Atmospheric and stirring musical score by George Duning , well conducted by habitual Morris Stoloff . The motion picture is well directed by Delmer Daves - including his characteristic use of landscape- , a Western expert as proved in ¨The hanging tree¨ , ¨3:10 to Yuma¨, ¨The last wagon¨, Jubal , ¨Drum beat¨, ¨Return of the Texan¨, and the notorious ¨Broken arrow¨ . And of course ¨Cowboy¨ that turns out to be stylish, fast paced , solid, meticulous and with enjoyable look . This well acted movie is gripping every step of the way . An unjustly forgotten film results to be a good western and remains consistently agreeable . Rating : Above average , worthwhile watching .

I found this movie to be excellent. I think it did not find an audience because of its dark tone. It explores the concept of death in a unique way for a western. The light comedy interspersed was a nice relief. Definitely worth watching for any western fans. Glenn Ford was magnificent. Jack Lemmon, while showing his flair for comedy, was subtly profound. The movie itself is profound in a subtle way. We can relate to Lemmon's character easily-stuck in a boring job and wishing for something more. Finding something more however, doesn't bring the joy he thought it would. He changes and grows;his relationship with Ford is terrific. This is not a western that glorifies the life of the cowboy. Rather, you see the grim, hard life that tries to suck the sweetness of man out of him.